The Best of 2016 # 2 – Gigs

Having spent quite a lot of the year in and out of medical facilities for one reason or another the number of gigs attended has been somewhat constrained but having said that much improved on 2015 when I spent a good deal of the time in a plaster cast. In the most part the gigs I did attend were all great. There were a couple of bad evenings caused in the first case by an idiotic club owner and in the second case by a less than perfect sound engineering job, it is not my habit to name names, so I won’t, all I would say is that bands deserve more.

Ones I sadly missed due to ill health and diary clashes

  • Robert Forster
  • The Triffids
  • Kim Salmon

Here are the highlights in no particular order, apart from the top four gigs.

  • Manchester Jazz Festival – just a general message to say it was much improved this year with some fascinating bands seen especially in the performance space in Manchester Central Library – the price of the beer in the Festival Village is obscene though!
  • Soft Machine at The Band on the Wall – OK so we sat in the bar for most of the second set drinking and chewing the fat about music but the first set was pretty memorable and I realised a long held ambition to see this band.
  • The Junta at Night and Day – kabuki, mime and beats with El Generallisimo cooking up a techno storm.
  • Aidan Cross & Johann Kloos, Poppycock, Taser Puppets and West Coast Sick Line at Dulcimer, Chorlton. A fun packed night with a storming set from the Westies and a slight hiatus while Mr Maxwell found his guitar.
  • Moff Skellington, Mr Mouse, Loop-aznavour at The Fenton Leeds – a remarkable evening with a sparse audience but excellent performances from all three protagonists only somewhat ruined by the inability to get out of Leeds via the motorway necessitating a circuitous journey home via Harrogate
  • The Eagle, again, for the debut of the much anticipated new band lead by Ian Moss Four Candles , Cambridge rockers, stripped down to acoustic duo  for the night, Bouquet of Dead Crows, all the way from Modena Italy Saint Lawrence Verge, and to close the night the ever excellent Poppycock. A rather special evening.
  • Sam SmithGenevieve L Walsh and The Madding Crowd at The Moston Miners Club – a great set from Sam, memorable poetry from Genevieve,  and an epic set from The Madding Crowd.
  • The Junta, Bouquet of Dead Crows, The Scissors and Kit B at the Eagle as part of Salford Music Festival. Barnstorming sets from all four bands – we need to do this again.
  • Taser Puppets, Poppycock, JD Meatyard and West Coast Sick Line as part of Salford Musical Festival also at The Eagle – one of our most successful nights with a good crowd, fine performances, and a stellar set from Mr Meatyard.
  • Blaney album launch at Pacifica Cantonese. A great album and a memorable album launch with the added bonus of it being five minutes from where I live. It’s been a good year for Ed and he deserves the support he is getting at the moment

and the top four, who all happen to be Australian for some strange reason……

4.

The Necks live at the Band on the Wall – a special performance from an amazing trio of musicians. Unique and breath-taking music bereft of ego and full of invention.

3.

Harry Howard and the NDE with Poppycock at The Eagle – exploding keyboards and horrendous traffic conspired against us but Poppycock were the best I have seen them all year and Harry and co were exceptional given they had a stand in rhythm section with only a couple of days rehearsal.

2.

Dave Graney and Poppycock & Franco Bandini at the Eagle – a long held desire to catch Dave and Clare live was at long last realised. Most of the band were full of germs but still managed to deliver a set packed with classic tunes from across the Graney songbook. The added bonus of seeing Malcolm Ross play the guitar as well.

and my gig of the year….

1.

Dave Graney at the Betsey Trotwood, London – a memorable journey to the capital despite a dodgy knee. A pleasant afternoon drinking with Bob and Jeff in some fine ale houses. A fantastic set from Dave, Clare, Stu and Malcolm covering even more of the Graney songbook topped off by a great tribute to Prince.

DG 2 BT

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Salford Music Festival 2016

Dear reader it’s that time again, the last week in September, when I wax lyrical about the utterly wonderful Salford Music Festival. . Now in its’ seventh year this grass roots, no nonsense event, is part of the musical life blood of the city in which I live. Often overshadowed, in entertainment terms at least, by our noisy neighbours in Manchester, this Festival plays a big part in redressing that imbalance and puts Salford firmly on the map, where it deserves to be.

The difference between any other festival that you might care to join in on is that it is absolutely free for punters, no wristbands, no overpriced beer or food, and no tents. Ed Blaney’s desire for the events to be free is a key driver for the popularity and success of the three day celebration of music. And the added benefit is there isn’t a tribute band in sight.

The Festival has been stripped back to three days this year, Thursday 29th September to Saturday October 1st, and centres around the Chapel Street/Blackfriars area close to Manchester City Centre, and the peoples republic of Eccles and the delightful village of Monton, just five minutes up the road from where I happen to live. This more compact and focused approach makes this years Festival feel more important and vibrant than ever.

And of course I have a direct interest in that I am looking after two nights at the Eagle Inn – Friday and Saturday.

So what can you expect?  Well all the gigs are listed on the Salford Music Festival website so I encourage you to go there, but here are a few of my highlights from the three days……

THURSDAY

The ultra talented Tamsin Middleton (Mr Heart) has a solo show at The Crescent at 8:30pm followed by ded.pixel and The Kingdom

The excellent Salford Arms has Duke and the Darlings, Wintergreen and Crimsons

Bobby Peru close the night at the always  excellent Wangies in Eccles with support from The Comics and Sioux.

FRIDAY

The beautiful Sacred Trinity Church is the main stage for a headline concert featuring local big new things Cabbage, the excellent Blaney, Sound of Thieves and Jess Kemp

The Eagle Inn has the first of two German Shepherd Nights with The Junta, Bouquet of Dead Crows, The Scissors and Kit B.

Highly regard all female trio Liines play The Crescent.

SATURDAY

The second German Shepherd stage at the Eagle features Taser Puppets, Poppcock, JD Meatyard and West Coast Sick Line.

Highly regarded Death to the Strange play The Crescent.

A packed day at the Salford Arms sees seven acts on between 5pm and closing time.

Milton Keys duo The Rusty G’s play Wangies.

Y Key Operators with guest bassist John “The Junta” Montague play the Blue Bell in Monton.

Here are some examples of what to expect over the weekend. I hope to see you at the Eagle for what promises to be an excellent weekend.

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Fascinating Things : Issue 66

July already, where is the year going?

There’s some exciting things coming up over the next few months including a brand new Van Der Graaf Generator album which I have naturally pre-ordered and a raft of gigs associated with our little record label including a show case event at the Eagle in Salford on 12th August which will feature, all the way from Modena Italy, the sensational Saint Lawrence Verge , the debut of Ian “Moet” Moss’s new band Four Candles (who look very promising from rehearsal recordings) , from Cambridge an acoustic set from the exceptional Bouquet of Dead Crows, and the remarkable Poppycock  as headliners. The Italian boys will be travelling down to Cambridge the following day for a gig at the Corner House with the Dead Crows and a visit from The Junta. We also have a presence at The Eagle on the Saturday with an EP launch from Rose and the Diamond Hand  and a guest appearance from the very talented Alana Bondi.

Anyway enough of this manic self-publication here some new things that might pique your interest……

Omar Rodriguez-Lopez  of At The Drive In/Mars Volta fame is to release a series of solo albums via Ipecac Recordings, with the first release, Sworn Virgins, available digitally on July 15. The previously unreleased albums were recorded from 2008 to 2013, while Rodriguez-Lopez lived in Zapopan, Mexico and  El Paso. The titles will be released on a bi-weekly basis with the first spate of albums running through the end of the year. Each album will see a digital release with a limited number of physical copies (CD) available on Rodriguez-Lopez’s various live outings. Following the initial run of releases, a limited edition CD/LP box set will become available.

Photo credit : Robin Laananen

Pixies have  announced a new album, “Head Carrier” which is available for pre-order at http://www.pixiesmusic.com. ‘Head Carrier’ is released on September 30th, 2016, on
Limited Edition Box Set, Heavyweight Vinyl in Gatefold Sleeve, and CD Digipack.  They have also announced a new continental European tour for November 2016 with UK dates to be announced very soon. Here’s the single ‘Um Chagga Lagga’.

It appears that Indie is making a comeback, did it ever go away I ask myself. with the new single from Blush. It has all the intensity of The Wedding Present with a transatlantic vocal shtick which sticks in the mind.

Hovering somewhere between Ray Davies, Dylan and The Byrds Glasgow’s The Echo Session have a new single. ‘But I’m Scared’ out. It is a live studio recording from the Echo Session vaults, mastered by Dave Cook. The single will be available from all the usual digital outlets, including the Flowers in the Dustbin bandcamp store. It’s seven years since their last single apparently.

Having burst wild-eyed from the stalls of a buzzing monthly club residency in deepest Hackney and with a lot of interest for debut single ‘Shakin’ Like the Leaves on the Trees’, blues-tinged tearaways Mollys Daggers are gearing up for the release of their debut album “Prima Materia” alongside 2nd single ‘Zin-uru’. It kicks off sounding like Rory Gallagher, which is fine by me, and a welcome respite from the Mumford clones that litter my in-box of late. Expect to hear cuts from the album on Aural Delights Podcast over the next few weeks.

If my Tardis was working (sadly the temporal synchro-mesh is off line) I’d be hopping over to the Corner Hotel in Melbourne round about now to catch Dave Graney ‘n’ The Coral Snakes. I’ll have to make do with the excellent PBS radio session from a couple of days back which was stuffed with classic Snakes tunes like Warren Oates. I’m pleased to be able to share this video from the session. What a band!

Fascinating Things : Issue 64

Straight into it this time around, there is just so much going on……………

Psychedelic dirt rock unit, Sonic Wolves,  which comprises current and past members of Ufomammut, The Hounds Of Hasselvander, Pentagram, and Rogue State,  release their debut full-length, “The End Comes”, on Taxi Driver Records in late July 2016. The eight-track offering follows the band’s first single, “He Said,” released as a limed edition seven-inch in conjunction with Record Store Day 2016.  Formed in Alessandria, Italy in 2012 by bassist Kayt Vigil (Rogue State, ex-The Hounds Of Hasselvander, ex-Pentagram) and drummer Vita (Ufomammut, Rogue State) initially under the name of “Tsutar”. In December 2014, the band recorded their first demo at Ampire Studio in Pistoia, Italy. At that time was Vigil on bass/vocals, Vita on drums and Stefano Tocci (Deaf Eyes, ex-Incoming Cerebral Overdrive) on guitars. By Spring of the following year, the eight-track “WolfWitch” was released and just a few months later, Paolo Melotto (ex-Psyconauts) joined  on lead guitar and vocals, followed by Diniz (Temple Of Dust, Mexican Chili Funeral Party) on rhythm guitar.

PROMO PHOTO 2

The sound of the band is a mix of heavy, gritty rock, with elements of metal and psychedelic influences. Here’s a taster of ‘He Said’ which was recorded and mixed by Stefano Tocci at Ampire Studio, Pistoia (Italy), and it’s a “radio edit” version. The extended track will be included in the upcoming full length. I’ll be featuring a track on the Sonic Attack  #168 on July 25th.

Boston-based thrashing hardcore punk band, Panzerbastard, release four new tracks on July 15th via their “MotörHeathen seven-inch”. Released by  PATAC Records, the new one follows a barrage of EP and split releases since their 2006 formation.

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“Here you go, motherfuckers,” says bassist/vocalist KPanzer of the seven-inch, “….the latest sonic assault on decency by the kings of motör-core. Forged in a dark, smelly, room in the deepest, darkest bowels of Boston, your intrepid, dirtbag heroes internalized three years of misfortune, betrayal, underachievement, and general disgust with the human race to puke forth the four slabs of sonic offal now known as MotörHeathen. We are the bastard sons of Motörhead, Discharge, Venom, and Cro-Mags, on a mission to ruin your life.” There you go….and very good it is too.  A couple of tracks will be on Sonic Attack #167 on July 18th. I’ve nothing to embed from the new one so here’s the most recent release prior to this new one.

Conceived as a three-piece jamming out simple stoner blues rock heavily rooted in metal, The Company Corvette deliver wall of sound hard rock.  They have recently completed their third full-length recording, “Never Enough”, which is released on August 5th  It’s heavy riff-laden, psychedelically inclined, occasionally laid back, mostly loud, stoner rock with above average use of fuzz and wah. The band likes to think of their two earlier releases as “glorified demos”  with the new album being a huge step forward for the trio in virtually every department. I agree.

the company corvette live

There will be a couple of tracks from this release on Sonic Attack #180 on August 8th – pending that here’s a taster.

Sanford Parker is the well regarded producer and electronicist behind some of metal’s most exploratory outfits, breaking new territory in his work as a fixture of Buried At Sea, Minsk, Corrections House and Mirrors For Psychic Warfare, and featuring on and producing numerous records from respected names . His trademark atmospherics shift between the nuanced to the crushingly direct, including elements of industrial, cold-wave and power electronics to give bleak, brutalist clout to his work. Now, Parker is striking out on his own with “Lash Back”, a full length record of mechanical, dystopic, beat-driven menace. Due out on the My Proud Mountain label on July 22nd, Lash Back is a marked departure from his metal legacy, retaining some of the hallmarks of his impressive work to date but moving towards bands Perc, Youth Code and Pharmakon. It’s a most enjoyable listen with a lot of sonic variety. Sadly I have nothing I can share at this stage so you will have to wait until Sonic Attack #168 on July 25th.

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Two years in the making, The Night Watch release their second album, “Boundaries”, a single thirty-six-minute piece on July 15th. The Canadian progressive instrumental quartet features guitarist Nathanael Larochette and violinist Evan Runge of Musk Ox. Sonically it’s a close relation to early God Speed and Silver Mount Zion but with a busier string sound which comes out of Vivaldi via Klezmer. You can pre-order here and I will podcast a portion of the piece on Aural Delights #190.

Cover (large)

And to conclude in a shameless act of self-promotion for our record label here’s a list of July gigs for the turns we look after…..

  • 1st July –  Taser Puppets with Joiner [Germany] Gareth Icke  at Dublin Castle Camden , London
  • 2nd July – The Scissors play  Bar Hill Festival, Bar Hill, Cambridgeshire
  • 9th July – The Electric Cheese, West Coast Sick Line and Pearl Divers play Dulcimer, Chorlton
  • 14th July – Poppycock and Rose & The Diamond Hand play The Thirsty Scholar. Manchester
  • 15th July – The Junta plays Night and Day Cafe. Oldham Street, Manchester
  • 15th July – West Coast Sick Line and Poppycock play Aatma, Manchester with Bobbie Peru
  • 17th July – Bouquet of Dead Crows play an acoustic set at Corner House, Cambridge
  • 28th July – Kit B play The House Party at Kendal Calling
  • 30th July – The Scissors play Portland Arms, Cambridge with The Machismo’s and Moonstrips

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100 not out

Various Artists

100

German Shepherd Records

30th October 2015

100

So let’s be clear from the outset, this is shameful nepotism of the highest order, but I can’t find anyone else willing to review it so I may as well take up the cudgels and have a go. Given I have a rather thorough inside perspective on this compilation, as I actually compiled it, I am in a position to be both honest and accurate, and perhaps somewhat effusive. If I am breaking some sort of record industry kayfabe by doing this so be it, but German Shepherd was set up to be doggedy (pun intended) independent, and to operate outside of the norms of the music biz, so in that spirit here goes.

Set up in February 2014 the label was originally intended as a vehicle for the work of co-owner Ian Moss, who had vast library of unreleased material he wanted to share with the world. Once word had got around about the endeavour other like minded souls expressed interest or were dragged into the inner circle of the label.

The manifesto is very simple, if the music that is offered to the label is sufficiently different and does not ape current trends and fads then it will probably find a home in the German Shepherd kennel.

21 months in and the chance to mark the milestone with some of the current and future artist on the label. Requests were sent out and a delightful pot-pourri of styles and genres emerged.

For German Shepherd virgins and, for those DJs who need accurate information(you know who you are), here’s a run down of all the tracks and the artists.

Loop-aznavour – theremin toting Loop, also a member of the remarkable Adventures of Salvador. offers a single from earlier in 2015, a remarkable distiller of styles and influences Loop is a captivating live performer and a consummate songwriter. From – Bury, Greater Manchester.

Pearl Divers ; the first band I ever “discovered” in radio land they have been through many line-up changes since 2009 but always centre around leader Carl Lingard. The tune on the album is a radical -reworking/second cousin to the bands “I Love The Music” – mixing Barryesque chords with a cold war soundscape one could, and should, argue that this would be a far better Bond theme than the odious one being used for the latest movie. The band are currently working on an album. From – Eccles/Irlam, Greater Manchester.

The Get – we love this band. They are great live, they write memorable songs, and they have a unique, sometimes unashamedly ramshackle sound. From – Bournemouth, Leigh on Sea etc, down south somewhere

Bouquet of Dead Crows – some folk will have been surprised about this band being on German Shepherd, one of aims is not to be complacent around what we are about,  dealing with any preconceptions of our mode of operation by throwing a curve ball in every now and then.  On first hearing, Bouquet of Dead Crows are conventional rockers, on deeper exploration the nuances emerge, from Toni Cooper’s excellent vocals, through the great rhythm section, to the multi-guitar talents of Neil Bruce. This is a band with a lot of depth. A single and cut from the new album “Of The Night” due out soon. From – Cambridge, east of Northampton.

Loop-azznavour
Loop-aznavour

Poppycock – working with Una Baines and her collective of musicians is always a pleasure and she offered up a live recording of the band from The Crescent in Salford. Recorded by Jim “Jedi” Watts, thus perpetuating the “every other musician you meet in Manc-land used to be in The Fall” myth this lovely tune first appeared on Una’s The Fates “Furia”  album. From: Manchester.

Franco Bandini – the buzz about Franco’s recent release of the label “2014 was a bad year” is increasing daily. Perhaps slightly less dark than the tracks on the EP this offering is from the same sessions and indicates his ability to create an epic sound. We predict great things. From –  Atherton/Manchester.

IKMRAO – the two label owners don’ t consider themselves to be musicians as such, they play with words and sounds and sometimes it comes out as music. Always making a point whenever they can this one has a much needed dig at the scenesters that hang around in clumps reeking of their own self-importance. From – Ashton Under Lyne/Eccles, Greater Manchester.

The Junta
The Junta

Captain Black – once a member of the aforementioned Pearl Divers and the main writer behind the much missed Positronik, Captain “Jeff” Black is adept at creating perfect pop tunes, and this is a sublime example. From : Swindon/Manchester

The Junta – it’s obligatory to say “aah yeah” or “shabba” at this point. Also once in Pearl Divers but now in Kit B, John “Monty” Montague brings an encyclopaedic knowledge of electronica  into play for  his tunes. Also a DJ on Salford City Radio Monty is a very busy chap. From : Salford, Greater Manchester.

Staggs – probably the most fascinating duo on the label in that they continually create tunes that both amaze and confound. Main vocal man Michael T Scott has a wonderfully acerbic outlook on the world at large. Music man Ridley is able re-invent well known sounds and turn them into something new. Staggs Disco is from one of their releases before they joined German Shepherd. Deserving of international acclaim I reckon. From –  Newcastle Upon Tyne,

Passage of Time – sounds influenced by 1969 Miles Davis together with more contemporary electronic textures. The closest thing to jazz on the label. From – Eccles, Salford. Greater Manchester.

Rose Niland and Mark Corrin
Rose Niland and Mark Corrin

Ion-Morph with three albums of the man’s spoken word releases on the label it would have been remiss to exclude a performance. The featured tune is a reworking of an old song and a hearful paean to Manc-land. From – Ashton-Under-Lyne

Moff Skellington – a genius, an iconoclast and a dealer in optical creosote. Moff creates music which defies description other than to say it hangs precariously between The Residents, Tom Waits, Pere Ubu, The Fall and Hank Marvin. His wordplay is completely unique, the aural equivalent of Salvador Dali.  As I may have said before, on many occasions, my crusade is to get him much more exposure and recognition. From – Abstercot

Rose Niland – we love Rose. She has a magical voice, she writes breathtaking tunes, and her words are memorable. Soulful, psychedelic and bluesy. From – Manchester

Monkeys In Love
Monkeys In Love

The Electric Cheese – captivating alternative rock with a unique sound. This trio is gaining a growing reputation as a must see live act. From their first EP with the label.  From – Chorley, Lancashire

West Coast Sick Line – Dusty Moonan, another genius, a man who can write memorable songs. The band has recently undergone a line-up change and the track on the compilation is an indication of things to come perhaps, a more powerful more rock oriented sound. New album “Europee” is imminent i.e. when they get out of the pub. From – Deganwy, North Wales

Monkeys In Love – a special band, they have been with the label from the start, helping and supporting. The track on the album is, dare I say it, one of their best yet. A remarkable live act and a lovely bunch of people. From – Manchester.

The track-listing

  1. Loop-aznavour – Ed’s Place
  2. Pearl Divers – Smoking Gun
  3. The Get – Say You Love Me
  4. Bouquet of Dead Crows – Just A Little More
  5. Poppycock – Ceaseless Effort
  6. Franco Bandini – Side B
  7. IKMRAO – Art
  8. Captain Black – Lost All Sense
  9. The Junta – Carnival 80
  10. Staggs – Staggs Disco
  11. Passage of Time – Round About Now
  12. Ion-Morph – Manchester (Slight Return)
  13. Moff Skellington – Potato Pickers
  14. Rose Niland – 5 Times
  15. The Electric Cheese – Gold Divers Under The Ice
  16. West Coast Sick Line – Best Lost In Translation
  17. Monkeys In Love – Installation Song #1

The album is a digital only release, is priced at £5, and all proceeds will go towards the Emmaus Homelessness Facility in Salford.

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Bouquet of Dead Crows

The Freedom To Choose

KIT B

Be Your Own God

Self Released

26th September 2015

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KIT B emerged a couple of years back from the dissolution of Manchester underground favourites The Hidden Gem, a band that deserved a lot more attention than it got.  KIT B ought get all the attention they deserve with this EP. The second self-release from the band,  introduces new drummer Peter Slater (who had a stint with John Peel favourites Blackpool’s Vee V V, who in turn emerged from Tunnelvision and the seaside punk scene), and delivers four new tunes plus two remixes (by the alter-egos of two of the bands’ members).

Debut EP  “This Picture” has just re-emerged on Bandcamp and I suggest you start there to familiarise yourself with their output.

This is high grade Manchester alternative popular music. Lead man Danny Cusick has demonstrated over the years that he can write excellent lyrics and melodies, there is literally a whole albums worth of unreleased material by the band that has not seen the light of day. That collection of tunes amply demonstrated the potential of the band. The new collection builds on that legacy and moves the band on as a writing and performing unit. All the songs are co-credited to the four band members.

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Opener Montezuma builds from bassist John Montague’s (The Junta, Pearl Divers, Positronik) riff and lyrically is Cusick’s homage to Lou Reed ,with clever references to the VU front-man’s output and history. Cusick’s vocal is his usual mix of tender and fractured instilling an emotional edge which requires repeat play. Keyboardist Mike Powell (Exchange, Night Operations) builds layers of synths to create a rich sound.

Title track Be Your Own God has a typical Cusick more-ish melody which is driven by a chunky Montague bass line and has some delicious break-downs and changes between verse and chorus. The song could go on a lot longer for me, it’s that good. In Peter Slater the band have an excellent drummer who has been able to take on the mammoth task of filling previous sticks-man Tony Ashworth’s shoes.

Vicious Circle, probably the best song on the release to these ears comes across tonally a bit like “Shoulder Pads” by the Fall with it’s staccato keyboard line but develops it’s own identity with a developing melody and a motorik drive from Slater and Montague. For some reason I was also reminded of something from early Yes. (obligatory in-joke prog rock reference!) Again another great song which is over far too quickly.

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(It’s Gonna Be) Alright starts all techno and then morphs into pure pop out of the Hulme massive. Heady nights in the Hacienda or The Ritz are called to mind. Montague’s bass delivers a pungent restless urgency to the song, Cusick teeters on the edge of emotional break-down with a bitter-sweet vocal.

Cusick says “Vicious circle and Alright have been knocking around for a while and a psychoanalyst would probably be able to explain the meaning of the songs more clearly than me. The title ‘Vicious Circle ‘ is the original title of ‘ in the Ghetto ‘ by Elvis, I’m a great fan.The lyric for ‘Alright’ came out in a stream of consciousness and took about 10 minutes to write.

The two remixes reflect the other “jobs” of Montague and Powell.  Monty adopts his Junta persona for techno rework of Vicious Circle, stripped down and stuffed with analogue squelches replacing his own bass line,  he brings a different dance oriented dynamic to the tune. Mike adopts his ambient Night Operations approach to recreate an electronica/dance focused feel to Alright with urgent beats and attention given to the bass and guitar lines, and then a move into OMD territory with a trip down the autobahn at some pace.

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I submitted a few questions via Facebook to the band in anticipation of the EP launch at Tiger Lounge, Cooper Street, Manchester on 26th September. I kicked off by asking, given the large amount of material in the band’s catalogue, why it had taken so long to come out and whether other releases are planned, and why a self release approach had been adopted?:

DC:  Two years to release four songs and a couple of remixes is quite good going for us. There are no plans for the album at the moment but we have new material that we are quite excited about so there maybe a vinyl single towards the new year. We decided not to hawk the ep around the record labels, wejust thought we’d go down a DIY route and not have to suffer the indignity of numerous ‘Dear John ‘ replies.

The EP’s striking cover comes from an idea Cusick had before he even wrote the title song.

DC: I just sent the brief over to a graphic designer I know from Dublin, Donogh  McLaverty, and he worked his magic and produced the great image.

The EP will be available in a an attractive faux-vinyl CD from the band at gigs from their website   and a digital version will be also be on-line in the near future.

The EP will be available to buy at the Tiger Lounge gig and as for other gigs Montague revealed that plans are being put together for an evening with Y-Key Operators and The Electric Cheese.

The support act for the Tiger Lounge gig is newish band The G-O-D which is a side project of Dub-Sex guitarist Chris Bridgett and features the legendary Manchester drummer Simon Wolstencroft (The Fall, Ian Brown).

I asked the band what music they were listening to at the moment.

DC: I’m just listening to a 1970s top of the pops album I bought for 50p from a charity shop,it has a version of PILs ‘death disco’ on it amongst others.Elton John played on a lot of these L.P’s before he got married and became a housewife.

PS: is listening to Lonelady. Slug , Sleaford Mods and The Membranes.

JM:  I’m liking the new Wolf Alive album, and shock horror Years & Years which I bought my wife. Quite good debut album,like it! (you can also hear Monty’s current faves on his radio show on Salford City Radio on Tuesday nights at 9pm).

MP: i’m  enjoying the new Jane Weaver and the Underworld album “A Hundred Days Off” at the moment (you can listen to Mike on Halton FM on Tuesday between 8 and 10pm)

A highly recommended EP and the band are well worth seeing live so don’t miss the gig at the Tiger Lounge.

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Fascinating Things Issue 01

 This is the first of a semi-regular magazine format blog of new music that comes my way and gets featured on my podcasts. You will find a wide variety of music types here and hopefully something that piques your interest.

Chelsea Wolfe is set to release her newest full length album, Abyss, August 7th on Sargent House, here is the single release from the album :

Dead Rider have a series of European tour dates on the horizon in support of their new 7″ single New End b/w Uncomfy, and the  full length Chills On Glass which Drag City released last year.  UK dates are 17/6/15  London – Shacklewell Arms, 18/6/15 Glasgow – Bloc+
19/6/15  Edinburgh – Sneaky Petes, and 22/06/15 UK, Bristol -The Exchange.

In the year of shoegaze’s comeback, Ear to Ear Records presents you a free download international shoegaze compilation, involving 30 bands from 16 countries. In the words of Creation Records co-founder Joe Foster, this is as “an unprecedented spread of hope and art”, which has been embraced by members of such shoegaze pioneers as Swervedriver, Slowdive, The Telescopes, Brian Jonestown Massacre, and Swallow.

The Melvins  released The Bulls & The Bees/Electroretard split on Ipecac Recordings, on 2nd June. This 13 song album features both releases on one CD.

Fresh from a BBC Radio 6 Music debut on 6 Music Recommends with Tom Ravenscroft, and a live appearance at Song By Toad’s , Andrew R. Burns & The Tropicanas“Paradise Palms Song by Toa d Dingus Rock Slop Fest” the ‘Dreamslop’ ep was released on Sunday 31st May, and is available from itunes and all major digital stores via Flowers In The Dustbin records.

FLOW is the new album from the Belgium based quartet Drifter, co-led by Finnish pianist Alexi Tuomarila and Belgium saxophonist Nicolas Kummert, who won huge praise and acclaim across Europe and Australia as the Alexi Tuomarila Quartet in the early 2000’s.

Inego are named after the Spaniard hell-bent on avenging the death of his father in the 80’s cult classic ‘The Princess Bride’ . The band released their ‘What Are You Waiting For?’ in May . Recorded at Magic Garden Studios and produced by Gavin Monaghan and Joe Murray. The Band play The Headlander Festival in Stockport on June 20th .

The Junta returns with a four track EP on German Shepherd Records on June 12th. Entitled Hydra the music inspired by the Marvel Universe baddies and the Agents of Shield TV Programme. A follow EP with remixes  by Night Operations, Captain Black, Space Museum, Passage of Time and The Junta himself will follow in July.

Austin, Texas’s Sungod have released a fantastic two track EP of their signature psych drone krautrock – highly recommended

Southern Lord have announce the signing of Montreal trio BIG|BRAVE. The three-piece play  long-form out-rock that ventures in to different directions – at times mournful and unsettling – “their music plays out in to moon-bleached grunge where serene vocals crumble over scraping guitars bled of melody.” A new album is penciled in for a late summer release, recorded with Efrim Menuck (Godspeed You! Black Emperor/Thee Silver Mt Zion Memorial Orchestra) at Hotel2Tango. This will add to a growing discography comprising their debut EP An Understanding Between People (2013) and the debut LP Feral Verdure, which they recorded at Paradise Studios with Jon Boles, and self-released in September 2014. There’s high expectation of great things to come.

nTTx is the new project of Gord Clement (former singer/songwriter in Atomzero). His new music is a melodic, vocal driven form of EBM, with some synthpop and disco influences. The new single is titled ‘Falls Beautiful’ with a b-side cover version of ‘New Dress’ (Depeche Mode). The single is now available as a free download to the public via his bandcamp page . It will also be available through iTunes, Amazon, and most streaming services.

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