The Best of 2016 #3 – Singles and EPs

This one is going to be a little different due to the nature of releases this year. All will become apparent as I meander through things. The nature of what I do on an almost daily basis i.e. putting together radio shows/podcasts and running a record label means that a serious amount of individual tracks come in for potential airplay or indeed for release on the label. So trying to do a definitive list of the “best” is nigh on impossible – if they made it onto the podcast or got released by the record label they are, because they got through that gateway, “better than the rest” so i’ll generalise…..and this is in no sort of order of importance as I love them all with equal fervour……with the stuff at the bottom of the page being the “top of the pops” as it were

The Moss Brothers – various releases by Ian and Neil under various aliases – the work rate of Ian Moss is legendary, add his sibling into the mix and you have a an even faster production line of fascinating music – whether it be Ian & Neil, Sebastien the Tortoise, A Magpie and a Goldfish, or 2 Big Brothers it’s all great.

Taser Puppets : Fossil – their latest EP and first with German Shepherd proved to be their best yet. A health scare for front man Shaun put things on hold for a while but a barn storming set at the Salford Music Festival but them back on the North West musical map.

Alana Bondi : Alana Bondi EP – another artist who battled through health problems in 2015/6 to deliver a remarkable debut EP and stunning video to the opener “Four Walls” plus a run of shows including the Edinburgh Festival Fringe.

The Sideshow : How It Goes – a remarkable single, pure pop for now people as Nick Lowe once said. Should have broken through this one and still a mystery as to why it didn’t.

The Screaming Love Collective : Three Singles – proof that repetition in music is still potent as a way of delivering ideas that are fresh.

The Mind Sweepers : The Mating Game – Vicky Middles asked if we could help out with this one and we were pleased to get involved. They call themselves genre defying and they certainly deliver on that score.

Bouquet of Dead Crows : Epicentre – a great collection of alternative versions, live cuts and a remix crowned a great year for the “Crows”  – a new album is in the pipeline and an album of radio sessions is promised for the new year.

The Madding Crowd – a good year, a great EP, an epic EP launch and a sense of renewed promise and hope for this north Manchester band.

Stalagmites : Between City and Cellar Door – back with a bang with a great EP, Brad Lynch is one of the best songwriters Salford has delivered with fantastic lyrics and epic tunes.

The Parish Church Fire : Locamente – another one where I sit here with a puzzled expression wondering why it wasn’t huge.

Staggs : Adult Loonies and A Rum Do – when I am fed up I turn to Staggs to cheer myself up – the diversity across these two releases is a testament to the skill and inventiveness of Ridley and Scott – punk, electronica and krautrock,  there’s something for everyone.

The Get : The Private Men EP – The Get are remarkable, their lo-fi approach to what they do, their relentless charm and enthusiasm is infectious. A great collection of songs.

Moff and Moss – aside from a remarkable debut album an epic single which dwelt on Mr Crowley and other strangeness. Expect new stuff in the New Year which is development at the moment – it will all become clear at the gig at the Castle in March!

Rose and the Diamond Hand : Universe Is Woman – should be huge, a remarkable voice, an amazing band, and a great live show, add a fantastic debut EP and you have a great year for Rose and co.

and the top three

3. KIT B – Weird Water – impressive song-writing from a great live band who broke into the festival circuit this year and garnered some impressive live reviews

2. m.t. scott – The Broken EP and 13 Queer Street – Michael left the wonderful world of Staggs for a while  to create two collections of aural wonderment. Cinematic in their scope and impressive in their musical depth he is clearly a creative force that requires/demands/deserves  a wider audience. I’ve been lucky enough to listen to these collections develop from ideas into fully formed pieces of aural magic.

1. The Graney and Moore Singles Releases – throughout the year Dave and Clare have released a digital single a month (more or less there will be one in January) in an effort, I believe, to escape the usual routines in the music industry. I can’t decide which is the best amongst any of them, so I’m bringing all ten into a collective number one, but if you were to push me the latest one “I Ain’t Hi Vis” is probably my favourite. The variety across this set of releases is impressive, the trademark Graney wit is in full effect, and musically, as is always the case, they are top notch. Notably there is more than a bit of a jazz tinge than is usual which of course ticks a lot of boxes for me. You can grab them all at the DG bandcamp page.  For the record the releases were:

I’m a Good Hater
This Is the Deadest Place I’ve Ever Died In
I Been Trendy
Drifting Donna Reed
Are You Out Of Your Mind? (Get Back In)
You Need a Kleek, Klook
Rupert’s Pet’s Grave
Matey, From On High
Let’s Kick this Mob Out
I Ain’t Hi Vis

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The Best of 2016 # 2 – Gigs

Having spent quite a lot of the year in and out of medical facilities for one reason or another the number of gigs attended has been somewhat constrained but having said that much improved on 2015 when I spent a good deal of the time in a plaster cast. In the most part the gigs I did attend were all great. There were a couple of bad evenings caused in the first case by an idiotic club owner and in the second case by a less than perfect sound engineering job, it is not my habit to name names, so I won’t, all I would say is that bands deserve more.

Ones I sadly missed due to ill health and diary clashes

  • Robert Forster
  • The Triffids
  • Kim Salmon

Here are the highlights in no particular order, apart from the top four gigs.

  • Manchester Jazz Festival – just a general message to say it was much improved this year with some fascinating bands seen especially in the performance space in Manchester Central Library – the price of the beer in the Festival Village is obscene though!
  • Soft Machine at The Band on the Wall – OK so we sat in the bar for most of the second set drinking and chewing the fat about music but the first set was pretty memorable and I realised a long held ambition to see this band.
  • The Junta at Night and Day – kabuki, mime and beats with El Generallisimo cooking up a techno storm.
  • Aidan Cross & Johann Kloos, Poppycock, Taser Puppets and West Coast Sick Line at Dulcimer, Chorlton. A fun packed night with a storming set from the Westies and a slight hiatus while Mr Maxwell found his guitar.
  • Moff Skellington, Mr Mouse, Loop-aznavour at The Fenton Leeds – a remarkable evening with a sparse audience but excellent performances from all three protagonists only somewhat ruined by the inability to get out of Leeds via the motorway necessitating a circuitous journey home via Harrogate
  • The Eagle, again, for the debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo  for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. A rather special evening.
  • Sam SmithGenevieve L Walsh and The Madding Crowd at The Moston Miners Club – a great set from Sam, memorable poetry from Genevieve,  and an epic set from The Madding Crowd.
  • The Junta, Bouquet of Dead Crows, The Scissors and Kit B at the Eagle as part of Salford Music Festival. Barnstorming sets from all four bands – we need to do this again.
  • Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line as part of Salford Musical Festival also at The Eagle – one of our most successful nights with a good crowd, fine performances, and a stellar set from Mr Meatyard.
  • Blaney album launch at Pacifica Cantonese. A great album and a memorable album launch with the added bonus of it being five minutes from where I live. It’s been a good year for Ed and he deserves the support he is getting at the moment

and the top four, who all happen to be Australian for some strange reason……

4.

The Necks live at the Band on the Wall – a special performance from an amazing trio of musicians. Unique and breath-taking music bereft of ego and full of invention.

3.

Harry Howard and the NDE with Poppycock at The Eagle – exploding keyboards and horrendous traffic conspired against us but Poppycock were the best I have seen them all year and Harry and co were exceptional given they had a stand in rhythm section with only a couple of days rehearsal.

2.

Dave Graney and Poppycock & Franco Bandini at the Eagle – a long held desire to catch Dave and Clare live was at long last realised. Most of the band were full of germs but still managed to deliver a set packed with classic tunes from across the Graney songbook. The added bonus of seeing Malcolm Ross play the guitar as well.

and my gig of the year….

1.

Dave Graney at the Betsey Trotwood, London – a memorable journey to the capital despite a dodgy knee. A pleasant afternoon drinking with Bob and Jeff in some fine ale houses. A fantastic set from Dave, Clare, Stu and Malcolm covering even more of the Graney songbook topped off by a great tribute to Prince.

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Salford Music Festival 2016

Dear reader it’s that time again, the last week in September, when I wax lyrical about the utterly wonderful Salford Music Festival. . Now in its’ seventh year this grass roots, no nonsense event, is part of the musical life blood of the city in which I live. Often overshadowed, in entertainment terms at least, by our noisy neighbours in Manchester, this Festival plays a big part in redressing that imbalance and puts Salford firmly on the map, where it deserves to be.

The difference between any other festival that you might care to join in on is that it is absolutely free for punters, no wristbands, no overpriced beer or food, and no tents. Ed Blaney’s desire for the events to be free is a key driver for the popularity and success of the three day celebration of music. And the added benefit is there isn’t a tribute band in sight.

The Festival has been stripped back to three days this year, Thursday 29th September to Saturday October 1st, and centres around the Chapel Street/Blackfriars area close to Manchester City Centre, and the peoples republic of Eccles and the delightful village of Monton, just five minutes up the road from where I happen to live. This more compact and focused approach makes this years Festival feel more important and vibrant than ever.

And of course I have a direct interest in that I am looking after two nights at the Eagle Inn – Friday and Saturday.

So what can you expect?  Well all the gigs are listed on the Salford Music Festival website so I encourage you to go there, but here are a few of my highlights from the three days……

THURSDAY

The ultra talented Tamsin Middleton (Mr Heart) has a solo show at The Crescent at 8:30pm followed by ded.pixel and The Kingdom

The excellent Salford Arms has Duke and the Darlings, Wintergreen and Crimsons

Bobby Peru close the night at the always  excellent Wangies in Eccles with support from The Comics and Sioux.

FRIDAY

The beautiful Sacred Trinity Church is the main stage for a headline concert featuring local big new things Cabbage, the excellent Blaney, Sound of Thieves and Jess Kemp

The Eagle Inn has the first of two German Shepherd Nights with The Junta, Bouquet of Dead Crows, The Scissors and Kit B.

Highly regard all female trio Liines play The Crescent.

SATURDAY

The second German Shepherd stage at the Eagle features Taser Puppets, Poppcock, JD Meatyard and West Coast Sick Line.

Highly regarded Death to the Strange play The Crescent.

A packed day at the Salford Arms sees seven acts on between 5pm and closing time.

Milton Keys duo The Rusty G’s play Wangies.

Y Key Operators with guest bassist John “The Junta” Montague play the Blue Bell in Monton.

Here are some examples of what to expect over the weekend. I hope to see you at the Eagle for what promises to be an excellent weekend.

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Fascinating Things : Issue 64

Straight into it this time around, there is just so much going on……………

Psychedelic dirt rock unit, Sonic Wolves,  which comprises current and past members of Ufomammut, The Hounds Of Hasselvander, Pentagram, and Rogue State,  release their debut full-length, “The End Comes”, on Taxi Driver Records in late July 2016. The eight-track offering follows the band’s first single, “He Said,” released as a limed edition seven-inch in conjunction with Record Store Day 2016.  Formed in Alessandria, Italy in 2012 by bassist Kayt Vigil (Rogue State, ex-The Hounds Of Hasselvander, ex-Pentagram) and drummer Vita (Ufomammut, Rogue State) initially under the name of “Tsutar”. In December 2014, the band recorded their first demo at Ampire Studio in Pistoia, Italy. At that time was Vigil on bass/vocals, Vita on drums and Stefano Tocci (Deaf Eyes, ex-Incoming Cerebral Overdrive) on guitars. By Spring of the following year, the eight-track “WolfWitch” was released and just a few months later, Paolo Melotto (ex-Psyconauts) joined  on lead guitar and vocals, followed by Diniz (Temple Of Dust, Mexican Chili Funeral Party) on rhythm guitar.

PROMO PHOTO 2

The sound of the band is a mix of heavy, gritty rock, with elements of metal and psychedelic influences. Here’s a taster of ‘He Said’ which was recorded and mixed by Stefano Tocci at Ampire Studio, Pistoia (Italy), and it’s a “radio edit” version. The extended track will be included in the upcoming full length. I’ll be featuring a track on the Sonic Attack  #168 on July 25th.

Boston-based thrashing hardcore punk band, Panzerbastard, release four new tracks on July 15th via their “MotörHeathen seven-inch”. Released by  PATAC Records, the new one follows a barrage of EP and split releases since their 2006 formation.

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“Here you go, motherfuckers,” says bassist/vocalist KPanzer of the seven-inch, “….the latest sonic assault on decency by the kings of motör-core. Forged in a dark, smelly, room in the deepest, darkest bowels of Boston, your intrepid, dirtbag heroes internalized three years of misfortune, betrayal, underachievement, and general disgust with the human race to puke forth the four slabs of sonic offal now known as MotörHeathen. We are the bastard sons of Motörhead, Discharge, Venom, and Cro-Mags, on a mission to ruin your life.” There you go….and very good it is too.  A couple of tracks will be on Sonic Attack #167 on July 18th. I’ve nothing to embed from the new one so here’s the most recent release prior to this new one.

Conceived as a three-piece jamming out simple stoner blues rock heavily rooted in metal, The Company Corvette deliver wall of sound hard rock.  They have recently completed their third full-length recording, “Never Enough”, which is released on August 5th  It’s heavy riff-laden, psychedelically inclined, occasionally laid back, mostly loud, stoner rock with above average use of fuzz and wah. The band likes to think of their two earlier releases as “glorified demos”  with the new album being a huge step forward for the trio in virtually every department. I agree.

the company corvette live

There will be a couple of tracks from this release on Sonic Attack #180 on August 8th – pending that here’s a taster.

Sanford Parker is the well regarded producer and electronicist behind some of metal’s most exploratory outfits, breaking new territory in his work as a fixture of Buried At Sea, Minsk, Corrections House and Mirrors For Psychic Warfare, and featuring on and producing numerous records from respected names . His trademark atmospherics shift between the nuanced to the crushingly direct, including elements of industrial, cold-wave and power electronics to give bleak, brutalist clout to his work. Now, Parker is striking out on his own with “Lash Back”, a full length record of mechanical, dystopic, beat-driven menace. Due out on the My Proud Mountain label on July 22nd, Lash Back is a marked departure from his metal legacy, retaining some of the hallmarks of his impressive work to date but moving towards bands Perc, Youth Code and Pharmakon. It’s a most enjoyable listen with a lot of sonic variety. Sadly I have nothing I can share at this stage so you will have to wait until Sonic Attack #168 on July 25th.

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Two years in the making, The Night Watch release their second album, “Boundaries”, a single thirty-six-minute piece on July 15th. The Canadian progressive instrumental quartet features guitarist Nathanael Larochette and violinist Evan Runge of Musk Ox. Sonically it’s a close relation to early God Speed and Silver Mount Zion but with a busier string sound which comes out of Vivaldi via Klezmer. You can pre-order here and I will podcast a portion of the piece on Aural Delights #190.

Cover (large)

And to conclude in a shameless act of self-promotion for our record label here’s a list of July gigs for the turns we look after…..

  • 1st July –  Taser Puppets with Joiner [Germany] Gareth Icke  at Dublin Castle Camden , London
  • 2nd July – The Scissors play  Bar Hill Festival, Bar Hill, Cambridgeshire
  • 9th July – The Electric Cheese, West Coast Sick Line and Pearl Divers play Dulcimer, Chorlton
  • 14th July – Poppycock and Rose & The Diamond Hand play The Thirsty Scholar. Manchester
  • 15th July – The Junta plays Night and Day Cafe. Oldham Street, Manchester
  • 15th July – West Coast Sick Line and Poppycock play Aatma, Manchester with Bobbie Peru
  • 17th July – Bouquet of Dead Crows play an acoustic set at Corner House, Cambridge
  • 28th July – Kit B play The House Party at Kendal Calling
  • 30th July – The Scissors play Portland Arms, Cambridge with The Machismo’s and Moonstrips

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Fascinating Things : Issue 55

A few thoughts to kick off with this time around……

I was reading some comments on Facebook by a semi-famous musician, from the 1980s,  about a specific genre of music, and how much he hated it, and I thought it was pretty mean spirited, he was particularly venomous in his condemnation. It struck me that there is enough intolerance in the world without getting worked up about music. I readily admit there are styles of music I don’t like, there are bands I don’t like, and there are bands where I maybe like one or two things from their catalogue but the rest leaves me cold. There’s an often used phrase in these circumstances “It’s all about opinion”, which for the most part I agree with, however, and this is the nature of social media these days, some numpty makes a nasty comment about something or another and then the rapid flame wolves (sounds like something from Game of Thrones) descend and the initial transgression expands into a full on hate war. This both dismays and annoys. This is why you will rarely see overtly negative comments in these perorations, I don’t see the point in trashing someones hard work and effort, where there is clear evidence that some time and money has been spent in putting music out there, there are exceptions of course, especially some of the more bland things that tend to get pushed by the music industry.

I get sent hundreds of things a week to listen to, and I always aim to write back to the submitter, whose music  hasn’t caught my attention, with my thoughts and an explanation as to why I will not feature it.  I always feel that a two way connection and conversation on these things is important. Sometimes I don’t get the time to respond,  mostly down to the sheer amount of material that comes my way, II know from experience that it is very frustrating to put music out there and get no response at all so I always try to make the effort.

Enough of my ramblings here are some good things that made the cut this week……

Andre Tajchman is a Belgian indie singer, musician, songwriter and producer based in London. This is his third single which has some very interesting and unique elements. Whilst his music embraces some recent trends there is some fascinating innovation here and it is well worth a listen.

Sinderins have a touch of Family about them. Indeed vocalist David Webster has a lot of Chappo in his stunning vocal acrobatics. I’m not normally a fan of the nu-uk-folk style but this is very good and sounds like late 60s/early 70s stuff. The band’s name is taken from a confluence of roads in their hometown of Dundee.

Previously featured nTTX has a new EP called “Objective”.  Of the two tracks I have heard it is very good indeed, combining a synth-pop feel with a harder EBM edge the results are impressive. Watch out for a track on the Aural Delights podcast in a couple of weeks.

And finally, I had the pleasure of attending an excellent gig last Saturday night at Dulcimer in Chorlton (South Manchester). Featuring Aidan Cross & Johann Kloos, Poppycock, Taser Puppets and West Coast Sick Line.  A packed upstairs room saw four excellent performances from the artists. Notable on the night were the incredible vocal harmonies from Poppycock who just get better and better, and the boundless energy of West Coast Sick Line, who topped off a great evening with a stunning set. I’ll have the pleasure of seeing Poppycock again this Thursday when they are performing at the Eagle Inn in Salford with Franco Bandini, and the legendary Mr Dave Graney.

Dusty and Chaimaine from West Coast Sick Line. photo courtesy of Mark Ridings
Dusty and Chaimaine from West Coast Sick Line. photo courtesy of Mark Ridings

Fascinating Things : Issue 48

It has been strange old week with winter overstaying its’ welcome a little too much for my liking, i’m grateful therefore for the veritable cornucopia of new things to listen to . And in the light of that  lets start off with some shameless self-promotion for the parallel universe that inhabits this space called German Shepherd Records…..

Franco Bandini released a stunning EP last year which I waxed lyrically about. Since them Franco has been to Spain and back, done a handful of live shows, and an informative radio appearance with my good friend Mr Stephen Doyle. The outcome of the latter is an impressive four track EP with an FB tune, two covers and a traditional blues. It’s a free download so why not fill your boots? His version of ‘St James Infirmary’ is particularly good with the lyrics changed to reflect the local landscape.

Whilst we are on matters of a German Shepherd nature I am pleased to record that the new Taser Puppets EP ‘Fossil’, which is rather special and which I featured a video of last time out,  is now available for pre-order with the title track being there for your listening pleasure……

Summer Heart is the solo project of Swedish singer-songwriter and multi-instrumentalist David Alexander. Best known for a nostalgic low-fi sound, David’s sun- bleached latest track ‘The Forbidden’ is “just the thing for those pesky winter blues” according to the promo people. This drifting dream-pop transcends the usual fodder that we are fed as hip and stands on it’s own Cocteauish reverb soaked feet. There is an interesting mixing effect in parts which increases the density of the soundscape and provides an intriguing listening experience.

I’ve been neglecting local turn Eugene The Oceanographer, mainly I guess because I was put off by the name, which is a little remiss of me. However I couldn’t really ignore the latest Bandcamp release which is a fascinating amalgam of sound collage, plunderphonics, sampling and such like. Themed around the 1988 Seoul Olympics the collection is in the spirit of the latest rush of found sound escapades mixed with a Manc (Sub) Pop sensibility, and some great, and sometimes surprising, guest vocals. It all takes me back to the early 80s in parts with nods towards Heaven 17 and Eno. Well worth a look and it’s pay what you want.

Following the success of Ulver‘s ATGCLVLSSCAP and KKKMO‘s Are You Land or Water, newly established UK label House of Mythology will soon be putting out their two next releases, Laniakea‘s A Pot of Powdered Nettles (featuring members of Ulver and Zu), and multiple award-winning Norwegian guitarist Stian Westerhus‘ (recently seen with Nils Petter Molvaer) new solo album, Amputation. Both albums are scheduled for April 29th.  HoM have commissioned a set of teaser videos, the first installments of which can be found below.

I featured The Boho‘s great new single ‘Leaders Don’t Love You” on the Aural Delights Podcast a couple of weeks back, the video has turned up and is worth a watch. It’s out on March 14th.

London four-piece, The Lazlo Device who are a dreamy indie mix of melodic guitars and contemplative vocals have a new single. Taking inspiration from the likes of Radiohead, Joy Division and Arcade Fire, they count Dominic Howard (Muse) and Howard Donald (Take That) amongst their fans already, not that influences my thinking in any way. Band member Ross works as a studio manager at Radio 1 and Dan has been a successful filmmaker for the BBC over the last few years, with their music set to be featured on a forthcoming BBC documentary about the Black Panthers. ‘Looking Glass’ is their latest single out March 4th from album ‘Duelism’ which will be out later in the year. A catchy little chorus gave it the edge in this instance but generally I wouldn’t go for this sort of fey four skinny indie kids type of stuff.

 

Turning to things that will be emerging on future editions of the Sonic Attack podcast there are a few things to attack your lugholes with:

  • As Southern Lord prepares for the March release of ‘II’ — the second LP from  Chicago-based, described as a death metal band,  Like Rats – founded by members of Weekend Nachos, the initial single of the album’s final track, “Grief Incarnate.” has been shared but it is not embeddable so you’ll have to leap over there yourself – impressive hard sound and have listen. Doesn’t sound like Death Metal to me – more hard rock with a gritty edge. On the basis of that album is something to look forward to. Interesting contemplative solo piano coda.
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Like Rats – photo by Peter Nelson
  • Swedish band , Extermination Temple, release their first vinyl with the ‘Lifeless Forms’ 7” EP in early March. The band is another project from the same artist who creates the music for  hardcore band Broken Cross. The self-titled 2014 cassette demo was an equal mix of black and death metal,  but the impending Lifeless Forms 7″ is undoubtedly overall more death metal. There’s a good punk speed to it mind you.

Extermination Temple promo photo

  • Oakland-based old-school death metal band Necrot, which features current and former members of Acephalix, Vastum, Saviours, Watch Them Die and Atrament, has joined the Tankcrimes Records roster for the release of their ‘The Labyrinth’ full-length. Featuring eight tracks garnered from three hard-to-find and long out-of-print demo tapes,the album was recorded at Lennon Studios by the late great Jef “Leppard” Davis (Abscess, Acephalix, Vastum) and at Earhammer Studios with Greg Wilkinson (Brainoil, Annihilation Time, Noothgrush), mastered at Mammoth Sound by Dan Randall (Ghoul, Toxic Holocaust) and will see release on April 15th on CD, digitally and deluxe, foil-stamped LP. They make a lot of noise for a trio, it’s abrasive and unforgiving stuff, and rather enjoyable.

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  • Tankcrimes are also putting out  the new LP from long-running Stockholm hardcore band, Victims, with the April release of the band’s sixth album, ‘Sirens’.  With twelve tracks in just under thirty minutes this high quality, solid, punk metal at its’ best, although the drums could have been mixed a tad higher for my tastes. There are some good fist pumping anthems here!

Victims

  • Ventura, California-based technical death metal unit, Inherit Disease, release their third full-length on April 8 via Unique Leader Records. Titled ‘Ephemeral’, the follow-up to 2010’s seminal Visceral Transcendence was recorded at Seahorse Sound Studios by Samur Khouja (Condemned, Arkaik, Flesh Consumed) and features mixing/mastering by Sasha Borovykh (Epicardiectomy, Cerebral Effusion) from Tsun Tsun Productions. This is mad stuff, completely stone bonkers insane, the drumming is d-beat in extremis and the vocals sound like the plumbing in my bathroom when the pipes are blocked up. The guitars are mysteriously way back in the mix as the gurgling vocals dominate, and the drum sound is most peculiar. Not sure I get it and want to listen to the thing all the way through but it’s certainly unique.

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  • Highlight of this recent slew of metal is the new one from Mannheim’s Black Shape of Nexus called ‘Carrier’.  A fantastic album continuing the bands run of quality releases. Balancing pretty scary intense doom with more restrained passages of bluesy guitar figures it’s a series of stylistic contradictions which work perfectly well in the round. This is a band willing to explore new corners, and avenues, and able to put the disparate elements together to create a compelling soundscape.

 

Fascinating Things : Issue 47

And so here we are again with a pile of new stuff to wander through. It’s been a busy year so far with little time to properly absorb the vast array of excellent new things that have arrived, so in order to catch up here is quick list of recommended things……

  • Tulipomania’s fourth album ‘This Gilded Age’ was released on February 26, 2016 and is pretty damn fine….if you are not sucked in by the moody opener “Hold On” then I fear for your mortal soul dear reader!
  • Previously featured Milton Keynes duo The Rusty G’s have their debut album ‘Low’ out on 9th May. It’s take no prisoners blues-rock with a grunge backbone throughout. Great! They play Gullivers in Manchester on 31st May as part of an eleven date UK tour. White Stripes meets Nirvana…..
  •  Corrina Jane (who I think I featured back in the radio days, unless there’s another Corinna Jane out there) has been getting some national recognition and no surprising given her penchant for catchy pop ditties. This tune is out on February 29th presaging four dates in March, one in the peoples republic of Moulton in sunny Northampton, I wonder if my chum The Great Gibbo will be attending. Anyhow this is a bit of a guilty pleasure one.
  • Mamiffer (the duo of Faith Coloccia and Aaron Turner [Sumac, Old Man Gloom]) have shared the second single from their dynamic and compelling new album The World Unseen, due out April 1st on their own SIGE Records. No embed code on this one so you’ll have to jump over there yourself. On this evidence sounds like an interesting album to grab when it arrives.
  • The excellent David “Yorkie” Palmer is back with a new Moongoose album called ‘Missives from the Memory Machine’ and bloody good it is too. Expect the usual stunning aural adventures as rock and electronica mix seemlessly to create a joyous adventure. It knocks the increasingly repetitive Public Service Broadcasting into a cocked hat (whatever one of those is).
  • Shauna from Shameless (and faves Ummagma) sent through news of a new EP from The Veldt. ‘The Shocking Fuzz of Your Electric Fur’ is a 5-track set, and the band comprises  identical twins Daniel and Danny Chavis, along with Hayato Nakao. This is their first EP as The Veldt in 20 years,  combining soul, shoegaze, RnB, and alternative rock. They were also previously known as Apollo Heights and are known for their long-term collaborative relationship with Robin Guthrie (Cocteau Twins), who produced several previous releases. To be released on vinyl, CD and digially via UK-based Leonard Skully Records. You’ll be able to get your grubby paws on it on March 18th,
  • The British connoisseurs of guitar driven alternative rock release news of their forthcoming April 2016 UK tour. Joining the Bath (UK) based Scout Killers on their crusade across English cities are support acts Amongst Thieves and The Loose Cut. The 5 piece outfit of Scott Cox (Vox), Julien Morrez (Guitar/vox), Beau Stevens (Guitar), Josh Ellis (Bass) and Chris Phillips (Drums)head out on tour following the release their latest single ‘Rip Me Apart’ out 28th March 2016. Having made loyal fans through extensive touring and their acclaimed 2014 EP – ‘Stand Your Ground’, Scout Killers are fresh out of the recording studio with new material to unleash during this year. Expect huge sonics, atmospheric guitar work and emotive vocals from the band who effectively know how to create anthemic rock tracks. They play Manchester Aatma on 9th April. Might be a bit too epic indie for some but it has a certain something.
  • Previously featured Aussie Hayden Calnin has put out ‘Cut Love Pt. 1’ which  is the first part of his  soon to be released debut album due for release in early March. It’s fascinating left field stuff.  Unfortunately for you the playlist is private so I can’t embed anything but fear not there are some tracks on next week but ones Aural Delights podcast. People who like Sigur Ros will love this stuff.

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  • Chorley’s Taser Puppets are back on March 18th with a four track EP called ‘Fossil’ via German Shepherd. With the flute now firmly embedded in the band’s sound this is a huge step forward for Shaun Ali Bongo and co. Highly recommended and here’s a taster.
  • French artist Fabian Aubry aka At Dawn We Are Kings has a new collection out called ‘Night Swim’  – a slight move on from his earlier releases this is strong material with a rich emotional content. You can grab it on I-Tunes. Fabian tells me he is relocating to Bristol soon, so hopefully there will be some UK dates from this talented chap.

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