By my reckoning we now have the fifth Monkeys In Love full length after “Death Jeans”, “Will Pet and Cuddle You”, “Take The Biscuit”, and “Live in Stoke Newington”. It’s called “Monkeys In Love Are Ready For The Mountain”. First thing to say is that, as usual, it’s excellent, and, as usual, it’s markedly different from what went before, a hallmark of the “Monkeys” approach.
The difference this time around is that the melodic hooks are not so overt. They are constructed to work seamlessly within the whole of a song rather than being a defined part that implies a change within the construct of a piece. There are trademark Monkey earworms in play but they take their time to sink in and lodge in your mind on the second or third listen. Musically there is some continuity across the ten songs giving an overall conceptual mood to the album as Steve narrates the story. The groups love of library and advertisement music is perhaps more palpable in these songs. In considering this release in the body of work as a whole, and specifically the preceding album, a comparison would be the difference between “Selling England by the Pound” and “The Lamb Lies Down On Broadway”, or, “The Who Sell Out” and “Tommy”, in that there is a more theatrical feel to this album than its predecessors.
The band introduce the album as follows:
The album features ten new songs that trace the nervous breakdown and eventual quasi-spiritual rebirth of a beleaguered office worker. Musically speaking, there’s a kind of mid-80s college rock thing going on in our sound this time round and although we’d love to say it was a deliberate artistic choice owing to the alarmingly mid-80s political climate of late, we can’t honestly remember if it was a conscious choice or not.
The band admit that production/recording is “ever so slightly slicker on this album. It’s still pretty lo-fi, but a lot less lo-fi than previous releases“. The lyrics also follow up on a couple of songs from the previous album ‘Monkeys In Love Live In New Stoke Newington’, but the listener is left to work out which those songs are and how they relate to this album.
The line up for this release is
Danielle McCullough: guitar, flute, recorder and melodica
Eamonn Murphy: guitar, bass and FX
Laura Simms-Luddington: singing
Steve Simms-Luddington: singing, keys, programming and FX
The plan is to re-release the whole back catalogue so comparisons can be made with previous material for those jumping on at this stage. Steve promised me an out-takes/rarities album for German Shepherd a couple of years back – still looking forward to that!
Any how – quality stuff, wrap your ears around it.