Since I last wrote a couple of nice things have happened. Firstly I am now working with the excellent music venue Band on the Wall in Manchester to compile a monthly “new jazz” podcast which will reflect some of the jazz artists that will be playing at the august establishment as well as featuring some of the best new jazz releases. I am hoping to feature up and coming jazz musicians especially from the Greater Manchester area in those podcasts as well. I have an abiding love for the place as I have seen some of my favourite artists there over the years so it is a real treat for me to be doing this for them. Secondly I am now a featured blogger on the excellent Hype Machine website which highlights some of the best new music.
Talking of the Band on the Wall I was pleased to note that the legendary Curved Air will be playing there on Thursday next. Sadly I cannot attend due to ongoing post ankle fracture problems but my good buddy Stephen Doyle is attending on my behalf and a review of the gig will appear on the blog, courtesy of SD, in due course. It’s a long while since I saw Sonja and Co (supporting Mott The Hoople in Northampton back in the dark ages) so I am keen to hear what Steve and his wife Yvonne make of the performance. More information and ticket options can be found here.
Regina,Saskatchewan, based band Library Voices have released their new album ‘Lovish’. Their self-produced third collective effort, ‘Lovish’ was recorded in an old funeral home. The album was mixed by Dave Plowman and Alex Bonenfant (METZ, Crystal Castles, July Talk). The band have upped the fuzz and fidelity on this release, but have not lost any of their charming melodic pop elements. The 11 song album opens with the line “All of your heroes, they’re all assholes/but that don’t mean you should piss on your dreams” and then embarks on an anthemic 40-minute alternative rock journey. The cavernous reverb of an old Space Echo and a busted up tape machine provides the sonic backbone to this engaging guitar-driven album. There’s almost a mid-period Go-Betweens feel in places which of course ticks all the right boxes for me. One of the better albums of the year, especially when the band get the guitars up to full pelt and the punk psychedelia kicks in.
Father Murphy, the Italian duo comprised of Rev. Murphy and Chiara Lee, who have been inhabiting the underground since the early Noughties with a series of dark, disturbing recordings, have teamed up with producer Fabrizio Modonese Palumbo (Larsen) for a 10” EP, which is appropriately entitled “Lamentations” and is to be released by the avant-garde label Backwards on 20th November 2015.
Preparations continue for the release of SUNN O)))’s upcoming LP, “Kannon”, to be released this December via Southern Lord, and this week the album’s cover art and pre-order options have been released.
As part of the label’s ongoing 25th anniversary celebration, Relapse Records has released a 38-song label sampler available for free download via Bandcamp and Amazon MP3. The label sampler features songs from all of Relapse’s 2015 new releases including TORCHE, WINDHAND, ZOMBI, MYRKUR, ROYAL THUNDER and many more. It also includes tracks from the remixed and remastered reissues released in 2015, including music by PIG DESTROYER, SACRILEGE, EXHUMED, RAZOR, and more! Additionally, the sampler contains tracks from 2015’s new signees MAGRUDERGRIND, ILSA, SEVEN SISTERS OF SLEEP, WRONG, GRAVES AT SEA, and LYCUS. The 2015 sampler is also available for free streaming via all majorportals.
Additionally, Relapse Records released a massive 194-song sampler spanning the label’s entire 25-year history earlier this year.
The Scissors are self proclaimed as “Swirling Hammond organ fuelled psychpop with horrorshow freakbeat guitars and new wave post punk synergy”. They are from Cambridge and is the case with that places music scene there are all sorts of links. Band member Stewart Harris not only designed the sleeve for the recent Bouquet of Dead Crows album but also plays bass in excellent band The Seven Twenty. The Scissors have recently remastered their debut album as well as working on some new recordings which have been sent my way and will appear on a future podcast. Highly recommended!
I suggest you make a brew and get comfy for this one, it has been an extremely busy week. For those out there that say that there is no good new music out there, I beg to differ. A seriously eclectic selection awaits your visual and aural pleasure:
Father Murphy, the Italian duo comprised by Rev. Murphy and Chiara Lee who are troubling the underground since the early Noughties with a series of dark, disturbing recordings, this time team up with producer Fabrizio Modonese Palumbo (Larsen) for a 10” EP aptly titled Lamentations to be released by the avant-garde label Backwards on 20th November 2015. The release completes Father Murphy’s 2015 Trilogy of The Cross, which started with Calvary (a 10 minute long introductory piece released by Blue Tapes in January) and was followed by Croce (Father Murphy’s fifth album and first release for the San Francisco based label The Flenser, released back in March).
Recorded in Turin under the supervision of sound engineer Paul Beauchamp, Lamentations finds Father Murphy at a crossroad of sorts: instigated with the guidance of Fabrizio Modonese Palumbo, the core duo of Chiara and the Reverend opted for a slight alteration of their signature squalor-sound, whilst still remaining cheerfully focused on their thematic obsessions (namely: death, God, pain, forgiveness). Inspired by a tongue-in-cheek reading of the Book of Jeremiah, as well as the traditions that mark the orthodox Holy Week Lamentations, the band have produced two long compositions that Iam advised feel like classic Father Murphy material, yet are substantially enriched in respect to their usually spare sonic palette.
I will share this with you on the podcast when a review copy arrives.
Ritual Productions have announced the signing of The Poisoned Glass, a duo comprised of two members of the legendary doom band Burning Witch; vocalist Edgy59 and bassist G.Stuart Dahlquist.
After the demise of Burning Witch in 1998 and going their separate ways, the two kept in touch, occasionally making overtures towards working together and knowing that they would when it felt natural. The Poisoned Glass started with the song ‘Silent Vigil’, a twelve-tone progression Dahlquist had originally intended as a tonal bass solo. After experimenting, he felt that the resulting sound was heavier, more despondent and unforgiving than any of his existing projects and sent the rough mix to Edgy, who understood immediately that this music represented perfectly both voices as a unit. It came naturally, as though it was meant to be, and with that, the duo formed, and set out to record as The Poisoned Glass.
The instrumentation is exclusively centred around bass guitar, organ, and voice – nothing more. In spite of seemingly limiting instrumentation The Poisoned Glass is far from minimalist; the atmosphere is bleak but so dense it is virtually without air. Dahlquist’s unison bass and organ is massive, building, evolving and expanding, punctuated by Edgy’s unbridled tenor and the irregular jarring of one or two note dissonant harmonies.
The Poisoned Glass will release their self titled LP on Ritual Productions in spring of 2016. More details of that to follow in the coming months.
Philadelphia psychedelic rock trio, Wizard Eye, release a self-titled new full-length on October 10th via Black Monk Records. Recorded in three days at Haddon Heights, New Jersey’s Gradwell House Studios with Steve Poponi producing and mastering by Dave Downham, the follow-up to the band’s 2010 Orbital Rites debut includes their signature brand of mind-bending riffs , bottom-heavy grooves, churning bass, otherworldly effects and raw vocals. Their roots are planted firmly into the lysergic soil of ‘70s acts like Hawkwind, Budgie, Blue Cheer, Captain Beyond, Motörhead and Black Sabbath, Wizard Eye shows the band operating at the pinnacle of its creative and musical abilities.
Paris’ based duo AaRON return with ‘Blouson Noir’, the first track to be lifted from their upcoming, self produced, third album ‘We Cut The Night’. The duo’s debut ‘Artificials Animals Riding on Neverland’ came out in 2007, it sold over 400, 000 copies and is considered a classic by many. Years to follow saw the accolade of another chart topping album (Birds in the Storm) and the pair being awarded with a European Border Breaker Award followed by a sold out tour. ‘Blouson Noir’ tells a tale of a late, sleepless and very much lovelorn night in New York City; walking alone in the cutting darkness through the concrete, the buildings, the sirens and the overpowering nature of it all with nothing but the sounds of Grace Jones “Strange I’ve Seen That Face Before” playing. “
The Insight deliver a stong post-punk sound with a Gallic tinge. They release album White Noise on 25th September. Manc/Scouse influences are strong throughout, lots of flanged guitars and reverby drums with dramatic vocals. You can pre-order on Bandcamp.
Written whilst under the influence, the stomping new single “Kicking the Habit” out 12th October, finds Greg Hooper and Gordo Francis of The Lost Art in a playful, raucous mood. The single comes from pair’s Special Edition version of their self-titled debut album set for release 2nd November. Included with the albumrelease are special remixed songs along with a fully notated score allowing fans to enjoy the duo’s music in a new and unique way. Mixing the old with the new, the varying cocktail of quirky remixes add extra flavour to this inspired thirst quencher of an album. It’s very good in a teetering on the edge of collapse way, sdaly however I have nothing to embed for you as the promo people seem to have neglected to send a link other than for the last single which seems a trifle odd. Anyhow it will be on next weeks Aural Delights so you can hear it then.
To celebrate her signing to First Word Records and announce her forthcoming mini-album ‘Of The New World’ Sarah Williams White has released ‘Winter Sun’ as a free download.
Here’s a little background to the track from Sarah herself:
‘I wrote this track to gratify all these images from films I had in my mind like Empire of The Sun, Fist of The North Star… imagery of a post apocalyptic/war-torn world, but nature with it’s strength and beauty just standing it’s ground! The Sun, or that something at the end of the tunnel that gives hope through darker times..
All my new music seems to have this underlying theme of time and repair, and the awesomeness of earth. Its a bit of a theme throughout my upcoming record Of The New World.
‘Winter Sun’ started out as a li’l instrumental idea with my Hohner Pianet over a beat of Timmy’s (Timmy Rickard is the drummer and engineer I work with) – I’d been listening to a lot of Roy Ayers! Then it kinda filled itself out over time into a more spacey harmonic piece with the poem and vocals, new b-boy drum grooves from timmy and my juno 106 playing the glaring Sun.’
It was released on 17 September 2015 and is an inventive jazzy tune which improves on repeat listening.
Cheeky London chappies The Black Sparrows release a new single , they describe themselves as punk n roll, dapper flat caps and waistcoats would normally be a turn-off but this lot manage to grab my attention wth a sort of Libertines/Heartbreakers looseness.
Gabrielle Papillon is a Canadian singer-songwriter with a fantastic voice. Her upcoming album The Tempest Of Old captures the pick-up-and-play honesty in her song writing with each track being beautifully produced alongside a yielding sense of time and place. The album , will be available for sale and download Friday 25th September 2015. Get You Well is the first single from the album. This is her fifth album so I think a check on the back catalogue will be worthwhile given the quality of the new one.
The Melvins, who are currently in the midst of a European tour, flash back to their 2012 attempt at a world record setting tour of the United States (plus DC) with the Noember. 13th DVD release of Across The USA in 51 Days: The Movie! The tour launched on September .5th, 2012 from Anchorage, Alaska and wrapped up fifty-one days later, October. 25th, on the sunny shores of Honolulu, Hawaii. “We figured it was time for us to do something REALLY crazy,” Buzz Osborne said at the time of the band’s transcontinental trek. The band documented the outing via Spin (http://www.spin.com/tag/melvins-tour-diary/) and also through a collection of never-before-seen video footage. I’m putting together an Aural Delights special podcast on the Melvins to coincide with their Manchester appearance (October 9th at Gorilla)
To be brutally honest I’m not sure Ben Chasney’s head is at these days. Drag City release Six Organs Of Admittance‘s latest Hexadic II on November 20th. The album appears to be an acoustic variation on the tunes on the preceding album, athough it’s best described as a transformational process rather than a faithful reinterpretation. It took me a few listens but I began to get into this enjoy what he is up to. He ploughs his own furrow and does it well.
…and finally, I am most overjoyed to find that the ever excellent Monster Island have a seven song EP out hopefully later this year. They are down in that there London on 10th October for a gig at The Windmill Brixton for International John Peel day. Here’s a little reminder of how wonderful they are.