The Best of 2016 #3 – Singles and EPs

This one is going to be a little different due to the nature of releases this year. All will become apparent as I meander through things. The nature of what I do on an almost daily basis i.e. putting together radio shows/podcasts and running a record label means that a serious amount of individual tracks come in for potential airplay or indeed for release on the label. So trying to do a definitive list of the “best” is nigh on impossible – if they made it onto the podcast or got released by the record label they are, because they got through that gateway, “better than the rest” so i’ll generalise…..and this is in no sort of order of importance as I love them all with equal fervour……with the stuff at the bottom of the page being the “top of the pops” as it were

The Moss Brothers – various releases by Ian and Neil under various aliases – the work rate of Ian Moss is legendary, add his sibling into the mix and you have a an even faster production line of fascinating music – whether it be Ian & Neil, Sebastien the Tortoise, A Magpie and a Goldfish, or 2 Big Brothers it’s all great.

Taser Puppets : Fossil – their latest EP and first with German Shepherd proved to be their best yet. A health scare for front man Shaun put things on hold for a while but a barn storming set at the Salford Music Festival but them back on the North West musical map.

Alana Bondi : Alana Bondi EP – another artist who battled through health problems in 2015/6 to deliver a remarkable debut EP and stunning video to the opener “Four Walls” plus a run of shows including the Edinburgh Festival Fringe.

The Sideshow : How It Goes – a remarkable single, pure pop for now people as Nick Lowe once said. Should have broken through this one and still a mystery as to why it didn’t.

The Screaming Love Collective : Three Singles – proof that repetition in music is still potent as a way of delivering ideas that are fresh.

The Mind Sweepers : The Mating Game – Vicky Middles asked if we could help out with this one and we were pleased to get involved. They call themselves genre defying and they certainly deliver on that score.

Bouquet of Dead Crows : Epicentre – a great collection of alternative versions, live cuts and a remix crowned a great year for the “Crows”  – a new album is in the pipeline and an album of radio sessions is promised for the new year.

The Madding Crowd – a good year, a great EP, an epic EP launch and a sense of renewed promise and hope for this north Manchester band.

Stalagmites : Between City and Cellar Door – back with a bang with a great EP, Brad Lynch is one of the best songwriters Salford has delivered with fantastic lyrics and epic tunes.

The Parish Church Fire : Locamente – another one where I sit here with a puzzled expression wondering why it wasn’t huge.

Staggs : Adult Loonies and A Rum Do – when I am fed up I turn to Staggs to cheer myself up – the diversity across these two releases is a testament to the skill and inventiveness of Ridley and Scott – punk, electronica and krautrock,  there’s something for everyone.

The Get : The Private Men EP – The Get are remarkable, their lo-fi approach to what they do, their relentless charm and enthusiasm is infectious. A great collection of songs.

Moff and Moss – aside from a remarkable debut album an epic single which dwelt on Mr Crowley and other strangeness. Expect new stuff in the New Year which is development at the moment – it will all become clear at the gig at the Castle in March!

Rose and the Diamond Hand : Universe Is Woman – should be huge, a remarkable voice, an amazing band, and a great live show, add a fantastic debut EP and you have a great year for Rose and co.

and the top three

3. KIT B – Weird Water – impressive song-writing from a great live band who broke into the festival circuit this year and garnered some impressive live reviews

2. m.t. scott – The Broken EP and 13 Queer Street – Michael left the wonderful world of Staggs for a while  to create two collections of aural wonderment. Cinematic in their scope and impressive in their musical depth he is clearly a creative force that requires/demands/deserves  a wider audience. I’ve been lucky enough to listen to these collections develop from ideas into fully formed pieces of aural magic.

1. The Graney and Moore Singles Releases – throughout the year Dave and Clare have released a digital single a month (more or less there will be one in January) in an effort, I believe, to escape the usual routines in the music industry. I can’t decide which is the best amongst any of them, so I’m bringing all ten into a collective number one, but if you were to push me the latest one “I Ain’t Hi Vis” is probably my favourite. The variety across this set of releases is impressive, the trademark Graney wit is in full effect, and musically, as is always the case, they are top notch. Notably there is more than a bit of a jazz tinge than is usual which of course ticks a lot of boxes for me. You can grab them all at the DG bandcamp page.  For the record the releases were:

I’m a Good Hater
This Is the Deadest Place I’ve Ever Died In
I Been Trendy
Drifting Donna Reed
Are You Out Of Your Mind? (Get Back In)
You Need a Kleek, Klook
Rupert’s Pet’s Grave
Matey, From On High
Let’s Kick this Mob Out
I Ain’t Hi Vis

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The Best of 2016 # 2 – Gigs

Having spent quite a lot of the year in and out of medical facilities for one reason or another the number of gigs attended has been somewhat constrained but having said that much improved on 2015 when I spent a good deal of the time in a plaster cast. In the most part the gigs I did attend were all great. There were a couple of bad evenings caused in the first case by an idiotic club owner and in the second case by a less than perfect sound engineering job, it is not my habit to name names, so I won’t, all I would say is that bands deserve more.

Ones I sadly missed due to ill health and diary clashes

  • Robert Forster
  • The Triffids
  • Kim Salmon

Here are the highlights in no particular order, apart from the top four gigs.

  • Manchester Jazz Festival – just a general message to say it was much improved this year with some fascinating bands seen especially in the performance space in Manchester Central Library – the price of the beer in the Festival Village is obscene though!
  • Soft Machine at The Band on the Wall – OK so we sat in the bar for most of the second set drinking and chewing the fat about music but the first set was pretty memorable and I realised a long held ambition to see this band.
  • The Junta at Night and Day – kabuki, mime and beats with El Generallisimo cooking up a techno storm.
  • Aidan Cross & Johann Kloos, Poppycock, Taser Puppets and West Coast Sick Line at Dulcimer, Chorlton. A fun packed night with a storming set from the Westies and a slight hiatus while Mr Maxwell found his guitar.
  • Moff Skellington, Mr Mouse, Loop-aznavour at The Fenton Leeds – a remarkable evening with a sparse audience but excellent performances from all three protagonists only somewhat ruined by the inability to get out of Leeds via the motorway necessitating a circuitous journey home via Harrogate
  • The Eagle, again, for the debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo  for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. A rather special evening.
  • Sam SmithGenevieve L Walsh and The Madding Crowd at The Moston Miners Club – a great set from Sam, memorable poetry from Genevieve,  and an epic set from The Madding Crowd.
  • The Junta, Bouquet of Dead Crows, The Scissors and Kit B at the Eagle as part of Salford Music Festival. Barnstorming sets from all four bands – we need to do this again.
  • Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line as part of Salford Musical Festival also at The Eagle – one of our most successful nights with a good crowd, fine performances, and a stellar set from Mr Meatyard.
  • Blaney album launch at Pacifica Cantonese. A great album and a memorable album launch with the added bonus of it being five minutes from where I live. It’s been a good year for Ed and he deserves the support he is getting at the moment

and the top four, who all happen to be Australian for some strange reason……

4.

The Necks live at the Band on the Wall – a special performance from an amazing trio of musicians. Unique and breath-taking music bereft of ego and full of invention.

3.

Harry Howard and the NDE with Poppycock at The Eagle – exploding keyboards and horrendous traffic conspired against us but Poppycock were the best I have seen them all year and Harry and co were exceptional given they had a stand in rhythm section with only a couple of days rehearsal.

2.

Dave Graney and Poppycock & Franco Bandini at the Eagle – a long held desire to catch Dave and Clare live was at long last realised. Most of the band were full of germs but still managed to deliver a set packed with classic tunes from across the Graney songbook. The added bonus of seeing Malcolm Ross play the guitar as well.

and my gig of the year….

1.

Dave Graney at the Betsey Trotwood, London – a memorable journey to the capital despite a dodgy knee. A pleasant afternoon drinking with Bob and Jeff in some fine ale houses. A fantastic set from Dave, Clare, Stu and Malcolm covering even more of the Graney songbook topped off by a great tribute to Prince.

DG 2 BT

Salford Music Festival 2016

Dear reader it’s that time again, the last week in September, when I wax lyrical about the utterly wonderful Salford Music Festival. . Now in its’ seventh year this grass roots, no nonsense event, is part of the musical life blood of the city in which I live. Often overshadowed, in entertainment terms at least, by our noisy neighbours in Manchester, this Festival plays a big part in redressing that imbalance and puts Salford firmly on the map, where it deserves to be.

The difference between any other festival that you might care to join in on is that it is absolutely free for punters, no wristbands, no overpriced beer or food, and no tents. Ed Blaney’s desire for the events to be free is a key driver for the popularity and success of the three day celebration of music. And the added benefit is there isn’t a tribute band in sight.

The Festival has been stripped back to three days this year, Thursday 29th September to Saturday October 1st, and centres around the Chapel Street/Blackfriars area close to Manchester City Centre, and the peoples republic of Eccles and the delightful village of Monton, just five minutes up the road from where I happen to live. This more compact and focused approach makes this years Festival feel more important and vibrant than ever.

And of course I have a direct interest in that I am looking after two nights at the Eagle Inn – Friday and Saturday.

So what can you expect?  Well all the gigs are listed on the Salford Music Festival website so I encourage you to go there, but here are a few of my highlights from the three days……

THURSDAY

The ultra talented Tamsin Middleton (Mr Heart) has a solo show at The Crescent at 8:30pm followed by ded.pixel and The Kingdom

The excellent Salford Arms has Duke and the Darlings, Wintergreen and Crimsons

Bobby Peru close the night at the always  excellent Wangies in Eccles with support from The Comics and Sioux.

FRIDAY

The beautiful Sacred Trinity Church is the main stage for a headline concert featuring local big new things Cabbage, the excellent Blaney, Sound of Thieves and Jess Kemp

The Eagle Inn has the first of two German Shepherd Nights with The Junta, Bouquet of Dead Crows, The Scissors and Kit B.

Highly regard all female trio Liines play The Crescent.

SATURDAY

The second German Shepherd stage at the Eagle features Taser Puppets, Poppcock, JD Meatyard and West Coast Sick Line.

Highly regarded Death to the Strange play The Crescent.

A packed day at the Salford Arms sees seven acts on between 5pm and closing time.

Milton Keys duo The Rusty G’s play Wangies.

Y Key Operators with guest bassist John “The Junta” Montague play the Blue Bell in Monton.

Here are some examples of what to expect over the weekend. I hope to see you at the Eagle for what promises to be an excellent weekend.

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Fascinating Things : Issue 64

Straight into it this time around, there is just so much going on……………

Psychedelic dirt rock unit, Sonic Wolves,  which comprises current and past members of Ufomammut, The Hounds Of Hasselvander, Pentagram, and Rogue State,  release their debut full-length, “The End Comes”, on Taxi Driver Records in late July 2016. The eight-track offering follows the band’s first single, “He Said,” released as a limed edition seven-inch in conjunction with Record Store Day 2016.  Formed in Alessandria, Italy in 2012 by bassist Kayt Vigil (Rogue State, ex-The Hounds Of Hasselvander, ex-Pentagram) and drummer Vita (Ufomammut, Rogue State) initially under the name of “Tsutar”. In December 2014, the band recorded their first demo at Ampire Studio in Pistoia, Italy. At that time was Vigil on bass/vocals, Vita on drums and Stefano Tocci (Deaf Eyes, ex-Incoming Cerebral Overdrive) on guitars. By Spring of the following year, the eight-track “WolfWitch” was released and just a few months later, Paolo Melotto (ex-Psyconauts) joined  on lead guitar and vocals, followed by Diniz (Temple Of Dust, Mexican Chili Funeral Party) on rhythm guitar.

PROMO PHOTO 2

The sound of the band is a mix of heavy, gritty rock, with elements of metal and psychedelic influences. Here’s a taster of ‘He Said’ which was recorded and mixed by Stefano Tocci at Ampire Studio, Pistoia (Italy), and it’s a “radio edit” version. The extended track will be included in the upcoming full length. I’ll be featuring a track on the Sonic Attack  #168 on July 25th.

Boston-based thrashing hardcore punk band, Panzerbastard, release four new tracks on July 15th via their “MotörHeathen seven-inch”. Released by  PATAC Records, the new one follows a barrage of EP and split releases since their 2006 formation.

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“Here you go, motherfuckers,” says bassist/vocalist KPanzer of the seven-inch, “….the latest sonic assault on decency by the kings of motör-core. Forged in a dark, smelly, room in the deepest, darkest bowels of Boston, your intrepid, dirtbag heroes internalized three years of misfortune, betrayal, underachievement, and general disgust with the human race to puke forth the four slabs of sonic offal now known as MotörHeathen. We are the bastard sons of Motörhead, Discharge, Venom, and Cro-Mags, on a mission to ruin your life.” There you go….and very good it is too.  A couple of tracks will be on Sonic Attack #167 on July 18th. I’ve nothing to embed from the new one so here’s the most recent release prior to this new one.

Conceived as a three-piece jamming out simple stoner blues rock heavily rooted in metal, The Company Corvette deliver wall of sound hard rock.  They have recently completed their third full-length recording, “Never Enough”, which is released on August 5th  It’s heavy riff-laden, psychedelically inclined, occasionally laid back, mostly loud, stoner rock with above average use of fuzz and wah. The band likes to think of their two earlier releases as “glorified demos”  with the new album being a huge step forward for the trio in virtually every department. I agree.

the company corvette live

There will be a couple of tracks from this release on Sonic Attack #180 on August 8th – pending that here’s a taster.

Sanford Parker is the well regarded producer and electronicist behind some of metal’s most exploratory outfits, breaking new territory in his work as a fixture of Buried At Sea, Minsk, Corrections House and Mirrors For Psychic Warfare, and featuring on and producing numerous records from respected names . His trademark atmospherics shift between the nuanced to the crushingly direct, including elements of industrial, cold-wave and power electronics to give bleak, brutalist clout to his work. Now, Parker is striking out on his own with “Lash Back”, a full length record of mechanical, dystopic, beat-driven menace. Due out on the My Proud Mountain label on July 22nd, Lash Back is a marked departure from his metal legacy, retaining some of the hallmarks of his impressive work to date but moving towards bands Perc, Youth Code and Pharmakon. It’s a most enjoyable listen with a lot of sonic variety. Sadly I have nothing I can share at this stage so you will have to wait until Sonic Attack #168 on July 25th.

SP_FINAL_COVER

Two years in the making, The Night Watch release their second album, “Boundaries”, a single thirty-six-minute piece on July 15th. The Canadian progressive instrumental quartet features guitarist Nathanael Larochette and violinist Evan Runge of Musk Ox. Sonically it’s a close relation to early God Speed and Silver Mount Zion but with a busier string sound which comes out of Vivaldi via Klezmer. You can pre-order here and I will podcast a portion of the piece on Aural Delights #190.

Cover (large)

And to conclude in a shameless act of self-promotion for our record label here’s a list of July gigs for the turns we look after…..

  • 1st July –  Taser Puppets with Joiner [Germany] Gareth Icke  at Dublin Castle Camden , London
  • 2nd July – The Scissors play  Bar Hill Festival, Bar Hill, Cambridgeshire
  • 9th July – The Electric Cheese, West Coast Sick Line and Pearl Divers play Dulcimer, Chorlton
  • 14th July – Poppycock and Rose & The Diamond Hand play The Thirsty Scholar. Manchester
  • 15th July – The Junta plays Night and Day Cafe. Oldham Street, Manchester
  • 15th July – West Coast Sick Line and Poppycock play Aatma, Manchester with Bobbie Peru
  • 17th July – Bouquet of Dead Crows play an acoustic set at Corner House, Cambridge
  • 28th July – Kit B play The House Party at Kendal Calling
  • 30th July – The Scissors play Portland Arms, Cambridge with The Machismo’s and Moonstrips

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Manchester Rains Supreme

Kit B

Weird Water

German Shepherd Records

25th March 2016

With this new three-track EP Manchester band Kit B follow their well regarded “Be Your Own God” release from 2015 with a bit of a stunner.  This is their first outing with German Shepherd Records and is a digital only release.

Explaining the decision to join German Shepherd bassist John “Monty” Montague said “I’d say probably the same reason why I went with rhe label for my solo work with The Junta  …the community of like-minded musicians, it’s a great and varied collective, and it’s always great to bump into the GS roster at live gigs!”.

This new collection from Kit B demonstrates the usual mix of bright airy indie Manchester pop/rock with clever lyrics, a dark sub-text, and, as usual, great production techniques. You can tell they are from Manchester but they don’t sound like the usual raft of Manchester bands, they have a unique quality and approach, which is in the great tradition of the city.

Opener “Weird Water” demonstrates a desire to explore new structures starting with a jazzy drum beat, underlying a picked guitar with sprinklings of keyboard adding a bluesy counterpoint before the song moves into an tempo indie rocker with trademark bass from Monty, great keyboards from Mike Powell, and some interesting little production tricks.

Second up “It Always Rains” is pure Manchester pop, complete with melodica, jangling guitars and rich keyboards. Cusick juxtaposes strong and bright melodies with morose lyrics to create a perfect tension. Very atmospheric and the perfect soundtrack for the “Rainy City”.

Finally “Fabrik”, which feels like a coda to the preceding track, develops into a beautiful ballad, brittle, fragile and understated; which then changes up to a powerful driven piece of music. The maturity in the writing and the development of the band is brought into sharp focus.

Explaining the three tracks lead vocalist/guitarist Danny Cusick explains:

Weird Water – was a mantra chanted by a drunken friend of mine after copious amounts of Joseph Holts’ beer and the resulting aftermath of such outrageous behaviour.

It Always Rains –  is my anti Coronation Street rant, when the wail of the signature tune strikes up I slump into a “northern slate grey sky depression” and hope I live to see the street catch fire and disappear from our television screens forever.

Fabrik – which is the German translation of Factory, is really my attempt at a sea shanty, I’ve been recently reading the history of English pirates and Fabrik is the result.

Cusick also says of the EP  “When I write songs I don’t like a straight forward narrative and just try and give a flavour of the subject I’m trying to convey.”

With a couple of gigs planned for the Spring and Summer the band are well worth checking out – you can see them at the German Shepherd showcase at Dulcimer, Chorlton on May 15th and a Friday Night Slot at this years Kendal Calling Festival.

The band is

Danny Cusick – Guitar and Vocals,
Mike Powell – Keyboards,
John Montague – Bass, Melodica
Pete Slater – Drums

Current listening

Danny – I don’t tend to listen to a large amount of music, I listen in short bursts. I think if you binge listen in the end you miss the nuances and subtle ideas that may be hidden in the songs. The last tracks I listened to were,’Gentleman’ by Fela Kuti, ‘Williams Blood ‘ by Grace Jones and ‘Let it Rain ‘ by Tom Waits.

Mike – Gil Scott-Heron – Pieces of a Man, Walker Brother – Nite Flights, and for up to date stuff I am loving new Primal Scream single and the new Taser Puppets EP on German Shepherd.

John – Currently going through my Bowie phase and collecting his studio albums, new stuff I would say Cavern of Anti-Matter and Polica, both good albums.

Peter – Currently listening to Roots Manuva . Cavern of Anti Matter and revisiting Tago Mago by Can

Weird Water cover art

Fascinating Things : Issue 50

Aahh, 50 issues of things that fascinate, so how to mark this auspicious occasion? How about some new stuff  you probably don’t know about but you really ought to be aware of?

Number : One

Who? : Two Car Family

From?: Leeds

Notable Facts? : Includes Andy from Flies On You (although he has just announced he is stepping back from the band) and Mave from Chumbawamba

Sounds Like?: Epic grandeur indie with Nash & Young vocal harmonies

Number : Two

Who? : Saint Lawrence Verge

From? Modena

Notable Facts? : First international release by German Shepherd Records “Ashram” due soon…..

Sounds Like? Post-punk prog with a Morricone twist, lots of changes and dynamics

Number : Three

Who? : Kit B

From? : Manchester/Salford

Notable Facts?:  There are two DJs in the band. New EP out next week.

Sounds Like? : It comes from Manchester

Number : Four

Who? Mammifer

From? Seattle

Notable Facts? New album out on April 1st.

Sounds Like?: Minimal meanderings through a dreamscape. Tangerine Dream meets Sigur Ros at a shoegaze party.

Number : Five

Who? John Kaada and Mike Patton

From? : Stavanger and Eureka

Notable Facts? New album out on Ipecac on April 1st

Sounds Like?  Cinematic Horror Movie Soundtrack

Fascinating Things : Issue 42

Part two of this weeks rush of new material…..

Neurot Recordings have announced a full-length collaborative debut between apocalyptic doom duo, The Body, and grindcore/harsh noise outfit, Full Of Hell, this March. Fittingly titled “One Day You Will Ache Like I Ache”, the album includes eight new offerings along with two bonus tracks.

2015 was a busy year for SUNN O))). Following the recent release of  “Kannon” – their first full length album since 2009’s “Monoliths and Dimensions” – a series of European appearances, culminating in their curation of four days at Utrecht’s Le Guess Who? festival, news has emerged that their live album DØMKI RKE will be re-released 5th February 2016.

Kannon, in its earliest incarnation, was inspired from live compositions of SUNN O))); elements of which were present at DØMKIRKE. DØMKIRKE was recorded at the Bergen Cathedral in Bergen, Norway during the Borealis Festival in 2007. The four-song double album was initially released in September 2008 and is available on vinyl only, with one track featuring on each side of the records. This performance features intrinsic members of SUNN O)))’s line-up, including Attila Csihar (vocals), Tos Nieuwenhuizen (Moog), Lasse Marhaug (noise), Steve Moore (organ, trombone) with Greg Anderson (guitar) and Stephen O’Malley (guitar) vitally remaining at the centre of the SUNN O))) constellation.

Sunn 00000
Artwork by Tania Stene

The sixth Black Market Karma album “The Sixth Time Around” is now out and is very good……

Ritual Productions follow up their signing announcement of Helsinki’s primitive elementalists Horse Latitudes with the first insight into the sound of their forthcoming full-length, “Primal Gnosis”, by way of an album trailer. The Finnish four piece are known for their slow, primordial and powerful music, combining suffocating doom, black metal and hypnotic psychedelic repetition.

The near seven-minute trailer offers sonic snippets of three songs – ‘Incantation’, ‘Spirals’ and ‘New Dawn’. The dark ambient textures and solemn, sombre moods are cut with pummelling bass lines and howling. Very atmospheric.

Beauty Sleep, a new 3-piece from Belfast have been drawn to my attention. Born at a local house party, the three musicians bonded over spelling naughty words on a fridge magnet crossword. Made up of Ryan McGroarty, Cheylene Murphy and Aimee Williamson, the naughty words led to musical discussions that required further investigation, post-hangover. The hashtag says “dreampop”, and it’s one of those annoying ones that your forebrain says you shouldn’t be liking but your hindbrain says keep listening,

‘Facepunch Transport Layer’ sounds like a name Mark E.Smith would have come up with in around 1982 and is the appropriately-titled first single to see public release from Black Shape Of Nexus’ impending fourth LP, “Carrier”.  The best description is probably slightly unhinged, and rather flippin’ marvellous, a bit like Arthur Brown with a motorik bass line. Unfortunately it’s one of those occasions where Soundcloud hasn’t got an embed option but you can listen to it here. I recommend you do.

photo credit: Bernhard Hoell
photo credit: Bernhard Hoell

Conny Ochs‘ forthcoming third solo album, “Future Fables” – set for release in late February via Exile On Mainstream – has been trailed, Interesting stuff. Future Fables will see release through Exile On Mainstream on February 26th, 2016. Preorders have been made available through the label, on both CD and LP

Mamiffer (the duo of Faith Coloccia and Aaron Turner) forthcoming LP, “The World Unseen”, is officially confirmed for release via SIGE Records on 1st April. Here’s a snippet from the album, Ethereal and dreamy with a hint of GSYBE, Sadly no embed again  but have a gander here.

A few snippets of forthcoming releases from German Shepherd Records to close….

One half of Staggs, m.t. scott  has a new release.   Pending new Staggs material he has delved into his archive and enhanced a collection of excellent tunes which merge trip-hop, ambient, cinema soundtracks and sprinklings of guitar and piano. Blessed with the usual Scott world weary and sardonic narrative the songs capture a feel somewhere between Before and After Science era Eno, John Barry and european neo-realism.  Entitled “The Broken EP” it will be released on 19th February via Bandcamp and the  usual digital outlets.

Intelligent, emotional and thought-provoking this is one not to be missed for lovers of fine music.

Iron Mouse (formerly Ion-Morph) and Space Museum celebrate the next phase in their partnership with a five track EP “Treatments” released on February 12th. This is their first release under the new name.

The duo’s usual obsessions are in play with tunes about the treatment of mental patients, abusive patriarchs, religion, retro music and cover bands, and politics/duplicity, all wrapped up in layered post-rock electronica.

Here’s a video of lead track “Treatments”,

Salford/Manchester/Chester band Kit B will be releasing an EP  this year.  Featuring “The Junta” aka Monty on bass as well as other local music legends Danny Cusick (The Hidden Gem), Mike Powell (Exchange, Night Operations) and Peter Slater (Vee V V, Tunnelvision) the band deliver cutting edge Manchester indie and are gaining a growing reputation since their self-released EP “Be Your Own God” from 2015. It will feature this track “It Always Rains (On Sunday)”.

In the parallel universe where the folks who run German Shepherd live Moff Skellington is a national treasure, spoken of in the same hushed tones as such notables as Ivor Cutler, Vivian Stanshall, and Mr Fong who used to run the chinese chippy on Lower Broughton Road in Salford (probably the best Spring Rolls in the known universe). In the “normal” world he is steadfastly ignored by the great unwashed mass of Adele. Coldplay and Mumford fans. I firmly believe this must change . “Neither Whiff Nor Spoor” is Moff’s 28th album and continues the tradition of the blend of music, art and performance known as Eddodi. Bringing together such diverse influences as Pere Ubu, Tom Waits, The Fall, The Mothmen, and Captain Beefheart with his own particular form of traditional english music, Moff once again delivers a heady stew of words, sounds and emotions. Simply put there is no other artist in the world who is producing material like this. The subject matter is. as usual wide and varied, and very unique. Here is a preview track.