Lo-fi pop from Sweden, Summer Heart releases a new single on 16th October
Prolific jazz trumpeter Dave Douglas has announced a new album Brazen Heart – the quintet for this recording is Dave Douglas – trumpet and compositions, Jon Irabagon – saxophones , Matt Mitchell – piano , Linda Oh – bass and Rudy Royston – drums.
London based We-Are-Z have a new single called Knucklehead out on 16th October
Grievances is the forthcoming new full-length from San Francisco’s Kowloon Walled City. Set for release next month, the band’s first offering under the Neurot Recordings banner and third studio recording overall finds the eclectic collective at their artistic apex, shifting even further from their sludgy post-hardcore roots towards a sparser, more melancholic heaviness. Nothing to embed at this stage but stay tuned. Grievances will be released worldwide on October 9, 2015 on Neurot Recordings, with vinyl on Gilead Media. Preorder bundles are currently available at via Neurot Recordings.
On September 21, UK shoegazer The Virgance will be releasing Paradigm 3, his third LP in a little over 18 months, on the El Vals del Conejo label. The Virgance is Nathan Smith, formerly guitarist with nineties UK indie band Ripley, which saw BBC Radio 1 and MTV Europe airplay, and co-producer of noughties electronica outfit Loveless. Smith’s first solo LP as The Virgance was ‘Lost Continent’, which was released in February 2014, followed by the ‘Hiko Shrine’ LP in January 2015. Both received critical acclaim in the shoegaze community and blogosphere.
German Shepherd have re-issued Seedhill Bruiser’s Granite Fists and Seedhill Folk Songs albums with improved mixes and clearer sound. Highly recommended!
Glasgow band The Deadline Shakes release their debut album ‘Zealots’ this November. The result of two years of recording and production by Greg Dingwall in the band’s “Den” studio, the album is preceded by a double A side single ‘Frozen Out / Sweeten the Deal’.
The irrepressible trio Le Butcherettes will be embarking on a headlining tour across Europe this autumn, in support of their upcoming album A Raw Youth which sees release on September 18th via Ipecac Recordings. The only UK date is London, Underworld, Camden on 16th November.
The latest single to be taken from The Cathode Ray’s highly acclaimed “Infinite Variety” album is “This Force of Nature“, which is due out on 14th September. It will also exclusively feature DJ Tony McQue’s radical remix of “Resist” as a bonus track and will be available from all good download sites including iTunes, Amazon, eMusic and Bandcamp. A glorious pop song.
…and the new album from Ought is excellent, expect a seperate and glowing review soon!
Le Butcherettes are giving fans an early preview of the music from the trio’s previously mentioned forthcoming album, A Raw Youth (released Sept. 18, via Ipecac Recordings), with a stream of the delightfully titled “They Fuck You Over”….
Brisbane shoegaze duo Forevr (sic) has released their debut EP after recording it in April of this year. The duo is Donovan Miller (No Anchor, Roku Music) and Sam George-Allen (Mega Ogre, Low Season).
‘Demonstration’ is their first recorded material. The four-track EP was recorded live at Tym Guitars in Brisbane, using programmed drums, dense synthesiser and cavernous, shimmering guitar. They wanted to make loud, beautiful music. ‘Demonstration’ is what happened.
Channelling the lush textures of My Bloody Valentine and the romance of the Cocteau Twins, FOREVR have adopted an electronic foundation – drum machines, audio sampling and synth bass – that places them at the forefront of modern shoegaze. ‘Demonstration’ has received praise from music press in Australia and abroad, including Triple J and international radio stations Primal Radio and DKFM. Triple J’s Nat Tencic calls their music “perfect shoegaze” and Primal Radio describes their sound as “sinister decadence”.
‘Demonstration’ is evocative, textural, beautiful and best played loud. The EP is available as a name-your-price download and on black CD, and has just been released as a limited edition gold cassette tape (for mailout this week). A full length album is currently in production.
Ought have announced a new album on Constellation which is released 18 September 2015 and is called ‘Sun Coming Down’. Here is a preview track. Sounds as good as the last one:
Helen is a pop group from Oregon. Liz Harris (vocals/lead guitar), Jed Bindeman (drums/tambourine), Scott Simmons (bass/guitar), and Helen (back up vocals).
Originally started with the intention of being a thrash band, it turned into something else entirely. The Original Faces was recorded over a period of several years in Portland by the band members, their friends Nick, Chris and, largely, Justin Higgins. The record was written together, with some songs based on Liz and Scottʼs demos.
You can hear the first excerpt from the record, which will be released 4th September via kranky, below.
I reviewed the new album from Liberez a couple of weeks back they have uploaded a video of the excellent “419 Chop Your $” from it recently. Release date is 24th July.
IIVII is the new solo project by visual artist, multi-instrumentalist and composer, Josh Graham. Founding member of Red Sparowes and Battle Of Mice, Graham currently plays in A Storm Of Light, and has made appearances with Jarboe, Blood And Time, Tombs, Syndrome, Fallen Black Deer, and Tribes Of Neurot.
On IIVII’s debut “Colony”, Graham focuses on sonically engulfing and moody soundscapes, layered with a science-fiction edge. This approach has allowed Graham to expand upon his sonic body of work and traverse new electronic territory, focusing on the subtle orchestration and manipulation of dense sonic atmospheres.
Depicting a derelict space colony in view of Saturn, the artwork was also completed by Graham, who currently serves as art director to Soundgarden, and has also worked with many bands including, Neurosis, Jesu, Shrinebuilder, Sleep, Vattnet Viskar, and ISIS.
Live shows will fuse guitar, analogue and digital keyboards, cassette loops, and more. Select live performances also welcome multi-instrumentalist Will Lindsay to the mix. Lindsay is a longtime collaborator in A Storm of Light, and his resume includes Indian, Wolves In The Throne Room, Bloodyminded, Lord Mantis, Anatomy Of Habit and more.
“GODHUNTER vs. DESTROYER OF LIGHT: Endsville” presents a collection of brand new end-time material from both acts. Additionally, the bands will collaborate on a major widespread tour together, which will see them both playing the East Coast US for the first time.
The release includes twenty minutes of new material and a cover track from each band. Tucson/Vancouver based sludge band, Godhunter, captured the tunes for their platter at WaveLab Studios in Tucson by Dana Fehr (North, Juarez), the newest in a steady line of titles since their 2014-released debut LP, City Of Dust, including their GH/OST:S split LP with Secrets Of The Sky and The Outer Dark collaborative 7” with Amigo The Devil.
The parallel release by Austin-based psychedelic doom outfit, Destroyer of Light, follows the band’s 2012-released self-titled debut album and 2014’s Bizarre Tales Vol. II EP, recorded at Orb Recording Studios in Austin, engineered and mixed by Matt Meli. The entire album was then mastered by James Plotkin.
The two 12” EPs will be united in a gatefold setup on two different colors of vinyl, in addition to a digital release, the cover artwork to feature custom sculpture art by Bestia Dentro and photography by Andrew Weiss. Endsville will see a collaborative release via Battleground Records and Heavy Friends Records on July 28th.
Ipecac Recordings are releasing Le Butcherettes‘ third album, A Raw Youth, this September.
Based in Guadalajara, Mexico, Le Butcherettes is the loud and vivacious brainchild of Teri Gender Bender (vocals and guitar), joined by drummer Chris Common (These Arms Are Snakes) and bassist Jamie Aaron. Last year’s Cry Is For The Flies LP (co-released with friend, collaborator and producer Omar Rodriguez-Lopez’s label Nadie Sound) was a superb collection of tracks featuring contributions from Henry Rollins and Shirley Manson.
“The focus of the album is the recurring conflict between minorities (the raw youths) and society: The oppressor and the oppressed,” explains Gender Bender. The band recorded the album at RLP Studios (The Morgue Portable Disaster Unit) in El Paso, Texas, with Omar Rodriguez Lopez once again on production duties, as he has done for both previous Le Butcherettes’ releases (2011’s Sin, Sin, Sin and the aforementioned Cry Is For The Flies). You’ll hopefully be able to hear tracks before the album’s release in the coming weeks, as well as news of their tour plans for both North America and Europe, and details of the heady mix of characters who came together to create A Raw Youth (including the legends that are Iggy Pop and John Frusciante).
James Rooney is a singer/songwriter based in Newcastle Upon Tyne. James’ audible creations sit firmly in the Indie Rock box and over the past decade, James has fronted several bands with highlights including airtime on Tom Robinson’s BBC 6 Mixtape, international radio play and touring across the UK. James is now exploring the experience of being a solo artist with “As You Do” set for release June 22nd 2015.
Formed in early 2013 by guitarist Mik Davis, drummer John Bradford and bassist Neil Short, Monster Jaw draw on over 20 years of touring and recording experience between them. A dynamic three-piece, the band have evolved rapidly from raw garage grunge sounds to a more sculpted, atmospheric style of chorus-driven alternative indie rock. Monster Jaw deliver a very tight, thrilling and often dark stage show, with memorable songs and poetic lyrics. Noted for their intense stage presence and delivery, they have a dedicated international and UK following. Two commercial releases in 2014 – June’s ‘Get A Tattoo’ EP and October’s ‘Losing All My Friends’ EP – both met with critical acclaim from UK press, not to mention airplay and circulation on hundreds of radio stations worldwide, including the BBC. In 2015 – the band released a new set of songs titled ‘Basement Sessions’. This is a project the band feel strongly is all about stripping things back to a pre-digital recording age, creating a warm, authentic sound by using a 25 year old Tascam chrome tape recorder. For this project MJ are currently studying the wonderful sounds and production skills of Steve Albini, Glyn Johns and Phil Spector. To add to their ever growing profile, MJ have played various major UK festivals, such as DV8 and Rebellion. They have also supported the following acts on their UK tours – Black Star Rider (Thin Lizzy), New Model Army, Stiff Little Fingers and Urban Voodoo Machine.
Agalloch bassist/Self Spiller mastermind, Jason W. Walton, has been creating surreal and otherworldly soundscapes for over twenty years. In the ’90s he began working under the name Nothing and released four full-length albums and various EPs and singles. He performed live as Nothing in the Midwest and the West Coast before retiring the name in 2003. Since then, Walton remained busy with other musical endeavours knowing that a return to ambient noise was imminent.
In the summer of 2013, he began the song writing process again by collecting field recordings from places he would visit. He captured the din of humanity on the down-town Portland streets, the rush of ocean waves in Southern California, and the mysteriously comforting monologues emanating from an AM radio. During mid-2014, he manipulated and processed these sounds into disturbingly haunting pieces which would become the basis of his soon-to-be released Mara seven-inch
Walton decided to thematically compose these songs around his struggle with sleep paralysis — a phenomenon in which a person, either falling asleep or awakening, temporarily experiences an inability to move, speak, and react. While creating these tracks he deprived himself of sleep and recounted his episodes of sleep paralysis within the two tracks contained in Mara. During episodes of sleep paralysis, he sometimes feels like he has some kind of spiritual connection or “visit” from lost loved ones.
Shortly after track one, “Alp,” was completed, Walton suddenly lost his stepfather. A few months later, shortly after track two, “Yakshi,” was finished, his dear friend and former Metal Maniacs editor, Katherine Ludwig, passed away. Although these two songs are not about these people, they are dedicated to them making this an intensely personal work.
Mara was recorded at Earth in Sound Studios Portland, Oregon with vocals on “Yakshi” performed by Tanner Anderson (Obsequiae, Celestiial) and recorded at HammerHeart Brewing Company Lino Lakes, Minnesota. Mara was mastered by James Plotkin (OLD, Scorn, Khanate, Khlyst) with design and Layout by Agalloch’s John Haughm. Mara will be unleashed on June 21st, 2015 via Red Orchard Records on limited edition (300) seven-inch black vinyl housed in a deluxe black arigato sleeve featuring silver debossed artwork. Preorders available through http://www.redorchardrecords.com. Each copy comes with a free download code.
Pittsburgh-based cult doom/death collective, Derketa – featuring alumni from Novembers Doom, Penance, Demonomacy, Cattle Decapitation and more — reissue their In Death We Meet full-length via Ibex Moon later this month.
In Death We Meet was initially mixed and mastered by Rickey Budway and released independently in 2012. Remixed by Grave’s Ola Lindgren at Studio Soulless, In Death We Meet redux includes bonus track, “Darkness Fades Life,” a cover of Sepultura’s “Troops Of Doom,” (both recorded and mixed by Matt Schor at The War Room) and thrusts forth a sound that sits at the very apex of devouring, coffin-toned grimness. “This is by far the heaviest sounding recording that Derketa has ever done,” the band asserts. “The sound is massive, the harmonies and drum tones are enhanced… it’s absolutely crushing.”
In Death We Meet is released on CD via Ibex Moon Records with a wax edition featuring four additional live tracks to surface November 6th, 2015. Followers of Winter, early-era My Dying Bride and Paradise Lost and true old school brutality, should apply.
In a similar vein to the above Italian blackened hardcore/metal outfit, The Clearing Path , has completed its debut full-length album, Watershed Between Earth And Firmament, and is finalizing the details for its release this July.
Born from the ashes of ThySolace, the bands sole creator, one Gabriele Gramaglia, took the black metal and hardcore influences of that act into drastically more conceptual directions, in a more ambitious delivery, thriving on the influence of abstract hardcore/punk acts in the vein of Converge, Traged and His Hero Is Gone, and atmospheric/experimental black metal, citing the likes of Blut Aus Nord, Enslaved, Deathspell and Omega. Fully written, executed, recorded and mixed by Gramaglia, the first recording Watershed Between Earth And Firmament is a concept album about spiritual renaissance inspired by the beauty of mountainous landscapes of the Italian Alps north of the creator’s homeland . Mastered by Marco Gervasio and fitted with custom artwork painted by Luca Devinu/Blessend,Watershed Between Earth And Firmament is a dense, thirty-minute release sure to catch the attention of fans of Celeste, Castevet, Krallice, Eleven As In Adversaries and the like. The album will see independent release on July 11th, at first digitally, with physical versions to follow.
Universal Road is the recent album released by Robin Guthrie (Cocteau Twins) and Mark Gardener (Ride). Their former bands’ work ought to give hints as to where a collaboration between the pair might lead, but this remarkable new album has its own chemistry and is an unexpected treasure from these two well established artists. The pairing of Guthrie and Gardener might, at first glance, be expected to deliver a very particular brand of guitar-driven euphoria, however, Universal Road, defies expectations across ten tracks whose diversity is one of the album’s great strengths.
This is a most harmonious collaboration, at times affirming – ‘Yesterdays News’, exuberant – ‘Dice’, reflective – ‘Sometime’, striking – ‘Old Friend’ and quietly epic – ‘Blind’. Gardener’s vocals have rarely sounded better than they do on Universal Road, his layered harmonies are a particular highlight. Guthrie’s lush sound and alluring guitar arrangements and melodies are seamlessly interwoven throughout, deftly accentuating the emotional content of the songs. Effortlessly assured, poised and graceful, this is an album whose many charms unfold and reward over repeated listens.
At a time when fascination with the shoegaze movement of the late ‘80s and early ‘90s is enjoying a revival, whether it be through band reformations—including the reunion of Gardener’s former band Ride—or adulatory documentaries—2014’s Beautiful Noise—it can be easy to acquire a form of nostalgic tunnel vision. Guthrie and Gardener’s Universal Road takes a fresh direction.
Pines are a Manchester/Salford based alternative psychedelic pop band, and they say of themselves – “We want to write music that reflects the lives of ourselves and the people we know. The experiences and frustrations we share as we make our way through our lives. The things that never tire to amaze us as humans are infinitely more interesting to us than fads or topical critiques on individual political figures. I want to talk about life. Our lives, the lives of our friends, we want to talk about love, about disappointment, hope, friends, religion, death, creativity, the ‘search’. The search is important. Whatever you’re searching for, perpetual restlessness can define a person’s life, for better or for worse, that’s what is at the heart of it. We are all running. Running towards something, or away from something.”
The band was formed in late 2014 their first EP “Love Songs From Inside The Sun” is now available. Recorded in spare rooms using limited recording equipment and various different instruments/sound sources, this EP is the culmination of two years refining and building the sounds you hear below. The focus of the project has been to capture a true representation of the music that has inspired the group and the music that they want to hear.
The band are linked over to previously featured combo Moscow Transport sharing some members.
The drummer sent the link below. It’s powerful and punky “Dream Pop” from Manchester. The band is called Hannah – it kicks off with a belting track and continues in that vein.
Epic indie/dream pop with a punky brashness that is most compelling just about sums it up and it comes highly recommended from me.
Billy Vincent’s new album ‘Stand On Me’ hits the shelves on August 28th 2015.
Here’s the promo gubbins. ‘Stand On Me’ tells 12 tales, some taller than others, and some absolutely honest and true. At times it’s a heartbreaking, drunk in the blackness, fumbling for a lighter to burn your bridges record – but it’s as blindly optimistic as it is dark. Co-writers and singers Billy Barratt and David Vincent had this to say about the new album, its title, and the songs therein…
“We thought it important to choose a title that represents the bigger part of the songs on the record, and ‘Stand On Me’ is one of those reassuring statements that if you’re lucky, someone close to you might say to you when you feel like you’re out of options, letting you know you can lean on them and it’s all going to be alright”.
“A lot of these songs are about that, not letting people you care about crumble and disappear with the rain, it’s a positive thing and we wanted to embrace it”.
This album, however, is not soft or mushy – it’s as aggressive as it is sincere. It’s Americana, dragged through South London… kicking and screaming. Recently signed to Swiss label Deepdive Records, this hard hitting, country-tinged record stretches further afield than the debut album ‘She’.
Covering the UK, Switzerland, Germany and Austria, the band will support the release with tour dates in each region.
Lewisburg is the working moniker for London based singer-songwriter Ali Robertson.
Influenced by acts such as the Eels, Phosphorescent and Ryan Adams he began his musical project in the bars of Williamsburg, Brooklyn at the end of an 18 month around the world trip. Lewisburg subsequently gained radio coverage on LA station KCRW, from The Guardian’s Paul Lester on ‘Absolute’ and his debut single ‘El Celebro’ premiered on UK news and entertainment site Neon Nettle.
An independent artist, he co-produces his material with Olly Betts of ‘The Duke Spirit’ and ‘F.U.R.S’. His new single No Plateau is released next month and is available on all major download sites.
Horse Party formed in September 2012 when singing guitarists Ellie Langley and Seymour Quigley met drummer Shannon Hope at Seymour’s ‘Washing Machine’ clubnights in their hometown of Bury St Edmunds. Inspired by East Anglia’s quietly thriving DIY scene. The trio released a string of singles and EPs on their own Pure Deadly imprint. Summer 2014’s debut album ‘Cover Your Eyes’ saw critical acclaim and airplay.
Horse Party’s new single ‘What I’d Do’will be released as a free download (via http://www.horsepartyparty.co.uk) on Friday 26th June 2015. The band will be cruising around the UK in a battered van throughout the Summer; live dates include supports with Slaves, Levellers and Basement Jaxx.
Emerging from the notorious melting pot of musical talent of Southend on Sea that was home to Danielle Dax, Scroobius Pip, Procol Harum and many more are Apachelux.
A meeting of the minds between Jay Wigmore and Louisa Strachan. Both hailing from the Nirvana generation, long-term stalwart indie drummer Jay met singer/songwriter Louisa at Southend’s Village Green festival last year.
With influences as diverse as Maya Jane Coles to Royal Blood, War on Drugs to Roisin Murphy, Girls Aloud to Smashing Pumpkins, Apachelux’s genre-straddling sound is bound up to a mission of creating ‘dancefloor moments’…that euphoric feeling that makes you grin, jump, maybe even fall in love.
This Time is the debut single from Apachelux, a gorgeous slice of electronic pop music primed to create a dreamy slice of electronic pop, consciously coupling Louisa’s tough but plaintive vocal and Jay’s bittersweet analogue melodies. Alongside the original are remixes from wunderkind Larkebird with a disco-infused house rework that bumps in all the right places; and Spatial Awareness, with a moody, minimal remix for the late night floors.
The latest release from German Shepherd features lavbel stalwarts Ion Morph & Passage of Time in their first collaboration. The four track EP combines musical influences like John Barry, Kraftwerk, Steve Reich, Tim Blake and Giorgio Moroder to create a mystical and magical soundscape. It’s called The Osterburg Variations.
Bourbon Street Beat‘s new single ‘Crossing On a Bend‘ and b-side ‘She’s His Woman’ showcase their signature sound perfectly.
Inspired by bands such as Creedence Clearwater Revival, The Band, The Rolling Stones and The Beatles, as well as Rock’n’Roll legends like Elvis, Buddy Holly and Johnny Cash, each of these influences are apparent in technique and style yet reinterpreted to give Bourbon Street Beat an indie edge.
Iain Hammond (vocals and guitar), Joe Morrison-Hay (bass) and Andy Mackenzie (drums) met at university and formed the band in 2012. Their last EP ‘Knuckles of Brass’ earned them a strong following in Manchester with this release set to spread the word even further.
‘Crossing on a Bend’ was recorded at Blueprint Studios in Salford, engineered by Tim Thomas and mastered by Gary Hadfield.
As usual a serious amount of new material has been delivered here at Aural Delights HQ over the last week so there has not been much time for considered reviewing.
Three pre-release tracks from the new Sallie Ford album “Slapback” have arrived and they sound fantastic. The sound is a little more raw and increases the anticipation for the full release on October 13th.
I finally got around to purchasing the excellent album from My Little Brother “If we never came down” which is marvellous. I featured the band on the radio show a couple of years back and i’ve been meaning to get hold of the release – glad I did it’s fantastic.
My appreciation of the new Trojan Horse album “A World Turned Upside Down” is reflected in an interview with Nick Duke from the band on the Studeo Blog. Suffice to say that the quartet have overcome the “difficult second album” hurdle with some ease and have created something genuinely groundbreaking. Links and stuff are in the review in the other place. I also put together a special podcast to celebrate the album launch which features old and new material from the band as well as each band members musical favourites plus a few of my own choices to break up the mix.
Aural Delights Podcast reaches it’s 100th edition in a couple of weeks so I’ve been putting my mind to how I might celebrate that milestone – pending that here is the latest edition
The new metal and garage music keeps flowing and there have been some remarkable releases which I just have not had chance to write about so I’ll let the Sonic Attack Podcast tell the story – although I will point out the new OHHMS album as a bit of a highlight
And here’s some quick one-lines on the rest of the new material…..all of which should be appearing on future podcasts at some point…..
Cable35 – Coconut Supply (Single) Free Download from Website – Out Now
Taken from the Fungus EP which was out earlier in the year. Fresh neo-grunge sound with a hint of Sonic Youth, Excellent
Roses Never Fade – Devil Dust (Album) Neuropa – Out Now
Remarkable mix of ambient textures and moody acoustic strumming with dark, brooding vocals. Featuring Ancient Wisdom’s Nathan Opposition, The Way To Light’s Austin Rathmell and Pale Creation’s Nick Fiction. Impressive.
Godflesh – A World Lit Only By Fire (Album) Avalanche Records – 6th October 2014
Slightly disappointing in that there is nothing new of note. The usual industrial metal tropes are here and it’s all delivered very well but I could have done with a bit of development maybe.
Positronik – Better Late Than Never (Album) German Shepherd Records – 17th October 2014
Post split compilation of the majority of their recordings. High quality soul-pop with electronica elements.
Dope Body – Lifer (Album) Drag City – 20th October 2014
Impressive second outing for this Baltimore Quartet. Excellent rock/punk and contender for album of the year.
Annhilated – XIII Steps to ruination (Album) Unique Leader – 28th October 2014
Debut, full length intense and unforgiving death metal with some technical elements
Atomzero – Surface (Single) Analogue Trash – release date unknown
Post punk electronica in an Ultravox and that ilk style, but with a touch of Moroder
Monster Jaw – Monster Jaw (EP) Cobra Kitten Records – 27th October 2014
Pop flecked ear-worm in an indie package – vocals seem a bit low in the mix, but good for all that
Surburban Myth – Crashed and Burned (Single) Self Released – 31st October 2014
One of those tunes which has a great verse but a disappointing chorus. The second single taken from the band’s debut Album ‘Welcome (If Only)’.
Public Service Broadcasting – The Race for Space (Album) Cargo – 23rd February 2015
A Teaser video for the new album, which is a long way off, looks to continue the work to date, I hope they will have developed some of there elements to freshen up the sound.
and finally a little treat with the new video from Le Butcherettes…..
Obake are back, with a second album out in October on Rare Noise Records. We are advised to expect something where the energies of metal fuse with ambient electronica, jazz, and noise with the precision of math-rock and the groove of blues.
Here is the band, with Trevor Dunn on bass, at the Assymetry Festival in 2012
Le Butcherettes have joined Ipecac Recording’s roster and will release their second album release, Cry Is For The Flies, on Sept. 15 via the Bay Area label in conjunction with Nadie Sound. The album features guests Henry Rollins (“Moment of Guilt”) and Shirley Manson (“Shame, You’re All I’ve Got”). Le Butcherettes is Teri Gender Bender (vocals, guitar, keys) and Lia Braswell (drums). Pending that here’s something from the Sin Sin Sin album
Pallbearer‘s new track “The Ghost I Used To Be” is available. This is the first new Pallbearer song to surface from their forthcoming new album, Foundations Of Burden, which will be available on August 25th from Profound Lore and is available for pre-order now: https://www.profoundlorerecords.com/pallbearer/
I’ve reviewed the Wolves In The Room new album Celestiteelsewhere on the blog, here’s another preview track….
Some forthcoming releases to keep an eye out for this month
BOWL ETHEREAL 7″ – S/T (SOUTHERN LORD)
This release is an expansion of their digital only debut Five Minutes which they gave away last year as a free download via their website. Bowl Ethereal are a duo from Virginia comprising Brian Metz (Amish Control Tower) on guitar, bass and production, and influential math metal luminary Pen Rollings (Honor Role, Breadwinner, Loincloth) on drums and also arrangement and deconstruction duties. On this Brad Boatright mastered 7″, the band opt for brevity, offering up 6 songs in 6 minutes (adding one more song to the original five). This 7″ is limited to 600 copies and shall be available at this link http://southernlordeurope.com/store/view/s-t-7 and here’s a link to find out more http://southernlord.com/bands/view/bowl-ethereal
CORRUPT MORAL ALTAR – MECHANICAL TIDES (SEASON OF MIST)
As previously reported hey have a string of dates coming up, none of which in the Manchester area – nearest options are 23rd July Maguires, Liverpool and 24th July Packhorse, Leeds. The album is described as a mixture of sludge and punk – looking forward to getting an advance copy to share with you via podcast.
ELECTRIC FUNERAL – TOTAL FUNERAL (SOUTHERN LORD)
A fully-comprehensive discography from Swedish raw punk act, Electric Funeral is due for release. The brainchild of Jocke D-takt – also of Paranoid, Desperat, Warvictims, Totalt Jävla Mörker and countless other acts – Electric Funeral’s pure angst-ridden style explodes out of the speakers with relentless noise, bursting with energy. The album surges with the sounds of Anti-Cimex, Gloom, Discharge and the like, to blazing speeds in the vein of Disclose and Krömosom, and charges straight at the listener with unstoppable force from beginning to end of every single track recorded to date, all of which are now packed into Total Funeral, with over an hour-and-a-half of carnage with fifty-three tracks in total, including the Harvester Of Death, Make Noise Not War,D-Beat Noise Attack, The Face of War, Make A Change, Gröndalen, In League With Darkness and Order From Disorder releases, the split with Go Filth Go, and even several previously-unreleased and new/unreleased tracks. Here is their 2012 release.
Martyrdöd have completed recording their fifth album, Elddop, at Studio Fredman – the follow up to the powerful declaration of political rage that was Paranoia in 2012. The band’s fifth LP is the most emotionally intrusive record of the Swedish four-piece yet. Relentlessly forcing its way into the most obscure corners of the human mind, Elddop challenges the darkness by way of confronting it, and thus already pierces its way through the black, towards spiritual release.
The daring 14 song record allows Martyrdöd to elaborate on some of the musical themes and influences that have long characterised their sound. Securely placed in traditional Swedish hardcore punk such as Anti-Cimex, Martyrdöd stands on the shoulders of giants, seeing further, wanting more. Enchanting melodies and Bathory-esque folk music finds a perfect fit in war charged d-beat mayhem.
They have also recruited Fredrik Reinedahl on bass, who has stacked up production and engineering credits for bands, Sólstafir, Abandon, Burst, Crowpath, Dimension Zero, Gadget and Memfis to name a few.
Southern Lord release the CD/LP release in July with a special European version of the vinyl coming out on La Familia & D-beat Raw Punk. This release comes as perfect timing as the band shall be touring the UK and Europe with Converge throughout August, a great opportunity to hear their new songs live. The play Club Academy, Manchester on 4th August.