The Best of 2016 #3 – Singles and EPs

This one is going to be a little different due to the nature of releases this year. All will become apparent as I meander through things. The nature of what I do on an almost daily basis i.e. putting together radio shows/podcasts and running a record label means that a serious amount of individual tracks come in for potential airplay or indeed for release on the label. So trying to do a definitive list of the “best” is nigh on impossible – if they made it onto the podcast or got released by the record label they are, because they got through that gateway, “better than the rest” so i’ll generalise…..and this is in no sort of order of importance as I love them all with equal fervour……with the stuff at the bottom of the page being the “top of the pops” as it were

The Moss Brothers – various releases by Ian and Neil under various aliases – the work rate of Ian Moss is legendary, add his sibling into the mix and you have a an even faster production line of fascinating music – whether it be Ian & Neil, Sebastien the Tortoise, A Magpie and a Goldfish, or 2 Big Brothers it’s all great.

Taser Puppets : Fossil – their latest EP and first with German Shepherd proved to be their best yet. A health scare for front man Shaun put things on hold for a while but a barn storming set at the Salford Music Festival but them back on the North West musical map.

Alana Bondi : Alana Bondi EP – another artist who battled through health problems in 2015/6 to deliver a remarkable debut EP and stunning video to the opener “Four Walls” plus a run of shows including the Edinburgh Festival Fringe.

The Sideshow : How It Goes – a remarkable single, pure pop for now people as Nick Lowe once said. Should have broken through this one and still a mystery as to why it didn’t.

The Screaming Love Collective : Three Singles – proof that repetition in music is still potent as a way of delivering ideas that are fresh.

The Mind Sweepers : The Mating Game – Vicky Middles asked if we could help out with this one and we were pleased to get involved. They call themselves genre defying and they certainly deliver on that score.

Bouquet of Dead Crows : Epicentre – a great collection of alternative versions, live cuts and a remix crowned a great year for the “Crows”  – a new album is in the pipeline and an album of radio sessions is promised for the new year.

The Madding Crowd – a good year, a great EP, an epic EP launch and a sense of renewed promise and hope for this north Manchester band.

Stalagmites : Between City and Cellar Door – back with a bang with a great EP, Brad Lynch is one of the best songwriters Salford has delivered with fantastic lyrics and epic tunes.

The Parish Church Fire : Locamente – another one where I sit here with a puzzled expression wondering why it wasn’t huge.

Staggs : Adult Loonies and A Rum Do – when I am fed up I turn to Staggs to cheer myself up – the diversity across these two releases is a testament to the skill and inventiveness of Ridley and Scott – punk, electronica and krautrock,  there’s something for everyone.

The Get : The Private Men EP – The Get are remarkable, their lo-fi approach to what they do, their relentless charm and enthusiasm is infectious. A great collection of songs.

Moff and Moss – aside from a remarkable debut album an epic single which dwelt on Mr Crowley and other strangeness. Expect new stuff in the New Year which is development at the moment – it will all become clear at the gig at the Castle in March!

Rose and the Diamond Hand : Universe Is Woman – should be huge, a remarkable voice, an amazing band, and a great live show, add a fantastic debut EP and you have a great year for Rose and co.

and the top three

3. KIT B – Weird Water – impressive song-writing from a great live band who broke into the festival circuit this year and garnered some impressive live reviews

2. m.t. scott – The Broken EP and 13 Queer Street – Michael left the wonderful world of Staggs for a while  to create two collections of aural wonderment. Cinematic in their scope and impressive in their musical depth he is clearly a creative force that requires/demands/deserves  a wider audience. I’ve been lucky enough to listen to these collections develop from ideas into fully formed pieces of aural magic.

1. The Graney and Moore Singles Releases – throughout the year Dave and Clare have released a digital single a month (more or less there will be one in January) in an effort, I believe, to escape the usual routines in the music industry. I can’t decide which is the best amongst any of them, so I’m bringing all ten into a collective number one, but if you were to push me the latest one “I Ain’t Hi Vis” is probably my favourite. The variety across this set of releases is impressive, the trademark Graney wit is in full effect, and musically, as is always the case, they are top notch. Notably there is more than a bit of a jazz tinge than is usual which of course ticks a lot of boxes for me. You can grab them all at the DG bandcamp page.  For the record the releases were:

I’m a Good Hater
This Is the Deadest Place I’ve Ever Died In
I Been Trendy
Drifting Donna Reed
Are You Out Of Your Mind? (Get Back In)
You Need a Kleek, Klook
Rupert’s Pet’s Grave
Matey, From On High
Let’s Kick this Mob Out
I Ain’t Hi Vis

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Fascinating Things : Issue 74

Time is escaping me at a rapid rate due to lots of other workloads,  with no time for considered prose. So this time it’s  just a series of videos and soundclouds  of things that I reckon you should wrap your ears around. They are  out now or due soon. Plus there’s  a list of current favourite listens at the end of the post showing what’s on rotation on the I-Pod at the moment….and a bit of shameless self-publication at the bottom. Enjoy!

MESMER DISCIPLES – REAL LOUD (Leeds,UK)

CHORE – THE HITCHHIKER (Ontario, Canada)

THE FRANKLYS – CASTAWAY (London, UK)

PAPA M – BLOOM (Louisville, USA)

FLIES ON YOU – DARKENING MY DOOR (Leeds, UK)

BOWERY ELECTRIC – FEAR OF FLYING (New York City, USA)

WE ARE BANDICOOT – TEMPER (Kent, UK)

THE STRESS OF LEISURE – GIRL ON A LILO (Brisbane, Australia)

 

CURRENTLY ON THE I-POD

  • Fistula – The Shape Of Doom To Cumm )))
  • Loser Life – …And I Am Going To Live This Way , Things Will Never Change, I Want The World, My Hell, Life Number Two, Burning Fields/Hard To Please (complete back catalogue being released)
  • Chore – The Coastaline Fire
  • Papa M -Highway Songs
  • Donny McCaslin – Beyond Now
  • Chads Tree – Crossing Off The Miles
  • Harry Howard and the NDE – Sleepless Girls
  • The Stress of Leisure – Achievement
  • Kristin Hersh – Wyatt at the Coyote Palace
  • Moss Skellington- The Lump
  • The Get – The Private Men EP
  • Miles Davis – Freedom Jazz Dance
  • The Triffids – Born Sandy Devotional

AND SOME GIGS COMING UP (which is why I have been otherwise engaged)

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100 not out

Various Artists

100

German Shepherd Records

30th October 2015

100

So let’s be clear from the outset, this is shameful nepotism of the highest order, but I can’t find anyone else willing to review it so I may as well take up the cudgels and have a go. Given I have a rather thorough inside perspective on this compilation, as I actually compiled it, I am in a position to be both honest and accurate, and perhaps somewhat effusive. If I am breaking some sort of record industry kayfabe by doing this so be it, but German Shepherd was set up to be doggedy (pun intended) independent, and to operate outside of the norms of the music biz, so in that spirit here goes.

Set up in February 2014 the label was originally intended as a vehicle for the work of co-owner Ian Moss, who had vast library of unreleased material he wanted to share with the world. Once word had got around about the endeavour other like minded souls expressed interest or were dragged into the inner circle of the label.

The manifesto is very simple, if the music that is offered to the label is sufficiently different and does not ape current trends and fads then it will probably find a home in the German Shepherd kennel.

21 months in and the chance to mark the milestone with some of the current and future artist on the label. Requests were sent out and a delightful pot-pourri of styles and genres emerged.

For German Shepherd virgins and, for those DJs who need accurate information(you know who you are), here’s a run down of all the tracks and the artists.

Loop-aznavour – theremin toting Loop, also a member of the remarkable Adventures of Salvador. offers a single from earlier in 2015, a remarkable distiller of styles and influences Loop is a captivating live performer and a consummate songwriter. From – Bury, Greater Manchester.

Pearl Divers ; the first band I ever “discovered” in radio land they have been through many line-up changes since 2009 but always centre around leader Carl Lingard. The tune on the album is a radical -reworking/second cousin to the bands “I Love The Music” – mixing Barryesque chords with a cold war soundscape one could, and should, argue that this would be a far better Bond theme than the odious one being used for the latest movie. The band are currently working on an album. From – Eccles/Irlam, Greater Manchester.

The Get – we love this band. They are great live, they write memorable songs, and they have a unique, sometimes unashamedly ramshackle sound. From – Bournemouth, Leigh on Sea etc, down south somewhere

Bouquet of Dead Crows – some folk will have been surprised about this band being on German Shepherd, one of aims is not to be complacent around what we are about,  dealing with any preconceptions of our mode of operation by throwing a curve ball in every now and then.  On first hearing, Bouquet of Dead Crows are conventional rockers, on deeper exploration the nuances emerge, from Toni Cooper’s excellent vocals, through the great rhythm section, to the multi-guitar talents of Neil Bruce. This is a band with a lot of depth. A single and cut from the new album “Of The Night” due out soon. From – Cambridge, east of Northampton.

Loop-azznavour
Loop-aznavour

Poppycock – working with Una Baines and her collective of musicians is always a pleasure and she offered up a live recording of the band from The Crescent in Salford. Recorded by Jim “Jedi” Watts, thus perpetuating the “every other musician you meet in Manc-land used to be in The Fall” myth this lovely tune first appeared on Una’s The Fates “Furia”  album. From: Manchester.

Franco Bandini – the buzz about Franco’s recent release of the label “2014 was a bad year” is increasing daily. Perhaps slightly less dark than the tracks on the EP this offering is from the same sessions and indicates his ability to create an epic sound. We predict great things. From –  Atherton/Manchester.

IKMRAO – the two label owners don’ t consider themselves to be musicians as such, they play with words and sounds and sometimes it comes out as music. Always making a point whenever they can this one has a much needed dig at the scenesters that hang around in clumps reeking of their own self-importance. From – Ashton Under Lyne/Eccles, Greater Manchester.

The Junta
The Junta

Captain Black – once a member of the aforementioned Pearl Divers and the main writer behind the much missed Positronik, Captain “Jeff” Black is adept at creating perfect pop tunes, and this is a sublime example. From : Swindon/Manchester

The Junta – it’s obligatory to say “aah yeah” or “shabba” at this point. Also once in Pearl Divers but now in Kit B, John “Monty” Montague brings an encyclopaedic knowledge of electronica  into play for  his tunes. Also a DJ on Salford City Radio Monty is a very busy chap. From : Salford, Greater Manchester.

Staggs – probably the most fascinating duo on the label in that they continually create tunes that both amaze and confound. Main vocal man Michael T Scott has a wonderfully acerbic outlook on the world at large. Music man Ridley is able re-invent well known sounds and turn them into something new. Staggs Disco is from one of their releases before they joined German Shepherd. Deserving of international acclaim I reckon. From –  Newcastle Upon Tyne,

Passage of Time – sounds influenced by 1969 Miles Davis together with more contemporary electronic textures. The closest thing to jazz on the label. From – Eccles, Salford. Greater Manchester.

Rose Niland and Mark Corrin
Rose Niland and Mark Corrin

Ion-Morph with three albums of the man’s spoken word releases on the label it would have been remiss to exclude a performance. The featured tune is a reworking of an old song and a hearful paean to Manc-land. From – Ashton-Under-Lyne

Moff Skellington – a genius, an iconoclast and a dealer in optical creosote. Moff creates music which defies description other than to say it hangs precariously between The Residents, Tom Waits, Pere Ubu, The Fall and Hank Marvin. His wordplay is completely unique, the aural equivalent of Salvador Dali.  As I may have said before, on many occasions, my crusade is to get him much more exposure and recognition. From – Abstercot

Rose Niland – we love Rose. She has a magical voice, she writes breathtaking tunes, and her words are memorable. Soulful, psychedelic and bluesy. From – Manchester

Monkeys In Love
Monkeys In Love

The Electric Cheese – captivating alternative rock with a unique sound. This trio is gaining a growing reputation as a must see live act. From their first EP with the label.  From – Chorley, Lancashire

West Coast Sick Line – Dusty Moonan, another genius, a man who can write memorable songs. The band has recently undergone a line-up change and the track on the compilation is an indication of things to come perhaps, a more powerful more rock oriented sound. New album “Europee” is imminent i.e. when they get out of the pub. From – Deganwy, North Wales

Monkeys In Love – a special band, they have been with the label from the start, helping and supporting. The track on the album is, dare I say it, one of their best yet. A remarkable live act and a lovely bunch of people. From – Manchester.

The track-listing

  1. Loop-aznavour – Ed’s Place
  2. Pearl Divers – Smoking Gun
  3. The Get – Say You Love Me
  4. Bouquet of Dead Crows – Just A Little More
  5. Poppycock – Ceaseless Effort
  6. Franco Bandini – Side B
  7. IKMRAO – Art
  8. Captain Black – Lost All Sense
  9. The Junta – Carnival 80
  10. Staggs – Staggs Disco
  11. Passage of Time – Round About Now
  12. Ion-Morph – Manchester (Slight Return)
  13. Moff Skellington – Potato Pickers
  14. Rose Niland – 5 Times
  15. The Electric Cheese – Gold Divers Under The Ice
  16. West Coast Sick Line – Best Lost In Translation
  17. Monkeys In Love – Installation Song #1

The album is a digital only release, is priced at £5, and all proceeds will go towards the Emmaus Homelessness Facility in Salford.

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Bouquet of Dead Crows

The Time of the Wolf

The first day of February.

The venue – the recently theatre style outfitted concert room of the Kings Arms, Salford. Which makes for an interesting arrangement for watching rockin’ (teen) combos.

The Cryin' Queerwolf
The Cryin’ Queerwolf

The occasion the second visit by the multi-faceted performer currently known as Cryin’ Queerwolf to Salford. This time a more relaxed, organised and altogether cohesive arrangement than the previous visit,  which resulted in some, shall we say, interesting events and reactions from locals. Those of you who regulary listen to either The Be Reet Radio Show, The Monty Show SD’s Sonic Diary on Salford City Radio – or indeed my podcasts – will be aware of an affiliation of artists around a loosely gathered thrust of what one might call alternative or independent (not indie) music. The bill of fayre for the evening reflects that collective with a well constructed evening of music set before us.

The gangs all here –  Tony and Steve are on the door, Moff and Mrs Moff have come over from Leeds, Matt and Susan from Factory Acts, the pair formerly known as Tingle in the Netherlands,  the still drummer-less Ascension, Joey Mutant, Shaun Maxwell,   Johann Kloos, Ding, Jeff Black, SD and many more. Due to necessary organisational arrangements within the Kill Pretty Empire I am somewhat busy and only have chance for quick hellos to some and no chance to speak to others. I’m also taking snaps tonight so I try to position myself in the most advantageous spot.

The Cryin’ Queerwolf starts the proceedings with the first of three numbers for the evening – elegantly attired with a set of heels that probably need planning permission, the ‘Wolf warms up the audience with Brechtian bravura and bonhomie.

Bruce and Gary of The Get
Bruce and Gary of The Get

First up are Southend on Sea  four piece The Get whose effortless charm, via ever smiling front man Bruce Gordon, wins over the audience. We get “Feral Beryl”, “You’ve Made Your Bed” and “Hit” as well as a number of their other inventive and memorable songs. Gordon, as I have said elsewhere, has a passing vocal resemblance to Jello Biafra and their brand of proto pop punk is passionately delivered. At one point in the set the Queerwolf and the shy and retiring Luis Drayton join the band for a performance of “You’ve Got To Wear A Dress”.  All in all a great set and well received.

In between the sets DJ Monty bring back his “New Order Disco” and pumps out some classic dance floor hits before grabbing his bass and joining Kit B on the main stage,

After a breathless performance of the Queerwolf classic “More Camp Than Kirk” from the ‘Wolf incarnate,  Kit B take the stage and deliver a fantastic set. The highlight for some audience members is the inclusion of the Hidden Gem classic “Loudest Silence In The World”. This is my third time of seeing the band and they improve each time and I remain convinced that Tony Ashworth is one of the best drummers I have seen in recent years. The band needs to do more gigs and get some exposure because they deserve some attention. Danny Cusick’s song craft continues to amaze and now he has a band that can deliver the material live.

Danny and Mike of Kit B
Danny and Mike of Kit B

The Queerwolf returns with his “wife” Tamsin for a delightfully camp delivery of the rascally “She’s My Beard” with some serious dance steps and twerking being delivered by both participants. Tamsin then peforms a short but memorable solo set. There’s a couple of songs I don’t recognise, but an emotional reading of “The Hide” and her use of live looping to create a virtual choir of Tamsin’s is very effective.

Tamsin
Tamsin

Topping bill are Kill Pretty. For this appearance the band have decided to shake things up a bit and Josh plays guitar and Chris bass – a reversal of roles. The fascinating and somewhat impressive thing is that not only does this  work as an experiment but it creates a whole new dynamic for the performance. We get a lot of the new album – “Super Soaraway Sun”, “Wild At Heart”, “Swastika Girls” and the first performance of “Burnley” as well as the staples of “13 Moons” and “Rob A Bank”. The band generates a ferocious energy and creates a memorable live experience. Discussions within the band at the moment reveal a desire to keep the performances fresh and challenging and they certainly managed that on this occasion.

Chris Dutton on bass for this show
Chris Dutton on bass for this show

So all in all an excellent evenings entertainment – congratulations to Fast Lane Steve for all the organisation behind the scenes. Let’s do it again soon!