Edinburgh, Melbourne and Brisbane

The Nectarine No 9

Nebraska Falls (Postcard/Shake)

Fried for Blue Material (Creeping Bent)

Dave Graney ‘n The Coral Snakes 

The Mercury Years 1994-1997 (Universal)

The Go-Betweens

G stands  for Go-Betweens : Volume One 1978-1984 (Domino)

The recent news that the Sexual Objects were releasing a one item only album with the added attraction of the purchaser getting the rights to distribute it as they see fit struck me as a suitable comment on the state of the music industry.

Around the same time of catching that news my friend Bob Stow wrote me a series of e-mails to me around the subject of catching Dave Graney and Clare Moore in London during 2014. Bob’s always potent writing brought to life three gigs I had sadly had to miss.

Coincidentally towards the end of last week I had been prowling the nether regions of Amazon and I chanced upon some reasonably priced copies of two Nectarine No 9. albums I hadn’t got,  and the recent Mercury Set of Dave Graney and the Coral Snakes albums from ’94 to ’97.  Synchronicity and all that.

Add to that the recent release of part one of The Go-Betweens retrospective which apart from the thee original albums from the 1978-84 period has the early singles on vinyl and  four CDs worth of rare, unreleased material and you have on your hands a wonderful few hours of listening.

I spent a lot of the early 90s working too hard and developing a career and most of my disposable income was spent on the rather large collection of jazz  and music by The Fall which surrounds me as I type.  It was only Mr Stow, and fellow Northamptonian Mr Gibbins, that kept me up to speed with what should have been listening to in the slightly off the mainstream world of rock and pop. Three memorable recommendations from that period were The Go-Betweens “Springhill Fair”, the Nectarines “A C with three Stars” and Dave ‘n’ The Coral Snakes “The Lure of the Tropics” all of which eventually lead to the lifetime appreciation and collection of the work of Messrs Forster, McLennan, Henderson and Graney.

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With Mr Graney’s “Fearful Wiggings” fresh in my mind as one of the outstanding albums of last year I was pleased to receive my collection of albums from Amazon this week, time to bask in the heady days of the latter end of the last century and bring back some happy musical memories.

Of course I really wanted to find a copy of the Nectarines  “Guitar Thieves” or a reasonably priced copy of one of Henderson’s Win albums (£99 for the first one I thought was a tad steep) but I’ve made do with the Canadian imprint “Niagara Falls” which includes versions of most of “A C With 3 Stars” and one or two rarities including a cover of VUs “Inside of Your Heart”. The companion Nectarine disc “Fried for Blue Material” takes the more esoteric element of the debut album and builds on them to create a combination of songs, incidences and impressions. Another hidden gem in Mr Henderson’s impressive canon.

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The Dave Graney box set encompasses three crucial albums from the great man’s career between 1994-1997. The first “You Wanna Be There But You Don’t Wanna Travel” is stuffed to the gills with Graney treasures from the triumphant “Warren Oates” to the exquisite and nostalgic “There Was A Time”  and many more between. The writing. musically and lyrically on the this album is Dave at his very best. The second “The Soft ‘N’ Sexy Sound” was the one that got Dave his Aria and it’s easy to understand why. He moves from the tongue in cheek near-pop of “Apollo 69” through the soulful “I’m Not Afraid to Be Heavy” to the intense “Scorched Love Affair” to the utterly marvellous “Morrison Floorshow”.  The third album “The Devil Drives” was a strong hint of Dave’s future direction post ‘Snakes, the songs becoming less pop and more unique musical narratives, fascinating in their construction and subject matter. A remarkable collection of music.

It does beg the question why Mercury didn’t go for the whole DG & CS canon and include the outstanding “Night of the Wolverine” and the unforgettable live album “The Lure of the Tropics” – but what would I know I don’t run a record label now do I? (I’m being ironic)  A pity really having all of that in one place would have been great and they could have included the tracks from the Bonus Disc from The Soft ‘N Sexy Sound that are not on Crayfish Palace Royalty disc which forms part of the four piece box set. The set of rarities includes a raft of rare tracks including the nascent version of “Morrison Floorshow” in the form of “It’s Your Crowd That  I Hate”.

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And so to the Go-Betweens.  Now then, I have the bulk of their stuff in one form or another and it’s all marvellous,  but the recent Domino box set does allow the opportunity to hear the complete development of their early work in one place. Particularly interesting is the compact disc of earliest material from 1978/9 and the nascent sound of the song-writing duo that would build into incomparable team that delivered so many fine albums and songs.

The box set includes the first vinyl re-pressings of their first three studio albums in over thirty years (Send Me A Lullaby, Before Hollywood & Spring Hill Fair), all re-mastered from the original analogue tapes.  However it is the rarities and live sets that uncover a band developing from stripped down angular post-punkers into a fully fledged unique and incomparable band.

I can’t think of many bands or musicians who have consistently given me listening pleasure over the last forty years as much as The Go-Betweens, plus Davy Henderson and Dave Graney in their variations incarnations. They rank alongside Beefheart, Zappa, Miles and Trane, and of course The Fall as people who enriched my life.

I recommend all of these releases to you unequivocally, but then I would wouldn’t I?

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2 thoughts on “Edinburgh, Melbourne and Brisbane

  1. Why is striking in the Graney collection is how the “The Soft `n `Sexy Sound” makes a definitive break from the touring rock song styles hitherto deployed by Dave to a studio based sound facilitated by ex teen Moodists sparky Van Vught. This disc still contains the abrasions of “Morrison Floor Show” and “Rock `n `Roll” meaning “The Devil Drives” is actually the soft `n `sexier recording, going much deeper into ambient soundscapes and heavy arrangements (also endorsed by the outtakes on “Crayfish Palace Royalty”; love those Frank Bennett tracks by the way). The rarities album most Daveites should have but it`s great to hear them together in one place. The AC/DC cover is just masterful.

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