Album Of The Year?

Yes it’s that time again……and with it being a very busy year I thought i’d better prepare the long-list early on…..so in no particular order the candidates for this years “Best Of…..” not jazz albums… I’ll whittle it down to a top ten in due course, and I may well include some other ones I have missed and some things in the pipeline which look like they make the list.

There are a couple of very strong front-runners at the moment and after that it all gets a bit difficult…………

  • The Seven Twenty – The Seven Twenty
  • Niche – Heading East
  • Heroin In Tahiti – Sun and Violence
  • Dilly Dally – Sore
  • The Holy Soul – Fortean Times
  • Mammoth Penguins – Hide and Seek
  • The Lancashire Hustlers – What Made Him Run
  • Moff Skellington – Scribnalls
  • Courtney Barnett – Sometimes I Just Sit And Think And Sometimes I Just Think
  • Robert Forster – Songs To Play
  • Bouquet of Dead Crows – Of The Night
  • Dave Graney – Once I Loved The Oceans Roar
  • Monkeys In Love – Take The Biscuit
  • Corrections House – Know How To Carry A Wip
  • Esmerine – Lost Voices
  • Dead Sea Apes – Spectral Domain
  • Moff Skellington – The Corkscrew Tongue
  • Liberez – All Tense Now Lax
  • Vienna Ditto – Circle
  • JD Meatyard – Taking The Asylum
  • Ken Mode – Success
  • Dead to Dying World – Litany
  • Myrkur – M
  • The Creeping Ivies – Your New Favourite Garage Band
  • Ought – Sun Coming Down
  • Big Brave – Au De La
  • The Happy Fallen – Lost and Found
  • Cryin’ Queerwolf – Diva
  • Alif – Aynama -Rtama
  • Dave Graney ‘n’ The Coral Snakes – Night of the Wolverine  (Expanded)
  • ZX+ Don’t Drink The Water
  • Author & Punisher -Melk En Honing
  • Dave Graney & the mistLY – Play mistLY for me – live recordings vol 1
  • Flies On You – Etcetera
  • Brothers of the Sonic Cloth – Brothers of the Sonic Cloth
  • The Go-Betweens – G stands for Go-Betweens : Volume One 1978-1984 (yes I know it’s a box set but it’s too good to ignore)
  • Moff Skellington – The Corduroy Bridge
  • The Fall – Sub Lingual Tablet
  • Minimi Deutsch – Minimi Deutsch
  • Anna Von Hauswolff – The Miraculous
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Fascinating Things : Issue 20

A biblical deluge of new things in this week so only time for  some short and sharp reviews:

Mammoth Penguins – Hide and Seek (Fortuna Pop!)

The debut album from the new band fronted by Emma Kupa, formerly of BBC 6 Music favourites Standard Fare. Released on 10 July via Fortuna POP!.  A dozen simply marvellous power pop tunes with Emma’s delightful and arresting voice holding the attention for the whole of the album. Lyrically spot on, musically clever, and as it is stripped down to guitar, bass and drums, this is a perfect example of how to write and deliver good tunes.

Dead Sea Apes – Spectral Domain (Cardinal Fuzz/Sunrise Ocean Bender)

Manchester’s Dead Sea Apes have quickly built a fascinating catalogue that delivers fascinating instrumental jams. From the riveting stomp of previously featured ‘Soy Dios’ and ‘Astral House,’ to the enigmatic ebb and flow laden ‘Lupus,’ and straight through to their stunning collaboration with Black Tempest, ‘The Sun Behind The Sun,’ Equally capable of crushing heavy riffing and  mesmerizing ambient space-psyche as heard on last years critically acclaimed ‘High Evolutionary’,  this is a band that gets better with every release. ‘Spectral Domain,’ is their third full length album. From the Lalo Schiffrin meets Cluster spy theme of ‘Brought To Light’, the driving noise juggernaut of ‘Universal Interrogator’ through to the dubbed out claustrophobia of ‘Sixth Side of the Pentagon’, this is wigged space rock of the highest order. Releases on September 28th  in a visually striking sleeve and insert designed by Luke Insect on a purple and clear vinyl swirl be quick though only 200 are available. Nothing available from the album as yet for embeddinhg so here is something from High Evolutionary to whet your whistle.

Minimi Deutsch – Minimi Deutsch (Cardinal Fuzz)

Emerging from the vibrant Japanese psych explosion that has recently birthed Kikagaku Moyo, Sundays & Cybele,  as part of a new wave of acts that are making waves in the West, Minami Deutsch formed in 2014 and quickly went to work on this their debut album. The album is  a product of their source bands while putting a fine new twist on them,  capturing a  motorik sensibility as the band locks into repetitive locked modular grooves.  Source influences are Can, Neu! and La Duesseldorf (the clue is in the name) with added modernist synth swoops and whirls.  Hypnotic repetition with subtle changes leaves this listener wanting much more. Stunning stuff. 28th September sees the release of a 500 pressing on Weissensee white vinyl.

Henry Threadgill Zooid – In For A Penny, In For A Pound (Pi Recordings)

A double CD of a new suite of compositions from the masterly Mr Threadgill.  As usual there is the unique combination of instrumentation that characterises a Threadgill release – alto, flute and bass flute from the leader, and trombone/tuba,guitar, cello, and percussion. Essentially a “stream of musical phrases” developed over six distinct pieces. Each CD starts with a short introduction and then moves two lengthier section, Bubbling with ideas this is typical Threadgill territory,  his complex avant garde structures creating a unique musical palette with passages of manic pointillism sitting alongside measured chamber jazz, which can then transform into Henry’s particular version of mutant jazz rhythms. Not to for the faint hearted but if you enjoy challenging music you should give this a try. Again there is nothing from the album available as yet so here is a live cut from a couple of years back.

Johann Kloos – Flower Bed (Bandcamp)

A retrospective collection of material from 2003-2011 from the ever busy Dr Kloos. As usual it is jam packed full of musical ideas, replete with humorous idiosyncrasies, and damn fine. Johann moves between various genres across ten excellent tracks, one minute a piece of jazz-funk that Jan Hammer would have been proud of, the next atmospheric post-punk textures,  and then motorik driven beats .  This guy has more ideas in his little finger than any Coldplay wannabee that has been signed by a major. This guy should be supported and promoted he deserves the widest possible audience.

Aaron Diehl – Space Time Continuum (Mack Avenue)

Widely acknowledged as a modern master in the aftermath of his acclaimed 2012 Mack Avenue debut, “The Bespoke Man’s Narrative”, 29-year-old pianist-composer Aaron Diehl ups the ante with his 2015 release “Space, Time, Continuum”. Diehl first came to notice on the self-released late ʼ00s albums “Live At Caramoor”, a solo date on which he navigated the stride piano canon with deep assurance; and “Live At The Players”, on which he delivered a program spanning classical music, bebop and the blues. On “The Bespoke Man’s Narrative”, Diehl presented original music drawing on composers like John Lewis and Duke Ellington for inspiration.  On “Space, Time, Continuum”, an eight- track album, Diehl uses the core trio of bassist David Wong and drummer Quincy Davis. Also featured are the iconic tenor saxophonist-composer Benny Golson and baritone saxophonist Joe Temperley, both 85 years young; the 39-year-old underground tenor saxophone giant Stephen Riley; and the rising star trumpeter Bruce Harris, not yet 30. are also featured. The album moves between trio workouts to blues drenched pieces, or sprightly bop workouts, featuring the horns. Beautifully recorded, there is nothing ground breaking here but the playing is exemplary.

I quite like Tuesday’s

For some reason, which is not readily apparent, there has been a serious amount of new music in today so rather than let things pile up I thought I would get it all down before the muse left me…..

The Slow Readers Club – Forever In Your Debt – I Tunes- 1st December 2014

Manchester based Indie/electro band The Slow Readers Club follow the huge success of their last single ‘Don’t Mind’ with the re-release of fan favourite, ‘Forever In Your Debt’, a taut, energetic and danceable track with dark, introspective lyrics and rousing chorus.

The band’s following has been building rapidly since the release of their critically acclaimed debut album in May 2012, which received widespread airplay  drawing comparisons with Interpol, The Killers and Arcade Fire. Their innovative music videos have received widespread media attention.

Sleaford Mods – Chubbed Up+ – Ipecac Recordings – 27th October 2014

Nottingham’s Sleaford Mods are a duo that need little introduction, having fiercely penetrated people’s consciousness on a large scale with their sixth album Austerity Dogs in 2013. Since then they’ve garnered critical acclaim with their subsequent work and now they’re joining forces with Ipecac Recordings to release a physical version of their previously released digital compilation Chubbed Up +. This version will include three previously unreleased tracks “The Committee”, “Bring Out The Canons,” and “Fear Of Anarchy”.

S Mods

Obake – Mutations – Rare Noise Records – 27th October 2014

Obake are Lorenzo Esposito Fornasari (vocals, piano, electronics), Eraldo Bernocchi (guitar, electronics), Balazs Pandi (drums) and Colin Edwin (Porcupine Tree – bass).   This second album arrives at the place where the energies of metal fuse with ambient electronica, jazz, and noise with the precision of math-rock and the groove of blues. Obake’s sound harks back to the dawn of hard-rock, drawing upon a variety of influences from Sunn 0))), Popul Vuh, Ashra Tempel as much as Slayer, Tool, Melvins and Coil. Obake are made all the more distinctive by the fluid lyrical delivery and musings of a commanding operatic voice. Imposing in its darkness, encompassing in its beauty and ever powerful, Obake have lost not of their might since the release of their debut, if anything, they are more captivating now than ever before. Mutations was recorded by Daniel Sandor at Metropol Studio in Budapest, produced and mixed by Eraldo Bernocchi and Lorenzo Esposito Fornasari at The Place in Tuscany and mastered by Michael Fossenkemper at Turtletone Studio – NYC.

Obake

Dead Sea Apes – High Evolutionary – Cardinal Fuzz – 3rd November 2014

A serious illness to guitarist Brett Savage held up the completion of Dead Sea Apes’ 2nd full length album for a good long while. However that time was not wasted, as the band meticulously worked over the nuances of the mix and adding overdubs. All the key elements of Dead Sea Apes’ sound are in place from the 13th Floor Elevators on Mogadon of album opener Threads, to the dubbed out space drone of Planetarium. Elsewhere, there is the thundering raga inspired Regolith and an overhaul of one of their older tracks, Wolf Of The Bees (named Wolf II here). This is a rich collection that is a summation of Dead Sea Apes so far – heavy hypnotic kraut grooves, unsettling ambience and ghostly dub echoes.

DSA HE

Ligaments – Ligaments EP (Eat Pizza) – Bandcamp – 19th October 2014

A new EP from Shaun “Ali Bongo” Maxwell’s lad Jake’s excellent band. A couple of tracks from the EP are available for download on Bandcamp.

Ligaments

Black Light White Light – Gold Into Dream – Target Records – 14th October 2014

Black Light White Light returns with a new album “Gold Into Dreams,” released today, across the UK and Europe. Produced by Chris “Frenchie” Smith (Jet, The Dandy Warhols) as well as guest performances from Grammy Award-winning string arranger Davide Rossi (Coldplay, Goldfrapp), the band has gone on to supporting the likes of internationally renowned band The Telescopes (UK), Crocodiles (US) and Crystal Antlers (US) whilst gaining heavy support from Artrocker, Big Cheese, BELLA UNION’s label owner Simon Raymonde of the Cocteau Twins and Amazing Radio. Black Light White Light were formed in 2009 by guitarist, singer and composer Martin Ejlertsen. After some overlap and changes in the band’s line-up he is now primarily joined by brothers Adam Winberg (drums) and Tobias Winberg (bass) with a handful of selected musicians joining the band live too now and then. “From the beginning we have liked to evolve and keep taking chances when playing live, taking the songs in new directions,” Ejlersten explains. Bit of heavy Manc influence on this one!

GOLD INTO DREAMS_BLACK LIGHT WHITE LIGHT_FRONT COVER_1500x1500px

 

Ummagma – Kiev Remixes – Emerald and Doreen Records – 31st October 2014

Formed in Moscow in 2003, Canadian Shauna McLarnon and Ukrainian Alexx Kretov have been consistently writing and recording music whilst living between Ukraine and Canada. Shauna’s delicate airy gossamer-like vocals hold glimmers of Cocteau Twins, Stereolab, The Sundays, Curve, Lush, and Slowdive. Alexx’s guitar, vocals, synths, beats and programming create cinematic soundscapes with elements of Pink Floyd, Peter Gabriel, Bill Nelson and Brian Eno, enabling the listener soar above the music.  Ummagma debuted with 2 simultaneous LPs (‘Antigravity’ and ‘Ummagma’) in 2012. They’ve built on the success of those records by collaborating with Moscow’s Sounds of Sputnik on their ‘New Born’ LP, which will be released by UK label Ear to Ear Records on November 21st 2014.

Despite heavy turmoil in Ukraine, Ummagma are showing a solid footing, looking forward to a brighter future for Eastern Europe. In ‘Kiev’, this Canadian-Ukrainian team celebrates their freedoms, exploring the root of today’s problems to create beauty in the face of hostility. ‘Kiev’ is a essentially a message of hope. This release is an impressive package featuring the original track ‘Kiev’ plus 9 remixes from 9 fantastic artists from nearly as many countries, recreating  the original composition in their own unique styles. Auxiliary tha Masterfader transforms the duo’s work into an Italoesque electro-disco-pop gem. A Copycat’s handclap-dream-pop version is tender as a peach skin with a retro summer groove factor. Statickman’s synths shoot like laser guns into the retro-synth future. A Copy For Collapse goes for a more experimental, industrial approach, while David Garcet’s trippy chillwave edit brings downtempo bliss. Mikael Fas dishes up a beautiful trance-imbued deep house version. Celebrated Japanese chillwave artist Haioka takes everything to the next level with sounds reminiscent of an angelic playground. Sounds of Sputnik presents a stripped-down 90s indie version laced with synth-guitar harmony. Brazilian electro-child Mind Movies delivers a fragmented, dubby and loud breakbeat adaptation that probably comes closest to the actual state of mankind if we could listen to its rhythm.

Kiev

 

All of the above and more will be featured on next weeks podcasts.

Consequences of Sound

A more than acceptable week of new music over the last seven days with some exceptional albums coming in for evaluation and podcasting. Some of these have been trailed in an earlier post……

First up the latest from Earth  “Primitive and Deadly” which is released on September 1st on Southern Lord.  Carlson has gone back to his early work for this one – a blistering set of rock oriented  tunes which are  dynamic, epic and packing a guitar driven punch that few can match. Add guest vocals from Mark Laneghan and Rabia Shaheen Qazi (Rose Windows) and you have something special indeed.  As much as Carlson’s guitar has always been the focal point of Earth’s music, it’s been surrounded by consistently diverse instrumentation.  Here the dialog between Carlson and Adrienne  Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn 0))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) & Jodie Cox (Narrows). Thick, dense and overdriven, melodically rich & enveloping, “Primitive and Deadly” is Earth reaffirming their position as leaders in guitar based music.

CST106cover_900px

It’s safe to call Avec le soleil sortant de sa bouche a bit of a Montreal supergroup, its members having been active in the city’s experimental rock communities for well over a decade, including participation in Panopticon Eyelids, Pas Chic Chic, Red Mass, Set Fire to Flames, and, from the Constellation roster, Fly Pan Am.  Avec le soleil has solidified over the past year into a tight four-piece unit, and moved towards mastery of a highly original, deeply satisfying, giddy and heady mix of prog,  post-rock, math-rock and funk  The pair of  20-minute pieces featured on the album “Zubberdust!” is the culmination of the group’s first two years of development. (The pieces are subdivided into sections for CD and digital track IDs.) This is (mostly) instrumental rock that  blends a primitivist  repetition with organic ever-shifting electronic overlays – along with the occasional full-stop and 180 degree turn. JS Truchy’s wordless lead vocals (and his choral arrangement on “Face à l’instant”) add compelling textural and melodic counterpoints while lending the music an especially timeless feel. Pretty hard to fit this in a specific genre basket given the variety of things going on but overall a damn fine album which might have a slight touch of Zeuhl about it. It’s released on Constellation on 29th September.

As trailed a couple of weeks back Last Ex is the new instrumental rock ensemble led by Simon Trottier and Olivier Fairfield.  In addition to duties in various groups orbiting Fairfield’s E-Tron Records (including H. de Heutz, Ferriswheel and many others), the two are perhaps best known as core members of Timber Timbre, which spawned the Last Ex project. When Timber Timbre’s ambient music for a horror film went unused back in 2012, Trottier and Fairfield began revisiting the sound palette they had built up for the soundtrack at Fairfield’s studio in Hull, expanding on their techniques and textures, adding drums, bass and various other instruments. The duo found that they had dug into some very fertile territory, writing additional songs throughout 2013 and bringing their obsessions with sound collage, tape-based music concrète and the BBC Radiophonic Workshop to bear on the cinematic lyricism of the initial widescreen guitar- and string-based material. Derived from the title of the abandoned film, Simon and Olivier dubbed their new project Last Ex. With its combination of assured lyricism, cinematic guitars, dusky analog atmospherics and taut percussion, this is a vivid, concise and expressive instrumental album that sits snugly between fellow label acts Do Make Say Think and Exhaust on the one hand, Hrsta, Tindersticks and Evangelista on the other. The self-titled album is released on Constellation on 13th October and makes for a fascinating listen.

Ought

Montreal four-piece post-punk group Ought has been gathering momentum the old-fashioned way, with a humble and deceptively unassuming debut album (as reviewed here) that’s been worming its way into many many ears thanks to its combination of intelligence, authenticity, directness, simplicity and energy. Constellation are releasing  a vinyl- and digital-only EP  “Once More With Feeling” which corrals a couple of selections from the band’s older songbook, re-recorded this Spring at Hotel2Tango to reflect some of the ways they’ve grown and evolved over the past year or so. It’s a very fine set of tunes that highlights and brings fans up to date with Ought’s first two years of songwriting, revealing additional facets of the band, including its ability to play with nostalgia and balladry (“Pill”), feverish Iggy Stooge like revival-tent testifying (“New Calm Pt. 2”), and improv/abstraction (“New Calm Pt. 3”).  Out on 27th October from Constellation and highly recommended by the Eccles judge.

This September, two years after the remarkable “Atma”, doom trio powerhouse YOB  release “Clearing The Path To Ascend”, an aptly titled album for what is a crowning achievement for a band whose journey now nears two decades of creating music.  As commanding as it is cathartic, as is the YOB way, the four tracks on this album don’t simply offer the usual riff-soaked doom genre. YOB break barriers, clearing the way for genuinely visceral listening experience. There are some clear   influences such as Cathedral, Sleep, Electric Wizard, and Black Sabbath – however they have distilled this into their own sound with threads of progressive rock and drone melding in with the heavy rock elements. With a ferocity that’s as completely unhinged as it is utterly focused this is a remarkable hour and two minutes of music . Drummer Travis Foster wields his signature rhythmic furore  while bassist Aaron Rieseberg, provides unforgiving pulse – all the while in a impressive  synchronicity with Mike Scheidt’s uncanny vocal range and signature guitar sound. Released on Neurot on September 1st.

Upcoming ………

The Melvins return with “Hold It In” (Ipecac) , their first studio album as a quartet since 2010’s “The Bride Screams Murder”, on October 14th. Joining Buzz Osborne and Dale Crover for the 12-song outing are Butthole Surfers‘ guitar player Paul Leary and bass player JD Pinkus. Hold It In was recorded in both Los Angeles and Austin earlier this year. “Hold It In is a refreshing piece of fiction in a boring world of fact and bullsh*t,” said Osborne. “Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride. I can’t believe this actually happened. I’m thrilled.” “It’s very rare you get a chance to work with three folks from the ‘Break A Wish’ foundation, all at the same time,” said Pinkus. “I believe they’ll remember their experience with me forever (or until they finally all lose their fight with S.I.D.S).”

Here’s a preview

Torch Runner are back in no time with news of their forthcoming LP, titled “Endless Nothing”.  On it, the North Carolina trio set off rabid grind, repellent metallic clout and hardline vocal harangue in an uncontrolled explosion, which will attract lovers of  bands  like Napalm Death, Converge and Nails. It  is due for a 29th September release, available as CD and limited edition vinyl formats on Southern Lord.  Here is an example of what you will get:

Other highly recommended releases coming soon, or indeed out now:

  • Dead Sea Apes – Thermionic Emissions Vol 2 – Bandcamp (Out Now)
  • Society Sucker – Society Sucker  – Get This Right Records (16th September)
  • Sounds of Sputnik – New Born featuring Ummagma – Ear to Ear Records (Out Now)

Sun Arise……….

Artists – Dead Sea Apes & Black Tempest

Title – The Sun Behind The Sun

Label – Cardinal Fuzz

Release: December 2012

“Solar Maximum is the first  collaboration of Manchester’s Dead Sea Apes and Godalming’s Black Tempest. Fusing Black Tempest’s Kosmiche Synth to Dead Sea Apes otherworldly psych-rock……….. takes both parties into further astral realms.” says the promo and it’s not wrong!

Opener ‘ Grey Alphabets‘  takes a basic four note phrase and repeats it hypnotically over rhythmic pulses and slow arpeggiating synths – menacing, brooding and viscerally compelling the tune builds over 12 minutes into a barrage of laminal sounds – falling away in the last three minutes to a reflective haze of chittering phased synth sounds and sustained notes. The second track on Side A – ‘Wilder Penfield’ continues the mood with serial synthesis interrupted with shards of guitar developing into pulsing motorik rhythms reminiscent of  early Tim Blake – Brett Savage conjures a wall of shuddering sound as the rhythm section continues a relentless and hypnotic dance to propel the piece forward

Side B features ‘Heliopause‘, a 20+ minute melange of soaring synthesis, reverbed guitars, pulsing bass and  insistent martial percussion which is breathtakingly good. Again Savage uses the guitar to create a range of sounds to support the laminal synthesis – moving from squawling wah-wah to searing echo with ease. About 16 minutes in the pace picks up a tad and the sound gets a little funky through to an extended coda of glissando guitar and ethereal washes of sound lasting a good five minutes. Amazing!

In my review copy is also the non-album mix of ‘Wilder Penfield’ (Penfield’s Mood Organ Mix)  which has a heavier synth feel and is an interesting variation on the original version.

The album is due for release in December 2012 (barring a Mayan apocalypse) on limited edition vinyl, (coloured & black) – and limited CD edition.

Highly recommend for lovers of space rock and psyche – once again Dead Sea Apes demonstrate that they are the pre-eminent band in this musical form in the Greater Manchester area.

http://www.facebook.com/CardinalFuzz

http://www.deadseaapes.com

Aural Delights Radio Show – 22nd August 2012

On this show…. listen here…..just for clarity the Andy T album is called Life At Tethers End……not as announced on the show…..

1 Phil Davis and the Ninja Smoke Bombs All Mixed Up Single
2 Toska Wilde and Luis Drayton Glamoflage Glamoflage
3 Led Er Est Divided Parallel The Diver
4 Bacchanal Party Champagne Lifestyle, Buckfast Wages Single
5 The Stagger Rats Fuzzy Fuzzy EP
6 Factory Acts Fantasy Fantasy
7 Six Organs of Admittance One Thousand Birds Ascent
8 Nuclear Death Terror Crisis Chaos Reigns
9 Moff Skellington Goodbye Changeless Town of Attics Eddodi
10 Dead Sea Apes Dead Fingers Talk Astral House
11 Andy T Wooden Curtains Life at Tethers End
12 Factory Acts Stock Exchange Fantasy
13 The Go-Betweens Twin Layers of Lightning Liberty Belle and the Black Diamond Express

Too Much Monkey Business

Nice to see that rather marvellous band Dead Sea Apes  have a busy few months ahead of them……here is a synopsis of a recent blog of theirs…..

They have the following gigs booked for the remainder of this year:

 Firstly, they’re taking part in SONGS FOR JANE, a benefit for Brain Tumour Research in memory of Jane Howden. It’s at West Street Live in Sheffield, on Bank Holiday Monday 27th August, with live music from 3 till 11 pm, and DJs till 2am.  They wi’ll be playing at about 7:45, and also have an exclusive track on the special compilation album which will be available at this event.

Next month, on 22nd September they willl be in Liverpool, at Mello Mello for Newpath Live –details here.

After that they have got two support gigs which will be really special:  on 21st of October they are playing  with Californian psych-rockers Carlton Melton at Hebden Bridge Trades Club (courtesy of Was Ist Das?) ; and then on 9th of November they are back in Manchester opening for Agitation Free at Moho Live.

Details of all these on the bands gigs page.

On the recording front, they are putting the finishing touches to the first volume of collaborations with Black Tempest, in addition there is what is described by the band as “an explosive live recording” of Bikini Atoll on the forthcoming Cardinal Fuzz sampler, and they are also busy working on some new material for both the live set and future releases.

I am playing a track from the Astral House release on this weeks Aural Delights Radio Show.