I’m reconciled to the fact, that due to other commitments, there is probably only going to be one of these every month. Too many distractions prevent focused writing. However, a plethora of excellent new albums have inspired this peroration, and it’s good to share. In one way or another, the releases featured in this blog will find their way into the Aural Delights Radio Show. I offer this information in the hope you might find something interesting to listen to that you might otherwise not be aware of. It might also tempt you to listen to the show. A pleasant aural distraction while you are doing the ironing or whatever.
Such is the nature of music accessibility these days that I am swamped on a daily basis by new releases and keeping up is almost a full-time job. But I should not complain, I recall the early days of Sounds and looking longingly at the Virgin Records advert in the rear of said august inky news-sheet and wondering how I could ever possibly afford to purchase the likes of Ars Longa Vita Brevis by The Nice,
Let’s start with TFS or to give them their full name Tropical Fuck Storm, which is also the name of their record label. Their debut album “A Laughing Death in Meatspace” is remarkable. Emerging from the Drones (the Australian version thereof not the Manc Punkers) the line-up is Gareth Liddiard guitar and vocals and Fiona Kitschin bass (The Drones), Lauren Hammel (High Tension) on drums and Erica Dunn (Mod Con, Harmony) on guitars, keys and other gadgets. How do you follow up from the excellent last album from The Drones? Well with this amalgam of modern rock music. Liddiard’s laconic vocal style dominates and he has great lyrics. The use of guitars is as always with Liddiard’s work a key feature but is the repetition and layering and song construction that marks this out as a ground-breaking release. The music moves through a variety of types of rock and blues but those conventions of genre don’t do justice to what emerges from this album There are strong elements of rap/urban delivery that seep into the murky corners of rock to create a singular sound. Highly recommended and a strong contender for album of the year.
I find a lot of new music by listening to community radio, there are some great DJs out there and Brad Cain and Dave Hammond are two of the best. Brad works out of Nevis FM once every couple of weeks and is also syndicated to Radio Kaos in Austin Texas. There is a lot of crossover between what Dave, Brad and I do and you’ll often find some similarities between show playlists. A recent show from Brad featured some fascinating music by a band called Ten Million Aliens. They have an album out called “Road Trip (Fall Of The Rebel Angels)”.
I may as well nick their bio from the webpage as it articulates more efficiently than I can about this album
Ten Million Aliens are the latest incarnation of the partnership of musical Übermensch John Senior with producer John Rowley, ex guitarist from John Peel favourite’s Red Guitars. While they are largely unknown outside of their local musical orbit, the pair have worked together for years on some fantastic studio projects including the legendary Lords of Zubos and recently the superb album “On The Beach” from the sadly missed Eddie Smith. Now with the addition of Rich Banks on bass and guitar they have taken it up to another level. Their collective musical credentials over the years include studio and support slots with hundreds of bands from The Smiths, Radiohead, The La’s, Cast, Pulp, Kingmaker, and the Bhundu Boys to The Voice runner up Sally Barker.
The album Road Trip (Fall of the Rebel Angels) has taken two years to complete from inception to master and all the years of studio and live experience of this trio have been pulled together and condensed into the super massive black hole that is their magnificent masterwork. Senior is a simply unstoppable tsunami of musical ideas and improvisational dexterity playing in a bewildering patchwork of styles to create a roller coaster ride into the rotten belly of a dystopian America that has just arrived with perfect timing.
They could never have imagined when they started laying down the tracks two years ago that today America would actually be re living the civil rights struggles and nuclear sabre rattling of the 60s headed up by an orange man/baby who informs his world through Fox News and Twitter.
So what you have in broad terms is the amalgamation of, sometimes frightening, spoken word from Trumpists, with american musical styles to create an almost cinematic aural confection which both astounds and gives pause for thought. I was reminded of the work of producer Hal Wilner (especially his Mingus/Harry Partch album Weird Nightmare) in the construction and format. It is an astonishing album, both in terms of uncovering some of the dark elements of the American Dream but in its use of that countries music to deliver its message. Again another strong contender for album of the year.
Finding out about The Red Propellers has been difficult. They don’t appear to have penetrated the Google-sphere to any great extent as yet. They appear to be from Bristol or maybe Stroud in Gloucestershire. They have an album out called “The Fragility of Love: Collected Works” which is stunning. Vocalist James Dick appears to be channelling either Lennie Bruce or Jim Morrison in many ways but also takes it past the Lizard King ,to an evangelical preacher level indulging in MES style rants with some fervour. There’s also a bit of early VU about them. The band delivers a surging, bubbling, almost funky blues rock bed over which Dick delivers complex and impressive vocal tirades. Three of the tracks on the album come from an EP called “Images” which was released in 2016.
As can be seen from the below guitarist David McEvoy can also create some more off-kilter experimental sounds. I can’t find something from the album to embed but you can track it down on Spotify, Deezer and the like. The live track below is a good indication of what to expect. A remarkable band.