I readily accept, and am cognizant, that “free” jazz, and improvised music in general, is not to everyone’s taste. “When does the tune start” is the clarion call from those of my colleagues and friends who are not pre-disposed to this particular form of aural delight. However. it has been a major part of my listening for many years and I often feel the need to proselytize in a, possibly, vain attempt to convert, at least, some hardy souls to the “dark side”. Put it this way there are scant few of my chums that “get” this music, and to some of them it is not even music.
Anenome is the collective name for Peter Evans piccolo trumpet ; John Butcher tenor, soprano saxophones ; Frederic Blondy piano ; Clayton Thomas double bass, and Paul Lovens selected and unselected (sic) drums, and cymbal. They all got together at Tampere Jazz Happening, in Finland, on November 2nd, 2013 to create the music on the March release on NoBusiness Records called “A Wing Dissolved In Light”. The album comprises one long piece, Une Aile Dissoute Dans La Lumiere (the french translation of the title), which is split into two 25 minutes sections to cope with the limited edition vinyl format.
Writing about improvised music is often a challenge, the key problem being that it is difficult to capture the myriad occurrences five musicians, on top of their game, can create in a fifty minute session. Suffice to say it moves from manic, often guttural utterances from Evans and Butcher, via abstract but sometimes melodic melancholic piano interventions from Blondy and alien and ambient sounds from Thomas, and is all underpinned by restless percussive deconstruction from Lovens, who is the go-to percussionist for these sorts of experiences.
It has always fascinated me how musicians can achieve the mindset to be able create pieces like this. Technique is clearly an important issue but there must be a capacity to let go of all the training and descend into the maelstrom that emerges from the speakers. It is always a positive thing for me when you can’t discern which instrument is creating which sound in this sort of environment. It is mostly impressionistic of course, there is no tangible hook or melody to latch onto and it moves organically through various phases over the 50 minute time frame. No doubt most of my friends will turn off after a few minutes but for me it grabs the attention for the full duration.
This is impossible to dissect for radio programming unless one had a long form show of around five hours to allow the breathing space to include the whole of music like this Editing it down into a reasonable size for a shorter broadcast seems somewhat sacrilegious, so you don’t get to hear it on World of Jazz, you will just have to take my word for it, or indeed purchase it yourself , but there are only 500 copies so you’ll need to be quick.