Fascinating Things : Issue 69

After a busy week curating our German Shepherd showcase at the The Eagle in Salford, more of that later,  I now have time to concentrate on reviewing new music that has come my way over the next few days.

First up, over to America for Troup, based in Los Angles, but with a UK connection as the lead singer is from Wales and the drummer is from near Liverpool. They recently released the title track from their forthcoming EP, “Mercury and Gold”, which, with it’s classic melodic rock vibe is well worth a listen. This is quality stuff and leader Alex Troup has a unique quality to his vocals which sets the band apart from others in the genre. One to watch I think.

There’s a lot of lo-fi dream pop coming out of Northern Ireland at the moment. Some of it good, some of it not so. This is one of the better examples from Beauty Sleep

The first year of House of Mythology label continues to be a busy one with the impending release of The Stargazer’s Assistant new four-track  full-length album, Remoteness of Light, set for release on 26th August. The latest album reveals an expanded line-up for the group, featuring David J. Knight (Shock Headed Peters, UnicaZürn) on treated guitars and FX, Michael J. York (Coil, Cyclobe) on pipes, FX and field recordings along with the originator of The Stargazer’s Assistant, David J. Smith (Guapo, Cyclobe) on percussion and sampled atmospheres. Sadly the tracks are far to long for podcast play but I may attempt a radio edit so I can share the music,  Here’s a trailer for the album

New Model Army have  unveiled their official video single for ‘Winter’ and deliver news of their forthcoming album release of the same name. Returning with their first full studio album since their acclaimed “Between Dog and Wolf” kick-started a creative renaissance in 2013. This album saw the band receive the best critical response of their career and top 30 chart positions in UK and Germany, their first in over 20 years, while Matt Reid’s 2014 documentary feature film “Between Dog and Wolf: The New Model Army Story” drew further interest to this most unique of groups. “Winter” will be released on August 26th on the band’s own Attack Attack label via Red Essential in the UK and via earMUSIC worldwide. Formats include special bookpack CD, double gatefold vinyl, download and streaming.

Last Friday saw the latest in a series of showcases for German Shepherd Records at The Eagle in Salford. The debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo  for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. Fortunately Rick Sarko was on hand to capture some of the night so I can share the vibe with you. The general feedback on the night was excellent with the Italians blowing people away with their ultra tight playing and epic performance. The showcase returns as part of Salford Music Festival on 30th September and 1st October again at The Eagle.

 

1000 JAZZ ALBUMS YOU REALLY OUGHT TO HEAR – 0005 : JOHN COLTRANE – COLTRANE “LIVE” AT THE VILLAGE VANGUARD

Impulse

1962 (CD)

  • John Coltrane — soprano saxophone on “Spiritual” and “Softly As In Morning Sunrise”; tenor saxophone on “Spiritual” and “Chasin’ the Trane”
  • Eric Dolphy — bass clarinet on “Spiritual”
  • McCoy Tyner — piano on side one
  • Reggie Workman — bass on side one
  • Jimmy Garrison — bass on side two
  • Elvin Jones — drums

Subsequently re-emerging  as part of a mammoth box set of Coltrane’s four night residency at the famous New York Club this one really split the critical crowd when it was released. In hindsight Coltrane’s explorations, over lengthy tunes, seem relatively benign in comparison with what was to follow, not only  from the man himself, but also a whole sub-genre of avant-garde and free improvisation which may well have been prompted by these music endeavors. The critical response at the time was extremely negative in parts, which perhaps says more about the music writing establishment of the early 60s than it does about ‘Trane.

Three performances were selected for this initial release from the four nights of recordings.  The standard, by Sigmund Romberg and Oscar Hammerstein II “Softly as in Morning Sunrise”, plus a second entitled “Spiritual”, possibly an adaptation of the traditional “Nobody Knows de Trouble I See”. The third selection, the sixteen minute trio blues “Chasin’ the Trane”, has been described as one of the most important recordings in jazz combining  free jazz, jamming, and neoclassicism.

In it’s own right this release stands out as one of the most refreshing jazz recordings of all time. Even over 50 years later it still has the capacity to shock the listener. When put in the context of all of four nights it becomes a fascinating exploration of a musician looking for new avenues of expression. Coltrane indicates that he was following the lead of Sun Ra horn player John Gilmore when developing this music and its worth while tracking down contemporary material from Gilmore to hear the comparison.

An essential listen for anyone who wants to understand the impact of Coltrane on the world of jazz.

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Fascinating Things : Issue 68

It’s been a busy old year and as we are well into the second half thereof there doesn’t appear to be any slackening of pace of new and exciting outsider music. Whilst the mainstream seems obsessed with churning out the same old clones of increasingly irrelevant music or raking over the work of deceased stars, if you get below that into the real world of music you will find lots of exciting things…..

I’m pleased to announce we will be putting on two shows as part of this years Salford Music Festival. On 3oth September and 1st October we are at the excellent Eagle Inn on Collier Street in Salford, just off the Inner Relief Road, and have two excellent line-ups. Both gigs are free entry, Friday will see Cambridge bands Bouquet of Dead Crows and The Scissors up for a visit, as well as techno guru The Junta, and the increasingly legendary Manc/Salf stalwarts Kit B.  Saturday sees Rose and the Diamond Hand, Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line. More details of the rest of this years Salford Music Festival will follow.

Omar Rodriguez-Lopez (At The Drive In/Mars Volta) has premiered the video for ‘Running Away’ from the latest in his ongoing series of solo albums, “Corazones”.

The film, which was directed by Violeta Felix and shot by Adrian Blanco, features Omar in a series of Los Angeles-based encounters with friends who might not be terribly happy to see him. Guests include Buzz Osborne, Teri Gender Bender, John Frusciante, Robin Laananen, Tatiana Velazquez, Aura T-09 and Eva Gardner.

Omar, in partnership with Ipecac Recordings, recently announced the release of a series of solo albums, which kicked off on July 15 with “Sworn Virgins”. The previously unreleased albums were recorded from 2008 to 2013, while he lived in Zapopan, Mexico and continued when he returned to El Paso. The titles are released on a bi-weekly basis with the first spate of albums running through the end of the year. Each album will see a digital release with a limited number of physical copies (CD) available on Rodriguez-Lopez’s various live outings. A limited edition CD/LP box set will become available in 2017, once the full run of releases are available.

The releases can be purchased via Bandcamp  and iTunes.

New York City synthesis trio Forma have shared the title track from their third LP, “Physicalist”, which is released via kranky on September 23rd.

Since their acclaimed self-titled debut in 2011, Forma have been perfecting a distinctive style of improvised kosmische and minimalism that blends swirling arpeggios, ambient soundscapes, and driving motorik beats. “Physicalist” is described as a sprawling, double LP journey featuring new member and multi-instrumentalist John Also Bennett, who replaced Sophie Lam in 2014. The first Forma album to include acoustic instrumentation, Physicalist owes more to American composers like Harold Budd or Terry Riley than Klaus Schulze and other Krautrock visionaries. The album was recorded during marathon sessions at Brooklyn’s Gary’s Electric studio, and is packaged in a gatefold jacket with original artwork by Robert Beatty and a liner notes essay by writer and critic Michael Barron. Physicalist was mastered by Bob Weston.

Formed in 2010 by Mark Dwinell in Bushwick, Brooklyn, Forma released their first two full-length LPs on John Elliot’s influential Editions Mego imprint, Spectrum Spools. Physicalist is the first full-length statement from the new lineup, which also includes founding member and percussionist George Bennett. The double LP contains two distinct halves; the first consisting of rhythmic compositions derived from the trio’s formidable array of modular and vintage synthesizers, and the second breaking from the grid with ambient, free-flowing experiments on piano, flute and acoustic percussion. The album marks a departure from “Cool Haptics”, the group’s techno-leaning 2014 EP on The Bunker New York.

Barry Adamson is back in Manchester, he is co-curating and presenting along with Jason Wood (Artistic Director: Film at HOME and Professor of Film at Manchester Metropolitan University) a series of films for HOME’s Soundtrack Season. Commencing on Aug 5th with a screening of David Lynch’s Lost Highway (1997), He will be taking part in an interview and Q&A with Jason to discuss his involvement with David Lynch and the working processes utilsed to score the film. On Aug 6th he will be introducing a screening of Johnathan Glazer’s Under the Skin (2013) and talking about the score by Micachu and the Shapes composer Mica Levi. Check out the other films set to be screened over the next month below and book your tickets HERE.

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On September 23rd, Neurosis release their eleventh full-length, “Fires Within Fires”. Three decades in the making, and following 2012’s Honor Found In Decay, the album is a testament both to the history and future of Neurosis. In true Ouroborean style, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Striking the band’s signature balance between light and dark, beauty and repulsion, dense sonic heaviness and reflective space. Fires Within Fires is succinct, raw and deeply soulful, an all-encompassing reminder that transfiguration in sound remains their most commanding and inimitable strength. The first and only glimpse of the music on this record, prior to release date, is sampled in a new video which has emerged, here you can also marvel at the exquisite album artwork from the renowned Thomas Hooper…

“Listening Matter” is the sixth kranky album from Thomas Meluch under the nom de plume Benoît Pioulard. It arrives on the 10th anniversary of his first LP “Précis”, and offers a rekindled focus on self-examination, as well as a return to vocal-based pop structures following the mostly instrumental “Sonnet” (2015). Recording for the Listening Matter began during a period of grief, turmoil and self-medication, and continued throughout two years of growth and healing. Reflections on vice (“Layette”, “Anchor as the muse”), virtue (“Narcologue”) and death (“A mantle for Charon”) feature equally in this concise release.

Austin, Texas-based Bellringer, founded by guitarist/vocalist Mark Deutrom, releases new album “Jettison” on August 26th. The live vehicle for the music of Deutrom – formerly of West Coast hardcore punk outfit, Clown Alley, and Melvins, and others – the bandcurrently also incldues the contributions of musicians James Flores, Aaron Lack, Monique Ortiz, and Brian Ramirez. Recorded in Austin earlier this year, the album was fully written and produced by Deutrom. The six  tracks cover several genres with nearly forty minutes of action, fusing elements of psychedelic and exploratory rock with bluesy and jazzy jam elements, all coalescing in the signature Deutrom style.

Flying Machines play emotive and dramatic music, drawing upon influences as diverse as jazz, pop, progressive rock and metal to create an utterly unique and modern sound. Formed by guitarist Alex Munk in 2014, Flying Machines feature some of the most innovative young musicians to emerge in recent years from the UK jazz scene – Matt Robinson on piano/keyboards, Conor Chaplin on electric bass and Dave Hamblett on drums. Centred on Munk’s unique compositional approach, the band fuse visceral improvisation with anthemic melodies and lusciously textured soundscapes. A decadent mash up of prog rock energy, free-wheeling improvisations and ambient meditations that never detract from the emotive lyricism at the music’s core. Their eponymous debut is released on 14th October coupled with a gig at the Vortex. A lengthy tour follows in the New Year with a gig at The Wonder Hill on Shudehill in Manchester on 16th February.

Shoegaze electronic crossover trio Vibrissae have signed to Italian label Vipchoyo Sound Factory to release their debut LP ‘Somewhere Away’. In advance of the album’s release, they are releasing their first reverb-filled driven single ‘Need’. Formed and are based in Portland, Oregon,but the three members of Vibrissae hail from different continents. Vocalist Imber Lingard comes from Australia, Emma Bell was born in Malaysia, and Aaron Bell is native to the USA. The trio found common ground in their shared love of shoegaze, electronic music, and modern rock, . Vibrissae’s debut output is the result of over three years of rehearsal and recording. Their music crosses over multiple genres, combining and alternating elements from electronic rock, synth pop, dark wave and shoegaze.

And finally I’ve been working closely with Manchester musician Boz Hayward to promote the latest release from his excellent Bozchestra project Watch this space for more details pending that here’s a taster.

Fascinating Things : Issue 67

Apologies for the small hiatus but I have been busy on record label business. We have a fun packed few months coming up, most of this I cannot tell you about yet, but suffice to say it involves gigs and releases, and all will be revealed soon. What I can tell you is i’ve been asked to facilitate a gig in Salford for Belgian artist Georgio “The Dove” Valentino in support of his soon to be released 7″ which was made in collaboration with Mick Harvey, David McClymont, Dave Graney and Clare Moore. The gig will be at the Eagle in Salford on December 3rd and we have two local bands supporting. The excellent Adventures of Salvador, whose new album “Chocolate & Drugs” is bloomin’ marvellous, plus the ethereal Rose & The Diamond Hand whose debut EP drops on 12th August, together with a launch gig on 13th August at the self-same Eagle. The whole thing is only £5 and you can book your e-ticket here. Here’s a taster of what to expect:

GTDV Promo Poster

Anyhow, enough of this self-promotion, what else is going on in the wacky world of music?

TESA are a guitar trio from Latvia. They have a new album called “Ghost” released via My Proud Mountain on August 5th.

 

Described as a cross between Tame Impala and Buddy Holly the cleverly named Gringo Star have a new album out called “The Sides and In Between”. It’s a curates egg of a thing with some very high highs and some slightly dull bits but overall very good indeed. Here are two samples. It’s out on August 26th via Pitchfork.

‘Together, As One’ is the third album as a leader from British award-winning trumpet player, composer and band-leader Laura Jurd and her debut with newly named band Dinosaur. Featuring Laura’s regular collaborators, friends and creative cohorts Elliot Galvin, Conor Chaplin and Corrie Dick, ‘Together, As One’ is a coherently powerful and bold album that not only confirms her promise as one of the most important young musicians to emerge from the UK jazz scene in recent years but is also a statement that will launch her music into the international jazz world.

 

Southern Lord will be releasing the brand new LP “Plague” from Bay Area, California hardcore band Lies on August 26th, as well as a CD release that combines the record with their previous EP, 2014’s “Abuse”.

A productive period for Limbs head honcho Michael Chadwick with a couple of new releases. Packed with the usual quirky and witty perspectives on life, highly recommended.

Hailing from Warsaw (Poland) the quartet White Crosses, featuring the creative partnership of Konrad Sloka (Vox/Guitar), Sebastian Prokop (Guitar), Stefan Banaszynski (Bass) and Marcin Plocha (Drums), produced big waves in their native country with their acclaimed EP release ‘Native Handshakes’ in 2015. Releasing ‘Dead Souls’ as a taste of things to come from their forthcoming EP ‘Anchorless’, White Crosses are armed to bring their music to an international audience.

 

Fascinating Things : Issue 66

July already, where is the year going?

There’s some exciting things coming up over the next few months including a brand new Van Der Graaf Generator album which I have naturally pre-ordered and a raft of gigs associated with our little record label including a show case event at the Eagle in Salford on 12th August which will feature, all the way from Modena Italy, the sensational Saint Lawrence Verge , the debut of Ian “Moet” Moss’s new band Four Candles (who look very promising from rehearsal recordings) , from Cambridge an acoustic set from the exceptional Bouquet of Dead Crows, and the remarkable Poppycock  as headliners. The Italian boys will be travelling down to Cambridge the following day for a gig at the Corner House with the Dead Crows and a visit from The Junta. We also have a presence at The Eagle on the Saturday with an EP launch from Rose and the Diamond Hand  and a guest appearance from the very talented Alana Bondi.

Anyway enough of this manic self-publication here some new things that might pique your interest……

Omar Rodriguez-Lopez  of At The Drive In/Mars Volta fame is to release a series of solo albums via Ipecac Recordings, with the first release, Sworn Virgins, available digitally on July 15. The previously unreleased albums were recorded from 2008 to 2013, while Rodriguez-Lopez lived in Zapopan, Mexico and  El Paso. The titles will be released on a bi-weekly basis with the first spate of albums running through the end of the year. Each album will see a digital release with a limited number of physical copies (CD) available on Rodriguez-Lopez’s various live outings. Following the initial run of releases, a limited edition CD/LP box set will become available.

Photo credit : Robin Laananen

Pixies have  announced a new album, “Head Carrier” which is available for pre-order at http://www.pixiesmusic.com. ‘Head Carrier’ is released on September 30th, 2016, on
Limited Edition Box Set, Heavyweight Vinyl in Gatefold Sleeve, and CD Digipack.  They have also announced a new continental European tour for November 2016 with UK dates to be announced very soon. Here’s the single ‘Um Chagga Lagga’.

It appears that Indie is making a comeback, did it ever go away I ask myself. with the new single from Blush. It has all the intensity of The Wedding Present with a transatlantic vocal shtick which sticks in the mind.

Hovering somewhere between Ray Davies, Dylan and The Byrds Glasgow’s The Echo Session have a new single. ‘But I’m Scared’ out. It is a live studio recording from the Echo Session vaults, mastered by Dave Cook. The single will be available from all the usual digital outlets, including the Flowers in the Dustbin bandcamp store. It’s seven years since their last single apparently.

Having burst wild-eyed from the stalls of a buzzing monthly club residency in deepest Hackney and with a lot of interest for debut single ‘Shakin’ Like the Leaves on the Trees’, blues-tinged tearaways Mollys Daggers are gearing up for the release of their debut album “Prima Materia” alongside 2nd single ‘Zin-uru’. It kicks off sounding like Rory Gallagher, which is fine by me, and a welcome respite from the Mumford clones that litter my in-box of late. Expect to hear cuts from the album on Aural Delights Podcast over the next few weeks.

If my Tardis was working (sadly the temporal synchro-mesh is off line) I’d be hopping over to the Corner Hotel in Melbourne round about now to catch Dave Graney ‘n’ The Coral Snakes. I’ll have to make do with the excellent PBS radio session from a couple of days back which was stuffed with classic Snakes tunes like Warren Oates. I’m pleased to be able to share this video from the session. What a band!

Fascinating Things : Issue 65

It’s usually  quite quiet in June, not this year, with a raft of new things worthy of your aural consideration.

To kick off a few things from the north of England which caught my ear:

Self described as “blues-laden menacing psych” the sample below leaps out at you as an unctuous  mix of Arthur Brown and Tex-Mex imbibing something mind expanding in an opium den in a Bill Burroughs tract .  Moody, brooding, and sensuous the band comprises  Stewart Kinloch – Vocals,  Mark Stainton – Guitar, Dave Royston – Guitar, and,  Mike Smith- Drums, They are from Leeds and are called Mesmer Disciples and we will no doubt be hearing a lot more from them.

tAngerinecAt are Eugene Purpurovsky and Paul Chilton. Their music is unique and compelling. Paul provides a selection of electronica and rhythms with occasional penny whistle and Eugene creates a fascinating sound with the traditional instrument the hurdy-gurdy. They have been blazing a unique trail across the music venues of the north and beyond with their fascinating sound and overtly political/polemical music. Someone needs to snap them up quick and get them out to a wider audience. They are based in Manchester.

Also from Leeds The Masses sound like something from the mid 80s – the tracks below is a sort of amalgamation of Dinosaur Jr, The Smiths and The Wedding Present. They describe themselves as “jangly indie pop” but I think they are a little more than that They are Nik Klimanski – Guitar, Vocals, Jack Hunt – Bass, Backing Vocals, and Roan Jenner – Drums

Completing the Leeds trio of bands are Deathtripper who manage to tick any number of my Aural Pleasure boxes with ease. There’s some post-punk, some Krautrock and some other bits which make me smile. I can’t find much more about them sadly as their Facebook age is bereft of info.

Scatter Factory, is the solo project of Will Foster. After many years of working with (as either a recording or touring artist) numerous notable artists, including The Fratellis, Martina Topley-Bird, Heather Nova, and Suede’s Brett Anderson and Bernard Butler he releases his debut album on July 22nd. Here is the single from the album which marries classic electronica with more modern proponents.

Off World, who are Sandro Perri, Drew Brown, Susumu Mukai, and Jesse Zubot release their debut album on Constellation in the Autumn. On the basis of the teaser track below I am looking forward to it. Go here for more detail.

New album  “A Boat Upon Its Blood” is from Montréal-based improviser, composer and reedist Jason Sharp; a fixture of Montreal’s avant-garde and improv music communities, and an alumnus of Sam Shalabi’s Land of Kush orchestra and Matana Roberts’ Coin Coin Chapter One ensemble. With this debut recording issued under his own name, Sharp presents contemporary electro-acoustic music that reveals the shape and scope of his vision as a composer and bandleader in his own right. More info here.

In Black Crack Mark Tilton (guitarist, singer and founder member of The Membranes) fronts his five-piece band  which is a vibrant mix of garage rock, post punk and half spoken half sung intensity. It’s a take no prisoners blast of sound with its in your face attack. Good stuff!

Dark wave goth in abundance  comes with the new video and final single from Bradford (UK) based They Called Him Zone‘s   ‘MiamiEP.  Spooky psychdelic and somewhat trippy.

The excellenr Dutch insrumentalists Radar Men From The Moon recently released “Subversive II: Splendor of the Wicked”, a heady mix of space and stoner rock with an almost industrial edge to it and is well worth a listen  – it’s a pay what you want offer so I suggest you dive into the psychedelic wonderment as soon as possible,

Latvian band Tesa tour with Neurosis in the Autumn and their previous Bandcamp release “Ghost” is now coming out on My Proud Mountain. Heavy wall of sound instrumental rock which should blow your socks off.

And last but not least that troubadour of the obscure Moff Skellington is back with a new album – his 30th – called “Sherbert is the Culture of the Void”. It seems somewhat odd that Moff Skellington is not a national institution by now. As an artist who combines the unique other-worldliness of Ivor Cutler, the singular English whimsy of Viv Stanshall, and word mangling obtuseness of Lewis Carroll, together with a musical pot-pourri combining elements of Tom Waits, Pere Ubu, The Residents, The Fall, and the folk band from your local pub, after several doses of mind-expanding substances, he certainly challenges conventions. I would have thought that this convention defying approach to music would have caught the ear of those in search of something new. However he has not broken the glass ceiling of fame as yet.

Maybe this time?

“Sherbert Is The Culture Of The Void” comprises 14 tracks and lasts just over 41 minutes. More experimental than his recent work this album explores familiar and unfamiliar themes in Moff’s world of Eddodi. Busy, alien sounding, instrumentals coupled with songs with fascinating titles, spoken word in broad Abstercot, and mind curving subject matter ranging from obesity, via Orthopaedic Chairs, to the sobriety of witches this is Moff at his most challenging.

Moff is currently working a new joint venture with Iron Mouse & Loop-Aznavour entitled The Mouse Engine which will be released later in the year. He also a couple of new albums in the pipeline.

The album was released on July 1st and is priced at £5.

 

Sherbert Cover

 

 

 

 

 

 

 

Fascinating Things : Issue 64

Straight into it this time around, there is just so much going on……………

Psychedelic dirt rock unit, Sonic Wolves,  which comprises current and past members of Ufomammut, The Hounds Of Hasselvander, Pentagram, and Rogue State,  release their debut full-length, “The End Comes”, on Taxi Driver Records in late July 2016. The eight-track offering follows the band’s first single, “He Said,” released as a limed edition seven-inch in conjunction with Record Store Day 2016.  Formed in Alessandria, Italy in 2012 by bassist Kayt Vigil (Rogue State, ex-The Hounds Of Hasselvander, ex-Pentagram) and drummer Vita (Ufomammut, Rogue State) initially under the name of “Tsutar”. In December 2014, the band recorded their first demo at Ampire Studio in Pistoia, Italy. At that time was Vigil on bass/vocals, Vita on drums and Stefano Tocci (Deaf Eyes, ex-Incoming Cerebral Overdrive) on guitars. By Spring of the following year, the eight-track “WolfWitch” was released and just a few months later, Paolo Melotto (ex-Psyconauts) joined  on lead guitar and vocals, followed by Diniz (Temple Of Dust, Mexican Chili Funeral Party) on rhythm guitar.

PROMO PHOTO 2

The sound of the band is a mix of heavy, gritty rock, with elements of metal and psychedelic influences. Here’s a taster of ‘He Said’ which was recorded and mixed by Stefano Tocci at Ampire Studio, Pistoia (Italy), and it’s a “radio edit” version. The extended track will be included in the upcoming full length. I’ll be featuring a track on the Sonic Attack  #168 on July 25th.

Boston-based thrashing hardcore punk band, Panzerbastard, release four new tracks on July 15th via their “MotörHeathen seven-inch”. Released by  PATAC Records, the new one follows a barrage of EP and split releases since their 2006 formation.

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“Here you go, motherfuckers,” says bassist/vocalist KPanzer of the seven-inch, “….the latest sonic assault on decency by the kings of motör-core. Forged in a dark, smelly, room in the deepest, darkest bowels of Boston, your intrepid, dirtbag heroes internalized three years of misfortune, betrayal, underachievement, and general disgust with the human race to puke forth the four slabs of sonic offal now known as MotörHeathen. We are the bastard sons of Motörhead, Discharge, Venom, and Cro-Mags, on a mission to ruin your life.” There you go….and very good it is too.  A couple of tracks will be on Sonic Attack #167 on July 18th. I’ve nothing to embed from the new one so here’s the most recent release prior to this new one.

Conceived as a three-piece jamming out simple stoner blues rock heavily rooted in metal, The Company Corvette deliver wall of sound hard rock.  They have recently completed their third full-length recording, “Never Enough”, which is released on August 5th  It’s heavy riff-laden, psychedelically inclined, occasionally laid back, mostly loud, stoner rock with above average use of fuzz and wah. The band likes to think of their two earlier releases as “glorified demos”  with the new album being a huge step forward for the trio in virtually every department. I agree.

the company corvette live

There will be a couple of tracks from this release on Sonic Attack #180 on August 8th – pending that here’s a taster.

Sanford Parker is the well regarded producer and electronicist behind some of metal’s most exploratory outfits, breaking new territory in his work as a fixture of Buried At Sea, Minsk, Corrections House and Mirrors For Psychic Warfare, and featuring on and producing numerous records from respected names . His trademark atmospherics shift between the nuanced to the crushingly direct, including elements of industrial, cold-wave and power electronics to give bleak, brutalist clout to his work. Now, Parker is striking out on his own with “Lash Back”, a full length record of mechanical, dystopic, beat-driven menace. Due out on the My Proud Mountain label on July 22nd, Lash Back is a marked departure from his metal legacy, retaining some of the hallmarks of his impressive work to date but moving towards bands Perc, Youth Code and Pharmakon. It’s a most enjoyable listen with a lot of sonic variety. Sadly I have nothing I can share at this stage so you will have to wait until Sonic Attack #168 on July 25th.

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Two years in the making, The Night Watch release their second album, “Boundaries”, a single thirty-six-minute piece on July 15th. The Canadian progressive instrumental quartet features guitarist Nathanael Larochette and violinist Evan Runge of Musk Ox. Sonically it’s a close relation to early God Speed and Silver Mount Zion but with a busier string sound which comes out of Vivaldi via Klezmer. You can pre-order here and I will podcast a portion of the piece on Aural Delights #190.

Cover (large)

And to conclude in a shameless act of self-promotion for our record label here’s a list of July gigs for the turns we look after…..

  • 1st July –  Taser Puppets with Joiner [Germany] Gareth Icke  at Dublin Castle Camden , London
  • 2nd July – The Scissors play  Bar Hill Festival, Bar Hill, Cambridgeshire
  • 9th July – The Electric Cheese, West Coast Sick Line and Pearl Divers play Dulcimer, Chorlton
  • 14th July – Poppycock and Rose & The Diamond Hand play The Thirsty Scholar. Manchester
  • 15th July – The Junta plays Night and Day Cafe. Oldham Street, Manchester
  • 15th July – West Coast Sick Line and Poppycock play Aatma, Manchester with Bobbie Peru
  • 17th July – Bouquet of Dead Crows play an acoustic set at Corner House, Cambridge
  • 28th July – Kit B play The House Party at Kendal Calling
  • 30th July – The Scissors play Portland Arms, Cambridge with The Machismo’s and Moonstrips

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