Salford Music Festival 2016

Dear reader it’s that time again, the last week in September, when I wax lyrical about the utterly wonderful Salford Music Festival. . Now in its’ seventh year this grass roots, no nonsense event, is part of the musical life blood of the city in which I live. Often overshadowed, in entertainment terms at least, by our noisy neighbours in Manchester, this Festival plays a big part in redressing that imbalance and puts Salford firmly on the map, where it deserves to be.

The difference between any other festival that you might care to join in on is that it is absolutely free for punters, no wristbands, no overpriced beer or food, and no tents. Ed Blaney’s desire for the events to be free is a key driver for the popularity and success of the three day celebration of music. And the added benefit is there isn’t a tribute band in sight.

The Festival has been stripped back to three days this year, Thursday 29th September to Saturday October 1st, and centres around the Chapel Street/Blackfriars area close to Manchester City Centre, and the peoples republic of Eccles and the delightful village of Monton, just five minutes up the road from where I happen to live. This more compact and focused approach makes this years Festival feel more important and vibrant than ever.

And of course I have a direct interest in that I am looking after two nights at the Eagle Inn – Friday and Saturday.

So what can you expect?  Well all the gigs are listed on the Salford Music Festival website so I encourage you to go there, but here are a few of my highlights from the three days……

THURSDAY

The ultra talented Tamsin Middleton (Mr Heart) has a solo show at The Crescent at 8:30pm followed by ded.pixel and The Kingdom

The excellent Salford Arms has Duke and the Darlings, Wintergreen and Crimsons

Bobby Peru close the night at the always  excellent Wangies in Eccles with support from The Comics and Sioux.

FRIDAY

The beautiful Sacred Trinity Church is the main stage for a headline concert featuring local big new things Cabbage, the excellent Blaney, Sound of Thieves and Jess Kemp

The Eagle Inn has the first of two German Shepherd Nights with The Junta, Bouquet of Dead Crows, The Scissors and Kit B.

Highly regard all female trio Liines play The Crescent.

SATURDAY

The second German Shepherd stage at the Eagle features Taser Puppets, Poppcock, JD Meatyard and West Coast Sick Line.

Highly regarded Death to the Strange play The Crescent.

A packed day at the Salford Arms sees seven acts on between 5pm and closing time.

Milton Keys duo The Rusty G’s play Wangies.

Y Key Operators with guest bassist John “The Junta” Montague play the Blue Bell in Monton.

Here are some examples of what to expect over the weekend. I hope to see you at the Eagle for what promises to be an excellent weekend.

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Fascinating Things : Issue 72

Right then dear reader this will have to be a big one, else I will never catch-up. Things have been zipping in from the ether at a rapid rate. So i’ll keep each portion shortish….

11 Paranoias release their fourth album “Reliquary For A Dreamed Of World” on 28th October 2016 on Ritual Productions. Adam Richardson, Mike Vest and Nathan Perrier’s heavy psychedelic rock pulls no punches as evidenced by this edit from album closer ‘Milk of Amnesia’.

“Agartha” is the fourth studio album by Finnish quintet Oddarrang and their second for UK label Edition Records. Taking its name from the legendary world that is said to reside in the Earth’s core, ‘Agartha’ , a title used by Miles Davis for one of his live albums many years back, this is much anticipated. The preview track ‘Mass I-III’ offers a glimpse of what to expect i.e. epic post-rock.

7th October sees the release of the “Arise” album  by synth-pop duo Perpacity who deliver moody, darkwave tunes via crisp and modern production. As featured on Autal Delights 194 and 198.

Hypnopazūzu sees Current 93 main man  David Tibet joining forces with Youth, famed not only for his work as bassist with Killing Joke but for production and collaborative work with an eclectic list of artists from Alien Sex Fiend to Paul McCartney. Together, they’ve created a singular  album  “Create Christ, Sailor Boy” which defies simplistic comparison.  As featured on Autal Delights 194.

Steve Hauschildt, kranky’s  electronic kosmische guru, and once a member of the seminal outfit Emeralds, follows up the release of 2015’s “Where All Is Fled”, with the announcement of a new LP, entitled “Strands”, due October 28th. Delicate high quality synthesis which sets the bar for the electronica genre.

Portland, Oregon hardcore punk legends Poison Idea have recently resurrected the American Leather Records imprint, the band’s own DIY label that initially released the hardcore punk essential “Feel The Darkness”, along with “Blank”, “Blackout”, “Vacant” and a series of singles throughout the late 80’s and early 90’s. The label presents the latest material from the band, following their full length comeback record, 2015’s “Confuse & Conquer” for Southern Lord. Business commences with a 5-song limited edition 12” EP of new material, which is available at the band’s official online merch store. They have also released this video for one of their brand new songs ‘Calling All Ghosts’.

While we are in hardcore punk territory check out the recent album from Lies – brutal, fast and unforgiving.

Southern Lord are shining the spotlight on Denmark again for their newest signing, in the form of Frederica’s Lifesick, a hard hitting act that take aggressive, mosh pit friendly hardcore and add it to morbid extreme metal. Their debut LP, “6 0 1” (recorded at Dead Rat Studio by Jacob Bredhal and mastered by Brad Boatright), will be released by the label on vinyl and digital formats in November, following on from the CD release by FWH Records.  Noisy.

Due to an unfortunate leaking of the eponymous debut Predatory Light full length, the band has elected to make this material available for digital streaming/purchase on Bandcamp. All purchases support the band directly. CD & CS editions will be available publicly in mid-September alongside exclusive merchandise. The LP edition will follow later this autumn via Invictus Productions and Psychic Violence Records. Epic metal is the best description.

14th October sees the release of the “Trio” EP by Boston’s Dyr Faser who take psych garage rock and elevate it another level with the use of beats and synths. Mesmerising, slightly Ktautrock and enough jangly guitars to shake a stick at. Dyr Faster is comprised of Eric Boomhower (vocals, guitar, synth, Casio), Thalia Zedek (guitar, slide, backing vocals) and Katherine ‘Kate’ Murray (synth). Most enjoyable.

And to conclude the first of many reminders about the Salford music festival which starts on 29th September and concludes on 1st October. It’s the seventh year of the  festival and the line-up is excellent and ALL the gigs are free. All the information on the festival can be found at the festival website.  If you are in these parts over that weekend you can get a superb range of excellent music, and i’m of course going to mention our two German Shepherd Records stages at the Eagle Inn on the Friday and Saturday night.

Friday 30th September 2016
7:30 PM – The Junta
8:15 PM – Bouquet Of Dead Crows
9:15 PM – The Scissors
10:15 PM – Kit B

Saturday 1st October 2016
7:05 PM – Rose & The Diamond Hand
7:55 PM -Taser Puppets
8:45 PM – Poppycock
9:35 PM – JD Meatyard
10:25 PM – West Coast Sick Line

Fascinating Things : Issue 71

Still catching up on about three weeks worth of submissions so some of the below might be slightly out of date…..

Hot off the press is news of the  much anticipated third album from Harry Howard and the NDE, which  is teased with a pay what you want track “The Only One”. The album is called “Sleepless Girls”. Marvellous!

Politburo, from the place on the other side of the Irwell, kindly donated a track to our “Salford Streets” charity album a few years back,  i’ll return the favour by bringing to your attention their album “Barrington Way” which is rather fine indeed.

The somewhat musically schizophrenic Sky Between Leaves journey between Krautrock, Dream Pop, Post-Punk and Space Rock in this four track EP  called “Klein Blues”. They are a trio from Brazil who reside in East London.

The utterly wonderful Opposite Sex , described as post-post-punk,  released their new one in August, just got around to listening to it.  Chaotic but charming lo-fi majesty….

David Pajo last released something as Papa M back in 2004, indeed we have to back as far as 2001 for an original release. That will be remedied on November 11th with a new album.  Here’s the single from it….

I’m very pleased to share the song “Odal” from Wardruna´s upcoming album “Runaljod – Ragnarok” set to be released 21 October through By Norse Music.
This release is the third instalment in a trilogy of albums that began with Runaljod – gap var Ginnunga (2009) and continued with Runaljod – Yggdrasil (2013). The song itself features special appearances from main man Einar Selvik’s own children. Wonderful percussive epic music.

 

 

 

Fascinating Things : Issue 70

A bit of a long gap between this blog and the last one – mostly due to being busy organising gigs and releases for German Shepherd . We are doing two stages at this years Salford Music Festival, on Friday 30th September and 1st October,  and there’s been a touch of fettling required due to various unforseens. It’s all settled now and we have four bands on the first night – The Junta, Bouquet of Dead Crows, The Scissors and Kit B, and five bands on the second – Rose & The Diamond Hand, Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line. The line-up is very attractive and it’s free so i’m hoping a few will turn up at the Eagle Inn in Sunny Salford. The major issue at the moment is the great amount going on in Greater Mancunia and the challenge is to get those hardy souls who like cutting edge music out into the night to watch the bands. There may be further antipodean adventures later in the year, but i’ll keep my powder dry on that one. Anyhow the cricket season is nearly over which means I should have some spare time. One more match to go………

So, as I have not done anything on the blog for a couple of weeks, things have mounted up. Of necessity therefore here are some brief notes to whet your musical whistle……

Et Tu Brucé return with a new video for “Laska”, which is on their eponymous album. A band which manages the clever balancing act between a recognisable sound and being innovative without resorting to genre cliches and industry cloning. A delightful tune well worthy of a listen.

Following the release of their self-titled debut album in 2011, and 2014’s Mutations, Obake are back. Their third LP, entitled “Draugr”, signals both a return to the origins of the band “and a purification of their sound” whatever that means. It is  released on October 28th via Rare Noise Records. No material as yet but I will share on receipt.

Cardiff’s Slowly Rolling Camera have announced the release of a new one called “All Things” on 4th November…….soulful vocally with some interesting stuff going on behind it by the sounds of it….one to watch out for I would venture.

Cinematic post-rock, a bit Sigur Ros but less ethereal, is the order of the day from Floating In Space. New album “The Edge of Light ” is out on October 14th, You get some glimpses of the  content here below. A rich confection of sounds…..

So the promo on this next one says “Honesty comes in many forms, with DUNT, it’s a clattering blow to the consciousness via an Edinburgh-based genre-melding punk/speed metal four-piece.” My immediate reaction revolved around what the hell the drummer was up to in the video…..i’m not sure on this one, i’ll leave you to make your own mind up, i’ve never been a big skate punk fan….but it will get some airplay on one of the podcasts.

Graney and Moore are back with a new one, as part of the “one release a month” project for 2016, and it’s a bit special. When DG goes for the jugular on “political” issues he does it with some style and class. The object of his ire on this one is fairly clear and more power to his elbow for that. Musically Dave and Clare never fail to disappoint and the variety of material in this run of singles has been pretty damn fine. I love the cover image ……..

Talking of matters Melbournian, a plea to the chaps at Witch Hats to release their latest album “Deliverance” in digital or indeed CD form so that those of us who don’t do vinyl can have a copy. Unless I am missing something I can’t find a non-vinyl version anywhere.If you aren’t blown away by the opening track “Weekend Holocauster” then I fear for your mortal soul.

And to conclude our diversions in Melbourne, shoe-gazers, Bloodhounds on My Trail, have a new single out called  ‘Over The Wall’ via Texas-based Moon Sounds Records. Reverb drenched stuff which has a timely autumnal feel. Vocally it touches on Barney Albrecht in my head for some reason. Real wall of sound stuff.

Back to the nothern hemisphere and northern britain and I am contractually obliged to advise you of the release of a new one by Moff Skellington, his 31st album. Moff’s been making Mark E. Smith look like a bit of a slacker of late, with his fourth album this year. Sublimely titled “The Gloating Mustards of Error” the bard of Abstercot is in fine fettle exploring, as he does, that strange place between dreams and reality embodied by Eddodi. I live in eternal hope that the rest of the known universe will eventually catch on to what this guy is up to, his unique use of language and musical instruments deserves recognition in an “entertainment” business stuffed with tribute bands and industry clones.

Sofia Härdig‘s new one appears to be about maps and car parks at least in video terms. Musically it sort of hovers between Banshees and PJH, the promo people aim to draw a Sonic Youth comparison which I don’t get, and a Pixies comparison, which I sort of get…..good stuff

The promo says “Newcastle based alternative five piece Bernaccia mix choral and tribal rhythms together with sweeping soundscapes and neo-psychedelic guitars. September 2016 sees the release of their next single “Angel””. I say,  the revolving door of post-punk, pre-goth, pre-shoegaze comes around again with a nod towards the noir cinemania of say Crime and the City Solution, and one or two other things of that ilk, it reminds me of a cold November night in a half empty Hacienda in 1983 , you know before youth culture finally cottoned on……said track is featured on the most recent Aural Delights Podcast – see how I slipped the shameless self promotion there whilst you were not looking…..?

To conclude, following on from the  recent “Bath White” EP by 50FOOTWAVE , a further release from indie music legend Kristin Hersh, renowned for her solo work and as frontwoman of  Throwing Muses. Called ‘Wyatt at the Coyote Palace’, the double CD and book combination releases in the UK on October 28, 2016 . Ms Hersh is on tour in UK and Eire during November landing at Gorilla,Manchester on November 13th for those of you who live around these parts. I’ve asked for a review copy of the new album for which I wait with baited breath….

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Credit : Peter Mellekas

Fascinating Things : Issue 69

After a busy week curating our German Shepherd showcase at the The Eagle in Salford, more of that later,  I now have time to concentrate on reviewing new music that has come my way over the next few days.

First up, over to America for Troup, based in Los Angles, but with a UK connection as the lead singer is from Wales and the drummer is from near Liverpool. They recently released the title track from their forthcoming EP, “Mercury and Gold”, which, with it’s classic melodic rock vibe is well worth a listen. This is quality stuff and leader Alex Troup has a unique quality to his vocals which sets the band apart from others in the genre. One to watch I think.

There’s a lot of lo-fi dream pop coming out of Northern Ireland at the moment. Some of it good, some of it not so. This is one of the better examples from Beauty Sleep

The first year of House of Mythology label continues to be a busy one with the impending release of The Stargazer’s Assistant new four-track  full-length album, Remoteness of Light, set for release on 26th August. The latest album reveals an expanded line-up for the group, featuring David J. Knight (Shock Headed Peters, UnicaZürn) on treated guitars and FX, Michael J. York (Coil, Cyclobe) on pipes, FX and field recordings along with the originator of The Stargazer’s Assistant, David J. Smith (Guapo, Cyclobe) on percussion and sampled atmospheres. Sadly the tracks are far to long for podcast play but I may attempt a radio edit so I can share the music,  Here’s a trailer for the album

New Model Army have  unveiled their official video single for ‘Winter’ and deliver news of their forthcoming album release of the same name. Returning with their first full studio album since their acclaimed “Between Dog and Wolf” kick-started a creative renaissance in 2013. This album saw the band receive the best critical response of their career and top 30 chart positions in UK and Germany, their first in over 20 years, while Matt Reid’s 2014 documentary feature film “Between Dog and Wolf: The New Model Army Story” drew further interest to this most unique of groups. “Winter” will be released on August 26th on the band’s own Attack Attack label via Red Essential in the UK and via earMUSIC worldwide. Formats include special bookpack CD, double gatefold vinyl, download and streaming.

Last Friday saw the latest in a series of showcases for German Shepherd Records at The Eagle in Salford. The debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo  for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. Fortunately Rick Sarko was on hand to capture some of the night so I can share the vibe with you. The general feedback on the night was excellent with the Italians blowing people away with their ultra tight playing and epic performance. The showcase returns as part of Salford Music Festival on 30th September and 1st October again at The Eagle.

 

1000 JAZZ ALBUMS YOU REALLY OUGHT TO HEAR – 0005 : JOHN COLTRANE – COLTRANE “LIVE” AT THE VILLAGE VANGUARD

Impulse

1962 (CD)

  • John Coltrane — soprano saxophone on “Spiritual” and “Softly As In Morning Sunrise”; tenor saxophone on “Spiritual” and “Chasin’ the Trane”
  • Eric Dolphy — bass clarinet on “Spiritual”
  • McCoy Tyner — piano on side one
  • Reggie Workman — bass on side one
  • Jimmy Garrison — bass on side two
  • Elvin Jones — drums

Subsequently re-emerging  as part of a mammoth box set of Coltrane’s four night residency at the famous New York Club this one really split the critical crowd when it was released. In hindsight Coltrane’s explorations, over lengthy tunes, seem relatively benign in comparison with what was to follow, not only  from the man himself, but also a whole sub-genre of avant-garde and free improvisation which may well have been prompted by these music endeavors. The critical response at the time was extremely negative in parts, which perhaps says more about the music writing establishment of the early 60s than it does about ‘Trane.

Three performances were selected for this initial release from the four nights of recordings.  The standard, by Sigmund Romberg and Oscar Hammerstein II “Softly as in Morning Sunrise”, plus a second entitled “Spiritual”, possibly an adaptation of the traditional “Nobody Knows de Trouble I See”. The third selection, the sixteen minute trio blues “Chasin’ the Trane”, has been described as one of the most important recordings in jazz combining  free jazz, jamming, and neoclassicism.

In it’s own right this release stands out as one of the most refreshing jazz recordings of all time. Even over 50 years later it still has the capacity to shock the listener. When put in the context of all of four nights it becomes a fascinating exploration of a musician looking for new avenues of expression. Coltrane indicates that he was following the lead of Sun Ra horn player John Gilmore when developing this music and its worth while tracking down contemporary material from Gilmore to hear the comparison.

An essential listen for anyone who wants to understand the impact of Coltrane on the world of jazz.

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Fascinating Things : Issue 68

It’s been a busy old year and as we are well into the second half thereof there doesn’t appear to be any slackening of pace of new and exciting outsider music. Whilst the mainstream seems obsessed with churning out the same old clones of increasingly irrelevant music or raking over the work of deceased stars, if you get below that into the real world of music you will find lots of exciting things…..

I’m pleased to announce we will be putting on two shows as part of this years Salford Music Festival. On 3oth September and 1st October we are at the excellent Eagle Inn on Collier Street in Salford, just off the Inner Relief Road, and have two excellent line-ups. Both gigs are free entry, Friday will see Cambridge bands Bouquet of Dead Crows and The Scissors up for a visit, as well as techno guru The Junta, and the increasingly legendary Manc/Salf stalwarts Kit B.  Saturday sees Rose and the Diamond Hand, Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line. More details of the rest of this years Salford Music Festival will follow.

Omar Rodriguez-Lopez (At The Drive In/Mars Volta) has premiered the video for ‘Running Away’ from the latest in his ongoing series of solo albums, “Corazones”.

The film, which was directed by Violeta Felix and shot by Adrian Blanco, features Omar in a series of Los Angeles-based encounters with friends who might not be terribly happy to see him. Guests include Buzz Osborne, Teri Gender Bender, John Frusciante, Robin Laananen, Tatiana Velazquez, Aura T-09 and Eva Gardner.

Omar, in partnership with Ipecac Recordings, recently announced the release of a series of solo albums, which kicked off on July 15 with “Sworn Virgins”. The previously unreleased albums were recorded from 2008 to 2013, while he lived in Zapopan, Mexico and continued when he returned to El Paso. The titles are released on a bi-weekly basis with the first spate of albums running through the end of the year. Each album will see a digital release with a limited number of physical copies (CD) available on Rodriguez-Lopez’s various live outings. A limited edition CD/LP box set will become available in 2017, once the full run of releases are available.

The releases can be purchased via Bandcamp  and iTunes.

New York City synthesis trio Forma have shared the title track from their third LP, “Physicalist”, which is released via kranky on September 23rd.

Since their acclaimed self-titled debut in 2011, Forma have been perfecting a distinctive style of improvised kosmische and minimalism that blends swirling arpeggios, ambient soundscapes, and driving motorik beats. “Physicalist” is described as a sprawling, double LP journey featuring new member and multi-instrumentalist John Also Bennett, who replaced Sophie Lam in 2014. The first Forma album to include acoustic instrumentation, Physicalist owes more to American composers like Harold Budd or Terry Riley than Klaus Schulze and other Krautrock visionaries. The album was recorded during marathon sessions at Brooklyn’s Gary’s Electric studio, and is packaged in a gatefold jacket with original artwork by Robert Beatty and a liner notes essay by writer and critic Michael Barron. Physicalist was mastered by Bob Weston.

Formed in 2010 by Mark Dwinell in Bushwick, Brooklyn, Forma released their first two full-length LPs on John Elliot’s influential Editions Mego imprint, Spectrum Spools. Physicalist is the first full-length statement from the new lineup, which also includes founding member and percussionist George Bennett. The double LP contains two distinct halves; the first consisting of rhythmic compositions derived from the trio’s formidable array of modular and vintage synthesizers, and the second breaking from the grid with ambient, free-flowing experiments on piano, flute and acoustic percussion. The album marks a departure from “Cool Haptics”, the group’s techno-leaning 2014 EP on The Bunker New York.

Barry Adamson is back in Manchester, he is co-curating and presenting along with Jason Wood (Artistic Director: Film at HOME and Professor of Film at Manchester Metropolitan University) a series of films for HOME’s Soundtrack Season. Commencing on Aug 5th with a screening of David Lynch’s Lost Highway (1997), He will be taking part in an interview and Q&A with Jason to discuss his involvement with David Lynch and the working processes utilsed to score the film. On Aug 6th he will be introducing a screening of Johnathan Glazer’s Under the Skin (2013) and talking about the score by Micachu and the Shapes composer Mica Levi. Check out the other films set to be screened over the next month below and book your tickets HERE.

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On September 23rd, Neurosis release their eleventh full-length, “Fires Within Fires”. Three decades in the making, and following 2012’s Honor Found In Decay, the album is a testament both to the history and future of Neurosis. In true Ouroborean style, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Striking the band’s signature balance between light and dark, beauty and repulsion, dense sonic heaviness and reflective space. Fires Within Fires is succinct, raw and deeply soulful, an all-encompassing reminder that transfiguration in sound remains their most commanding and inimitable strength. The first and only glimpse of the music on this record, prior to release date, is sampled in a new video which has emerged, here you can also marvel at the exquisite album artwork from the renowned Thomas Hooper…

“Listening Matter” is the sixth kranky album from Thomas Meluch under the nom de plume Benoît Pioulard. It arrives on the 10th anniversary of his first LP “Précis”, and offers a rekindled focus on self-examination, as well as a return to vocal-based pop structures following the mostly instrumental “Sonnet” (2015). Recording for the Listening Matter began during a period of grief, turmoil and self-medication, and continued throughout two years of growth and healing. Reflections on vice (“Layette”, “Anchor as the muse”), virtue (“Narcologue”) and death (“A mantle for Charon”) feature equally in this concise release.

Austin, Texas-based Bellringer, founded by guitarist/vocalist Mark Deutrom, releases new album “Jettison” on August 26th. The live vehicle for the music of Deutrom – formerly of West Coast hardcore punk outfit, Clown Alley, and Melvins, and others – the bandcurrently also incldues the contributions of musicians James Flores, Aaron Lack, Monique Ortiz, and Brian Ramirez. Recorded in Austin earlier this year, the album was fully written and produced by Deutrom. The six  tracks cover several genres with nearly forty minutes of action, fusing elements of psychedelic and exploratory rock with bluesy and jazzy jam elements, all coalescing in the signature Deutrom style.

Flying Machines play emotive and dramatic music, drawing upon influences as diverse as jazz, pop, progressive rock and metal to create an utterly unique and modern sound. Formed by guitarist Alex Munk in 2014, Flying Machines feature some of the most innovative young musicians to emerge in recent years from the UK jazz scene – Matt Robinson on piano/keyboards, Conor Chaplin on electric bass and Dave Hamblett on drums. Centred on Munk’s unique compositional approach, the band fuse visceral improvisation with anthemic melodies and lusciously textured soundscapes. A decadent mash up of prog rock energy, free-wheeling improvisations and ambient meditations that never detract from the emotive lyricism at the music’s core. Their eponymous debut is released on 14th October coupled with a gig at the Vortex. A lengthy tour follows in the New Year with a gig at The Wonder Hill on Shudehill in Manchester on 16th February.

Shoegaze electronic crossover trio Vibrissae have signed to Italian label Vipchoyo Sound Factory to release their debut LP ‘Somewhere Away’. In advance of the album’s release, they are releasing their first reverb-filled driven single ‘Need’. Formed and are based in Portland, Oregon,but the three members of Vibrissae hail from different continents. Vocalist Imber Lingard comes from Australia, Emma Bell was born in Malaysia, and Aaron Bell is native to the USA. The trio found common ground in their shared love of shoegaze, electronic music, and modern rock, . Vibrissae’s debut output is the result of over three years of rehearsal and recording. Their music crosses over multiple genres, combining and alternating elements from electronic rock, synth pop, dark wave and shoegaze.

And finally I’ve been working closely with Manchester musician Boz Hayward to promote the latest release from his excellent Bozchestra project Watch this space for more details pending that here’s a taster.