It’s that time of the year, between Winter and Spring, when things go a little quiet. A lot of what has been sent over to me in the last week or so hasn’t made the cut. There are one or two exceptions worth bringing to your attention.
Mr Graney and his mistLY will be over from Melbourne next week, he starts off north of the border and then makes his way down to this neck of the woods for a Marc Riley Session down at Salford Quays on 13th April and then an intimate gig at the Eagle in Salford on the 14th before heading west to the Welsh coast for what looks like a fascinating ATP curated by Stewart Lee. Places are limited to 75 for the Eagle Gig so North West Graney fans are advised to book tickets at the German Shepherd Merch Page. Dave is supported by local band Poppycock lead by Una Baines (ex Fall and Blue Orchids) and a solo set by new German Shepherd star Franco Bandini.
Dave is releasing a series of singles throughout the year the latest one is a bit special. As Dave says “It’s a kind of tribute to lousy gigs, jinxed rooms, bad nights bum crowds. Inspired in parts by a Willie Nelson track from early 2000’s called ‘I never came in here (and I ain’t leavin’)’. The tracks forms around a funky beat that Dave Graney cooked up and asked Clare Moore to drape a string of pearls over. (Over the cymbals- to get the right ambient sound) It follows February’s “I’m A Good Hater” and will be followed in turn by “I Been Trendy” in late April. The plan is to release a track each month. This Is the Deadest Place That I’ve Ever Died In is a “punk funk” stomper recorded at the Ponderosa by Graney and Moore. A video clip comprising a series of photographs by Barry C Douglas aka Barry takes Photos at a ghostly tourist haunt along the road between Adelaide and Melbourne is hear for your listening and watching pleasure.
The forthcoming album from Saint Lawrence Verge is trailed by the release of another track “Equinox” this week. The album will be available for pre-release on April 8th and I’ve an interview with the band to share with you next week. Pending that have a listen….
Here’s an exclusive clip of Hiatus Kaiyote rehearsing their track ‘The Lung’ from the album ‘Choose Your Weapon’ ahead of their UK tour this April. This will be the first time they have played this track live. They play live at O2 Ritz, Manchester on 27th April 2016, with support from Jordan Rakei. The show is promoted by Band on the Wall.
Baltimore-based Grimoire Records is preparing the upcoming third album by West Virginia stoner/noise metal trio Rhin for release in May, with “Passenger”. Following their well-received 2014-released Bastard LP, the new album sees the band delivering just under thirty-four minutes of pummeling new riffery. I’ll be featuring it on the Sonic Attack podcast, however I haven’t got anything from the new album to share so here’s a track from the previous one to whet your appetite.
Stuart Dahlquist and Edgy59 are The Poisoned Glass, they release their debut album via Ritual Productions in April. On “10 Swords”, intense industrial electronica merges with unique vocal pyrotechnics to create a unique sound. “The Poisoned Glass started with the song ‘Silent Vigil’, a twelve-tone progression Dahlquist had originally intended as a tonal bass solo. After experimenting, he felt that the resulting sound was heavier, more despondent and unforgiving than any of his existing projects and sent the rough mix to Edgy, who understood immediately that this music represented perfectly both voices as a unit. In spite of seemingly limiting instrumentation The Poisoned Glass is far from minimalist; ‘the atmosphere is bleak yet tonally dense, a virtual sonic attic-warm but without air, breathles.'”. Pretty intense stuff folks!
Scott Kelly (Neurosis) and producer/engineer/sonic warlord Sanford Parker (Buried At Sea) are a restless pair. This inquietude has culminated in another collaboration. The two work together in Corrections House, a project that also features the talents of Mike IX Williams of Eyehategod, and Bruce Lamont of Yakuza. While Corrections House seem hell-bent on impersonal bludgeon and unfettered terror, the pair’s latest project, Mirrors For Psychic Warfare by comparison – is far more restrained. It is released on April 22nd. It’s a great release, full of dark corners and brooding intensity, very atmospheric Here is a live taster from last year. Watch out for it on the podcasts!