Bouquet of Dead Crows return with their second full length and a fuller, more aggressive sound emerges, consolidating the tension between the hard rock of the music and Toni Cooper’s melodic vocals. The music takes on a much broader more orchestral sound, the riffs are heavier, the structures are more complex. The band have demonstrated a clear development of their sound in this release.
The title (referring to the fact that there are eight tracks on the album), essentially means ‘eight movements’, or eight emotions.
Limited Edition Colour Vinyl Versions of the album plus T-Shirts and gig tickets are available at Music Glue . CD copies have completely sold out.
Bouquet of Dead Crows are:
Antoinette Cooper : Vocals
Neil Bruce : Guitars
Graeme Clarke : Bass
Andrew Coxall : Drums, Percussion, Trumpet, Synths & Keys, & Backing vocals
This one is going to be a little different due to the nature of releases this year. All will become apparent as I meander through things. The nature of what I do on an almost daily basis i.e. putting together radio shows/podcasts and running a record label means that a serious amount of individual tracks come in for potential airplay or indeed for release on the label. So trying to do a definitive list of the “best” is nigh on impossible – if they made it onto the podcast or got released by the record label they are, because they got through that gateway, “better than the rest” so i’ll generalise…..and this is in no sort of order of importance as I love them all with equal fervour……with the stuff at the bottom of the page being the “top of the pops” as it were
The Moss Brothers – various releases by Ian and Neil under various aliases – the work rate of Ian Moss is legendary, add his sibling into the mix and you have a an even faster production line of fascinating music – whether it be Ian & Neil, Sebastien the Tortoise, A Magpie and a Goldfish, or 2 Big Brothers it’s all great.
Taser Puppets : Fossil – their latest EP and first with German Shepherd proved to be their best yet. A health scare for front man Shaun put things on hold for a while but a barn storming set at the Salford Music Festival but them back on the North West musical map.
Alana Bondi : Alana Bondi EP – another artist who battled through health problems in 2015/6 to deliver a remarkable debut EP and stunning video to the opener “Four Walls” plus a run of shows including the Edinburgh Festival Fringe.
The Sideshow : How It Goes – a remarkable single, pure pop for now people as Nick Lowe once said. Should have broken through this one and still a mystery as to why it didn’t.
The Screaming Love Collective : Three Singles – proof that repetition in music is still potent as a way of delivering ideas that are fresh.
The Mind Sweepers : The Mating Game – Vicky Middles asked if we could help out with this one and we were pleased to get involved. They call themselves genre defying and they certainly deliver on that score.
Bouquet of Dead Crows : Epicentre – a great collection of alternative versions, live cuts and a remix crowned a great year for the “Crows” – a new album is in the pipeline and an album of radio sessions is promised for the new year.
The Madding Crowd – a good year, a great EP, an epic EP launch and a sense of renewed promise and hope for this north Manchester band.
Stalagmites : Between City and Cellar Door – back with a bang with a great EP, Brad Lynch is one of the best songwriters Salford has delivered with fantastic lyrics and epic tunes.
The Parish Church Fire : Locamente – another one where I sit here with a puzzled expression wondering why it wasn’t huge.
Staggs : Adult Loonies and A Rum Do – when I am fed up I turn to Staggs to cheer myself up – the diversity across these two releases is a testament to the skill and inventiveness of Ridley and Scott – punk, electronica and krautrock, there’s something for everyone.
The Get : The Private Men EP – The Get are remarkable, their lo-fi approach to what they do, their relentless charm and enthusiasm is infectious. A great collection of songs.
Moff and Moss – aside from a remarkable debut album an epic single which dwelt on Mr Crowley and other strangeness. Expect new stuff in the New Year which is development at the moment – it will all become clear at the gig at the Castle in March!
Rose and the Diamond Hand : Universe Is Woman – should be huge, a remarkable voice, an amazing band, and a great live show, add a fantastic debut EP and you have a great year for Rose and co.
and the top three
3. KIT B – Weird Water – impressive song-writing from a great live band who broke into the festival circuit this year and garnered some impressive live reviews
2. m.t. scott – The Broken EP and 13 Queer Street – Michael left the wonderful world of Staggs for a while to create two collections of aural wonderment. Cinematic in their scope and impressive in their musical depth he is clearly a creative force that requires/demands/deserves a wider audience. I’ve been lucky enough to listen to these collections develop from ideas into fully formed pieces of aural magic.
1. The Graney and Moore Singles Releases – throughout the year Dave and Clare have released a digital single a month (more or less there will be one in January) in an effort, I believe, to escape the usual routines in the music industry. I can’t decide which is the best amongst any of them, so I’m bringing all ten into a collective number one, but if you were to push me the latest one “I Ain’t Hi Vis” is probably my favourite. The variety across this set of releases is impressive, the trademark Graney wit is in full effect, and musically, as is always the case, they are top notch. Notably there is more than a bit of a jazz tinge than is usual which of course ticks a lot of boxes for me. You can grab them all at the DG bandcamp page. For the record the releases were:
I’m a Good Hater
This Is the Deadest Place I’ve Ever Died In
I Been Trendy
Drifting Donna Reed
Are You Out Of Your Mind? (Get Back In)
You Need a Kleek, Klook
Rupert’s Pet’s Grave
Matey, From On High
Let’s Kick this Mob Out
I Ain’t Hi Vis
Having spent quite a lot of the year in and out of medical facilities for one reason or another the number of gigs attended has been somewhat constrained but having said that much improved on 2015 when I spent a good deal of the time in a plaster cast. In the most part the gigs I did attend were all great. There were a couple of bad evenings caused in the first case by an idiotic club owner and in the second case by a less than perfect sound engineering job, it is not my habit to name names, so I won’t, all I would say is that bands deserve more.
Ones I sadly missed due to ill health and diary clashes
Here are the highlights in no particular order, apart from the top four gigs.
Manchester Jazz Festival – just a general message to say it was much improved this year with some fascinating bands seen especially in the performance space in Manchester Central Library – the price of the beer in the Festival Village is obscene though!
Soft Machine at The Band on the Wall – OK so we sat in the bar for most of the second set drinking and chewing the fat about music but the first set was pretty memorable and I realised a long held ambition to see this band.
The Junta at Night and Day – kabuki, mime and beats with El Generallisimo cooking up a techno storm.
Aidan Cross & Johann Kloos, Poppycock, Taser Puppets and West Coast Sick Line at Dulcimer, Chorlton. A fun packed night with a storming set from the Westies and a slight hiatus while Mr Maxwell found his guitar.
Moff Skellington, Mr Mouse, Loop-aznavour at The Fenton Leeds – a remarkable evening with a sparse audience but excellent performances from all three protagonists only somewhat ruined by the inability to get out of Leeds via the motorway necessitating a circuitous journey home via Harrogate
The Eagle, again, for the debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. A rather special evening.
Sam Smith, Genevieve L Walsh and The Madding Crowd at The Moston Miners Club – a great set from Sam, memorable poetry from Genevieve, and an epic set from The Madding Crowd.
The Junta, Bouquet of Dead Crows, The Scissors and Kit B at the Eagle as part of Salford Music Festival. Barnstorming sets from all four bands – we need to do this again.
Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line as part of Salford Musical Festival also at The Eagle – one of our most successful nights with a good crowd, fine performances, and a stellar set from Mr Meatyard.
Blaney album launch at Pacifica Cantonese. A great album and a memorable album launch with the added bonus of it being five minutes from where I live. It’s been a good year for Ed and he deserves the support he is getting at the moment
and the top four, who all happen to be Australian for some strange reason……
The Necks live at the Band on the Wall – a special performance from an amazing trio of musicians. Unique and breath-taking music bereft of ego and full of invention.
Harry Howard and the NDE with Poppycock at The Eagle – exploding keyboards and horrendous traffic conspired against us but Poppycock were the best I have seen them all year and Harry and co were exceptional given they had a stand in rhythm section with only a couple of days rehearsal.
Dave Graney and Poppycock & Franco Bandini at the Eagle – a long held desire to catch Dave and Clare live was at long last realised. Most of the band were full of germs but still managed to deliver a set packed with classic tunes from across the Graney songbook. The added bonus of seeing Malcolm Ross play the guitar as well.
and my gig of the year….
Dave Graney at the Betsey Trotwood, London – a memorable journey to the capital despite a dodgy knee. A pleasant afternoon drinking with Bob and Jeff in some fine ale houses. A fantastic set from Dave, Clare, Stu and Malcolm covering even more of the Graney songbook topped off by a great tribute to Prince.
Dear reader it’s that time again, the last week in September, when I wax lyrical about the utterly wonderful Salford Music Festival. . Now in its’ seventh year this grass roots, no nonsense event, is part of the musical life blood of the city in which I live. Often overshadowed, in entertainment terms at least, by our noisy neighbours in Manchester, this Festival plays a big part in redressing that imbalance and puts Salford firmly on the map, where it deserves to be.
The difference between any other festival that you might care to join in on is that it is absolutely free for punters, no wristbands, no overpriced beer or food, and no tents. Ed Blaney’s desire for the events to be free is a key driver for the popularity and success of the three day celebration of music. And the added benefit is there isn’t a tribute band in sight.
The Festival has been stripped back to three days this year, Thursday 29th September to Saturday October 1st, and centres around the Chapel Street/Blackfriars area close to Manchester City Centre, and the peoples republic of Eccles and the delightful village of Monton, just five minutes up the road from where I happen to live. This more compact and focused approach makes this years Festival feel more important and vibrant than ever.
And of course I have a direct interest in that I am looking after two nights at the Eagle Inn – Friday and Saturday.
So what can you expect? Well all the gigs are listed on the Salford Music Festival website so I encourage you to go there, but here are a few of my highlights from the three days……
The ultra talented Tamsin Middleton (Mr Heart) has a solo show at The Crescent at 8:30pm followed by ded.pixel and The Kingdom
The excellent Salford Arms has Duke and the Darlings, Wintergreen and Crimsons
Bobby Peru close the night at the always excellent Wangies in Eccles with support from The Comics and Sioux.
The beautiful Sacred Trinity Church is the main stage for a headline concert featuring local big new things Cabbage, the excellent Blaney, Sound of Thieves and Jess Kemp
The Eagle Inn has the first of two German Shepherd Nights with The Junta, Bouquet of Dead Crows, The Scissors and Kit B.
Highly regard all female trio Liines play The Crescent.
The second German Shepherd stage at the Eagle features Taser Puppets, Poppcock, JD Meatyard and West Coast Sick Line.
Highly regarded Death to the Strange play The Crescent.
A packed day at the Salford Arms sees seven acts on between 5pm and closing time.
Milton Keys duo The Rusty G’s play Wangies.
Y Key Operators with guest bassist John “The Junta” Montague play the Blue Bell in Monton.
Here are some examples of what to expect over the weekend. I hope to see you at the Eagle for what promises to be an excellent weekend.
After a busy week curating our German Shepherd showcase at the The Eagle in Salford, more of that later, I now have time to concentrate on reviewing new music that has come my way over the next few days.
First up, over to America for Troup, based in Los Angles, but with a UK connection as the lead singer is from Wales and the drummer is from near Liverpool. They recently released the title track from their forthcoming EP, “Mercury and Gold”, which, with it’s classic melodic rock vibe is well worth a listen. This is quality stuff and leader Alex Troup has a unique quality to his vocals which sets the band apart from others in the genre. One to watch I think.
There’s a lot of lo-fi dream pop coming out of Northern Ireland at the moment. Some of it good, some of it not so. This is one of the better examples from Beauty Sleep.
The first year of House of Mythology label continues to be a busy one with the impending release of The Stargazer’s Assistant new four-track full-length album, Remoteness of Light, set for release on 26th August. The latest album reveals an expanded line-up for the group, featuring David J. Knight (Shock Headed Peters, UnicaZürn) on treated guitars and FX, Michael J. York (Coil, Cyclobe) on pipes, FX and field recordings along with the originator of The Stargazer’s Assistant, David J. Smith (Guapo, Cyclobe) on percussion and sampled atmospheres. Sadly the tracks are far to long for podcast play but I may attempt a radio edit so I can share the music, Here’s a trailer for the album
New Model Army have unveiled their official video single for ‘Winter’ and deliver news of their forthcoming album release of the same name. Returning with their first full studio album since their acclaimed “Between Dog and Wolf” kick-started a creative renaissance in 2013. This album saw the band receive the best critical response of their career and top 30 chart positions in UK and Germany, their first in over 20 years, while Matt Reid’s 2014 documentary feature film “Between Dog and Wolf: The New Model Army Story” drew further interest to this most unique of groups. “Winter” will be released on August 26th on the band’s own Attack Attack label via Red Essential in the UK and via earMUSIC worldwide. Formats include special bookpack CD, double gatefold vinyl, download and streaming.
Last Friday saw the latest in a series of showcases for German Shepherd Records at The Eagle in Salford. The debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. Fortunately Rick Sarko was on hand to capture some of the night so I can share the vibe with you. The general feedback on the night was excellent with the Italians blowing people away with their ultra tight playing and epic performance. The showcase returns as part of Salford Music Festival on 30th September and 1st October again at The Eagle.
There’s some exciting things coming up over the next few months including a brand new Van Der Graaf Generator album which I have naturally pre-ordered and a raft of gigs associated with our little record label including a show case event at the Eagle in Salford on 12th August which will feature, all the way from Modena Italy, the sensational Saint Lawrence Verge , the debut of Ian “Moet” Moss’s new band Four Candles (who look very promising from rehearsal recordings) , from Cambridge an acoustic set from the exceptional Bouquet of Dead Crows, and the remarkable Poppycock as headliners. The Italian boys will be travelling down to Cambridge the following day for a gig at the Corner House with the Dead Crows and a visit from The Junta. We also have a presence at The Eagle on the Saturday with an EP launch from Rose and the Diamond Hand and a guest appearance from the very talented Alana Bondi.
Anyway enough of this manic self-publication here some new things that might pique your interest……
Omar Rodriguez-Lopez of At The Drive In/Mars Volta fame is to release a series of solo albums via Ipecac Recordings, with the first release, Sworn Virgins, available digitally on July 15. The previously unreleased albums were recorded from 2008 to 2013, while Rodriguez-Lopez lived in Zapopan, Mexico and El Paso. The titles will be released on a bi-weekly basis with the first spate of albums running through the end of the year. Each album will see a digital release with a limited number of physical copies (CD) available on Rodriguez-Lopez’s various live outings. Following the initial run of releases, a limited edition CD/LP box set will become available.
Pixies have announced a new album, “Head Carrier” which is available for pre-order at http://www.pixiesmusic.com. ‘Head Carrier’ is released on September 30th, 2016, on
Limited Edition Box Set, Heavyweight Vinyl in Gatefold Sleeve, and CD Digipack. They have also announced a new continental European tour for November 2016 with UK dates to be announced very soon. Here’s the single ‘Um Chagga Lagga’.
It appears that Indie is making a comeback, did it ever go away I ask myself. with the new single from Blush. It has all the intensity of The Wedding Present with a transatlantic vocal shtick which sticks in the mind.
Hovering somewhere between Ray Davies, Dylan and The Byrds Glasgow’s The Echo Session have a new single. ‘But I’m Scared’ out. It is a live studio recording from the Echo Session vaults, mastered by Dave Cook. The single will be available from all the usual digital outlets, including the Flowers in the Dustbin bandcamp store. It’s seven years since their last single apparently.
Having burst wild-eyed from the stalls of a buzzing monthly club residency in deepest Hackney and with a lot of interest for debut single ‘Shakin’ Like the Leaves on the Trees’, blues-tinged tearaways Mollys Daggers are gearing up for the release of their debut album “Prima Materia” alongside 2nd single ‘Zin-uru’. It kicks off sounding like Rory Gallagher, which is fine by me, and a welcome respite from the Mumford clones that litter my in-box of late. Expect to hear cuts from the album on Aural Delights Podcast over the next few weeks.
If my Tardis was working (sadly the temporal synchro-mesh is off line) I’d be hopping over to the Corner Hotel in Melbourne round about now to catch Dave Graney ‘n’ The Coral Snakes. I’ll have to make do with the excellent PBS radio session from a couple of days back which was stuffed with classic Snakes tunes like Warren Oates. I’m pleased to be able to share this video from the session. What a band!
Straight into it this time around, there is just so much going on……………
Psychedelic dirt rock unit, Sonic Wolves, which comprises current and past members of Ufomammut, The Hounds Of Hasselvander, Pentagram, and Rogue State, release their debut full-length, “The End Comes”, on Taxi Driver Records in late July 2016. The eight-track offering follows the band’s first single, “He Said,” released as a limed edition seven-inch in conjunction with Record Store Day 2016. Formed in Alessandria, Italy in 2012 by bassist Kayt Vigil (Rogue State, ex-The Hounds Of Hasselvander, ex-Pentagram) and drummer Vita (Ufomammut, Rogue State) initially under the name of “Tsutar”. In December 2014, the band recorded their first demo at Ampire Studio in Pistoia, Italy. At that time was Vigil on bass/vocals, Vita on drums and Stefano Tocci (Deaf Eyes, ex-Incoming Cerebral Overdrive) on guitars. By Spring of the following year, the eight-track “WolfWitch” was released and just a few months later, Paolo Melotto (ex-Psyconauts) joined on lead guitar and vocals, followed by Diniz (Temple Of Dust, Mexican Chili Funeral Party) on rhythm guitar.
The sound of the band is a mix of heavy, gritty rock, with elements of metal and psychedelic influences. Here’s a taster of ‘He Said’ which was recorded and mixed by Stefano Tocci at Ampire Studio, Pistoia (Italy), and it’s a “radio edit” version. The extended track will be included in the upcoming full length. I’ll be featuring a track on the Sonic Attack #168 on July 25th.
Boston-based thrashing hardcore punk band, Panzerbastard, release four new tracks on July 15th via their “MotörHeathen seven-inch”. Released by PATAC Records, the new one follows a barrage of EP and split releases since their 2006 formation.
“Here you go, motherfuckers,” says bassist/vocalist KPanzer of the seven-inch, “….the latest sonic assault on decency by the kings of motör-core. Forged in a dark, smelly, room in the deepest, darkest bowels of Boston, your intrepid, dirtbag heroes internalized three years of misfortune, betrayal, underachievement, and general disgust with the human race to puke forth the four slabs of sonic offal now known as MotörHeathen. We are the bastard sons of Motörhead, Discharge, Venom, and Cro-Mags, on a mission to ruin your life.” There you go….and very good it is too. A couple of tracks will be on Sonic Attack #167 on July 18th. I’ve nothing to embed from the new one so here’s the most recent release prior to this new one.
Conceived as a three-piece jamming out simple stoner blues rock heavily rooted in metal, The Company Corvette deliver wall of sound hard rock. They have recently completed their third full-length recording, “Never Enough”, which is released on August 5th It’s heavy riff-laden, psychedelically inclined, occasionally laid back, mostly loud, stoner rock with above average use of fuzz and wah. The band likes to think of their two earlier releases as “glorified demos” with the new album being a huge step forward for the trio in virtually every department. I agree.
There will be a couple of tracks from this release on Sonic Attack #180 on August 8th – pending that here’s a taster.
Sanford Parker is the well regarded producer and electronicist behind some of metal’s most exploratory outfits, breaking new territory in his work as a fixture of Buried At Sea, Minsk, Corrections House and Mirrors For Psychic Warfare, and featuring on and producing numerous records from respected names . His trademark atmospherics shift between the nuanced to the crushingly direct, including elements of industrial, cold-wave and power electronics to give bleak, brutalist clout to his work. Now, Parker is striking out on his own with “Lash Back”, a full length record of mechanical, dystopic, beat-driven menace. Due out on the My Proud Mountain label on July 22nd, Lash Back is a marked departure from his metal legacy, retaining some of the hallmarks of his impressive work to date but moving towards bands Perc, Youth Code and Pharmakon. It’s a most enjoyable listen with a lot of sonic variety. Sadly I have nothing I can share at this stage so you will have to wait until Sonic Attack #168 on July 25th.
Two years in the making, The Night Watch release their second album, “Boundaries”, a single thirty-six-minute piece on July 15th. The Canadian progressive instrumental quartet features guitarist Nathanael Larochette and violinist Evan Runge of Musk Ox. Sonically it’s a close relation to early God Speed and Silver Mount Zion but with a busier string sound which comes out of Vivaldi via Klezmer. You can pre-order here and I will podcast a portion of the piece on Aural Delights #190.
And to conclude in a shameless act of self-promotion for our record label here’s a list of July gigs for the turns we look after…..
1st July – Taser Puppets with Joiner [Germany] Gareth Icke at Dublin Castle Camden , London
2nd July – The Scissors play Bar Hill Festival, Bar Hill, Cambridgeshire
9th July – The Electric Cheese, West Coast Sick Line and Pearl Divers play Dulcimer, Chorlton
14th July – Poppycock and Rose & The Diamond Hand play The Thirsty Scholar. Manchester
15th July – The Junta plays Night and Day Cafe. Oldham Street, Manchester
15th July – West Coast Sick Line and Poppycock play Aatma, Manchester with Bobbie Peru
17th July – Bouquet of Dead Crows play an acoustic set at Corner House, Cambridge
28th July – Kit B play The House Party at Kendal Calling
30th July – The Scissors play Portland Arms, Cambridge with The Machismo’s and Moonstrips
Yes it’s that time again……and with it being a very busy year I thought i’d better prepare the long-list early on…..so in no particular order the candidates for this years “Best Of…..” not jazz albums… I’ll whittle it down to a top ten in due course, and I may well include some other ones I have missed and some things in the pipeline which look like they make the list.
There are a couple of very strong front-runners at the moment and after that it all gets a bit difficult…………
The Seven Twenty – The Seven Twenty
Niche – Heading East
Heroin In Tahiti – Sun and Violence
Dilly Dally – Sore
The Holy Soul – Fortean Times
Mammoth Penguins – Hide and Seek
The Lancashire Hustlers – What Made Him Run
Moff Skellington – Scribnalls
Courtney Barnett – Sometimes I Just Sit And Think And Sometimes I Just Think
Robert Forster – Songs To Play
Bouquet of Dead Crows – Of The Night
Dave Graney – Once I Loved The Oceans Roar
Monkeys In Love – Take The Biscuit
Corrections House – Know How To Carry A Wip
Esmerine – Lost Voices
Dead Sea Apes – Spectral Domain
Moff Skellington – The Corkscrew Tongue
Liberez – All Tense Now Lax
Vienna Ditto – Circle
JD Meatyard – Taking The Asylum
Ken Mode – Success
Dead to Dying World – Litany
Myrkur – M
The Creeping Ivies – Your New Favourite Garage Band
Ought – Sun Coming Down
Big Brave – Au De La
The Happy Fallen – Lost and Found
Cryin’ Queerwolf – Diva
Alif – Aynama -Rtama
Dave Graney ‘n’ The Coral Snakes – Night of the Wolverine (Expanded)
ZX+ Don’t Drink The Water
Author & Punisher -Melk En Honing
Dave Graney & the mistLY – Play mistLY for me – live recordings vol 1
Flies On You – Etcetera
Brothers of the Sonic Cloth – Brothers of the Sonic Cloth
The Go-Betweens – G stands for Go-Betweens : Volume One 1978-1984 (yes I know it’s a box set but it’s too good to ignore)
Short, sharp and sweet this time around with a handful of excellent new things appearing at the end of the week. Most of these will be featured in podcasts over the next few weeks.
Next Friday sees the release of the debut album from Cambridge alternative rock band Bouquet of Dead Crows , don’t be put off by the name, they are not a doom/death etc metal outfit but instead a very melodic band, with a strong dynamic sound. Available as digital and CD, it can be pre-ordered now.
‘Chip Off The Heart’ is Rah Rah’s second single off their upcoming album ‘Vessels’. Superior pop stuff,
UK Tour dates are:
08.12. London – The Islington
09.12. Liverpool – Studio 2
10.12. Preston – The Ferret
Manchester’s finest agit-pop foursome Ill are back with wacky video and fine single. I was especially struck by the excellent “Slithering Lizards”
A staple in Los Angeles avant-garde culture for years, Anenon is the newest addition to the Friends of Friends roster. Anenon’s ‘Camembert’ EP is out now and will be followed by a full-length in 2016. ‘Camembert’ sees a collision of free jazz, ambient, hip hop and techno, all tied together with a deft touch and an air of whimsy.
Dave Graney has a second volume of demos from the 1980s and 1990s out called “Once I Loved The Oceans Roar”. With 17 tracks and over 70 minutes of music this is a real bargain. It’s great to hear the early version of both solo Graney and Coral Snakes tunes. Especially good is an early version of the fascinating “Dandies Are Never Unbuttoned”. Highly recommended.
So let’s be clear from the outset, this is shameful nepotism of the highest order, but I can’t find anyone else willing to review it so I may as well take up the cudgels and have a go. Given I have a rather thorough inside perspective on this compilation, as I actually compiled it, I am in a position to be both honest and accurate, and perhaps somewhat effusive. If I am breaking some sort of record industry kayfabe by doing this so be it, but German Shepherd was set up to be doggedy (pun intended) independent, and to operate outside of the norms of the music biz, so in that spirit here goes.
Set up in February 2014 the label was originally intended as a vehicle for the work of co-owner Ian Moss, who had vast library of unreleased material he wanted to share with the world. Once word had got around about the endeavour other like minded souls expressed interest or were dragged into the inner circle of the label.
The manifesto is very simple, if the music that is offered to the label is sufficiently different and does not ape current trends and fads then it will probably find a home in the German Shepherd kennel.
21 months in and the chance to mark the milestone with some of the current and future artist on the label. Requests were sent out and a delightful pot-pourri of styles and genres emerged.
For German Shepherd virgins and, for those DJs who need accurate information(you know who you are), here’s a run down of all the tracks and the artists.
Loop-aznavour – theremin toting Loop, also a member of the remarkable Adventures of Salvador. offers a single from earlier in 2015, a remarkable distiller of styles and influences Loop is a captivating live performer and a consummate songwriter. From – Bury, Greater Manchester.
Pearl Divers ; the first band I ever “discovered” in radio land they have been through many line-up changes since 2009 but always centre around leader Carl Lingard. The tune on the album is a radical -reworking/second cousin to the bands “I Love The Music” – mixing Barryesque chords with a cold war soundscape one could, and should, argue that this would be a far better Bond theme than the odious one being used for the latest movie. The band are currently working on an album. From – Eccles/Irlam, Greater Manchester.
The Get – we love this band. They are great live, they write memorable songs, and they have a unique, sometimes unashamedly ramshackle sound. From – Bournemouth, Leigh on Sea etc, down south somewhere
Bouquet of Dead Crows – some folk will have been surprised about this band being on German Shepherd, one of aims is not to be complacent around what we are about, dealing with any preconceptions of our mode of operation by throwing a curve ball in every now and then. On first hearing, Bouquet of Dead Crows are conventional rockers, on deeper exploration the nuances emerge, from Toni Cooper’s excellent vocals, through the great rhythm section, to the multi-guitar talents of Neil Bruce. This is a band with a lot of depth. A single and cut from the new album “Of The Night” due out soon. From – Cambridge, east of Northampton.
Poppycock – working with Una Baines and her collective of musicians is always a pleasure and she offered up a live recording of the band from The Crescent in Salford. Recorded by Jim “Jedi” Watts, thus perpetuating the “every other musician you meet in Manc-land used to be in The Fall” myth this lovely tune first appeared on Una’s The Fates “Furia” album. From: Manchester.
Franco Bandini – the buzz about Franco’s recent release of the label “2014 was a bad year” is increasing daily. Perhaps slightly less dark than the tracks on the EP this offering is from the same sessions and indicates his ability to create an epic sound. We predict great things. From – Atherton/Manchester.
IKMRAO – the two label owners don’ t consider themselves to be musicians as such, they play with words and sounds and sometimes it comes out as music. Always making a point whenever they can this one has a much needed dig at the scenesters that hang around in clumps reeking of their own self-importance. From – Ashton Under Lyne/Eccles, Greater Manchester.
Captain Black – once a member of the aforementioned Pearl Divers and the main writer behind the much missed Positronik, Captain “Jeff” Black is adept at creating perfect pop tunes, and this is a sublime example. From : Swindon/Manchester
The Junta – it’s obligatory to say “aah yeah” or “shabba” at this point. Also once in Pearl Divers but now in Kit B, John “Monty” Montague brings an encyclopaedic knowledge of electronica into play for his tunes. Also a DJ on Salford City Radio Monty is a very busy chap. From : Salford, Greater Manchester.
Staggs – probably the most fascinating duo on the label in that they continually create tunes that both amaze and confound. Main vocal man Michael T Scott has a wonderfully acerbic outlook on the world at large. Music man Ridley is able re-invent well known sounds and turn them into something new. Staggs Disco is from one of their releases before they joined German Shepherd. Deserving of international acclaim I reckon. From – Newcastle Upon Tyne,
Passage of Time – sounds influenced by 1969 Miles Davis together with more contemporary electronic textures. The closest thing to jazz on the label. From – Eccles, Salford. Greater Manchester.
Ion-Morph with three albums of the man’s spoken word releases on the label it would have been remiss to exclude a performance. The featured tune is a reworking of an old song and a hearful paean to Manc-land. From – Ashton-Under-Lyne
Moff Skellington – a genius, an iconoclast and a dealer in optical creosote. Moff creates music which defies description other than to say it hangs precariously between The Residents, Tom Waits, Pere Ubu, The Fall and Hank Marvin. His wordplay is completely unique, the aural equivalent of Salvador Dali. As I may have said before, on many occasions, my crusade is to get him much more exposure and recognition. From – Abstercot
Rose Niland – we love Rose. She has a magical voice, she writes breathtaking tunes, and her words are memorable. Soulful, psychedelic and bluesy. From – Manchester
The Electric Cheese – captivating alternative rock with a unique sound. This trio is gaining a growing reputation as a must see live act. From their first EP with the label. From – Chorley, Lancashire
West Coast Sick Line – Dusty Moonan, another genius, a man who can write memorable songs. The band has recently undergone a line-up change and the track on the compilation is an indication of things to come perhaps, a more powerful more rock oriented sound. New album “Europee” is imminent i.e. when they get out of the pub. From – Deganwy, North Wales
Monkeys In Love – a special band, they have been with the label from the start, helping and supporting. The track on the album is, dare I say it, one of their best yet. A remarkable live act and a lovely bunch of people. From – Manchester.
Loop-aznavour – Ed’s Place
Pearl Divers – Smoking Gun
The Get – Say You Love Me
Bouquet of Dead Crows – Just A Little More
Poppycock – Ceaseless Effort
Franco Bandini – Side B
IKMRAO – Art
Captain Black – Lost All Sense
The Junta – Carnival 80
Staggs – Staggs Disco
Passage of Time – Round About Now
Ion-Morph – Manchester (Slight Return)
Moff Skellington – Potato Pickers
Rose Niland – 5 Times
The Electric Cheese – Gold Divers Under The Ice
West Coast Sick Line – Best Lost In Translation
Monkeys In Love – Installation Song #1
The album is a digital only release, is priced at £5, and all proceeds will go towards the Emmaus Homelessness Facility in Salford.