Zara’s Theme

I first featured Zara McFarlane a couple of years back when I chanced upon, and was very impressed by, her 2011 album “Until Tomorrow”.  She will be featured on this weeks World of Jazz as part of my A to Z – i’ve reached the letter “M” which is timely.

Her second album “If You Knew Her” was released on Brownswood Recordings on 20th January and it includes her version of Junior Murvin/Lee Perry’s “Police and Thieves”. McFarlane has gathered a stellar cast of musicians for the album – Peter Edwards (piano) Gavin Barras and Max Luthert (double bass), Andy Chapman, Moses Boyd and Luke Flowers (drums), Rachel Gladwin (harp), with guests Manu Delago (hang), Binker Golding (Tenor Sax) and Leron Thomas (Trumpet/vocals). Local trumpet star Matthew Halsall also co-wrote one of the songs.

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

The new album sees her blossoming as a lyrically conscious songwriter, cementing what “Until Tomorrow” revealed – an artist composing original songs, telling her own stories (a rarity among jazz singers), demanding attention for their daring brilliance. Eight of the eleven songs are beautifully crafted originals, which, says Zara, “collectively explore emotive stories of beauty, passion, love, vulnerability, empathy, boldness, directness and sensuality. Inspired by the many vibrant, amazing, charismatic black women in my life, it’s an album that celebrates the strength of women, from the alpha female to the housewife”.

The album is described as a courageous step forward for McFarlane, not only lyrically, but musically. Over half the tracks are stripped bare, revealing Zara’s voice in all its variety and subtlety. She performs in many different settings often in a simple duet format, most poignantly with just understated accompaniment from pianist Peter Edwards or, as on the album’s opening track, “Open Heart”, with just bass and the ethereal sound of the hang.

Aside from her own compositions, the album includes covers the aforementioned Police and Thieves which was released, along with the video above, to celebrate 50 years of Jamaican independence, it became an immediate fan-favorite and radio-choice already notching up over 52,000 views on YouTube. Nina Simone’s “Plain Gold Ring” gets an adventurous reworking, as does the lesser known cult classic from Jamaican singer Nora Dean, “Angie La La” featuring New Yorker Leron Thomas on trumpet and vocals – the album’s first single.

Zara was born into a Jamaican family in Dagenham, East London. In 2010 she issued her self-produced EP, Until Tomorrow, catching the attention of Gilles Peterson who released the debut album the following year on his label, Brownswood Recordings. Positioned neatly between the twin worlds of modern jazz and nu-soul, it confirmed the presence of a very special artist earning Zara a plethora of rave reviews and a MOBO nomination. Her unique crystalline voice and finesse of her delivery stems from both a natural gift and years of formal study at a very high standard. After studying Music Theatre at the Brit School, she studied Popular Music & Performance at Thames Valley University and holds a Masters Degree in Jazz Studies attained at the Guildhall School of Music. Prior to the release of her debut, she made a string of impressive appearances with musicians such as Soweto Kinch, Denys Baptiste, Orphy Robinson, as well as featured vocalist in ska orchestra, Jazz Jamaica. Her tracks have been reworked by various producers including afro-funkster Osunlade. Most recently she has paid tribute to Tammi Terrell with Norwegian DJ Dalminjo and fronted Italian DJ Nicola Conte’s big band. In 2012/13 Zara toured her album in the UK and Europe, with memorable performances including support slots for the likes of the godfather of South African jazz and funk, Hugh Masekela, and a string of dates with voice of the moment Gregory Porter

The album builds on the exceptional first release demonstrating a growing maturity both in vocal delivery and in composition. Lovers of modern jazz and nu-soul will appreciate this well crafted release which offers a reflective and atmospheric selection of material.

Zara plays Band On The Wall, Manchester on 18th February. I will be doing a special podcast around Zara’s work before the live show in Manchester.

Other dates are:

  • 7th February Cardiff RWCMD
  • 8th February Bristol Colston Hall
  • 11th February Milton Keynes The Stables
  • 12th February London XOYO
  • 20th February Gateshead The Sage
  • 21st February Coventry Warwick Arts Centre

You can find out more at Zara’s website at : www.zaramcfarlane.com

And you can follow her on Facebook and Twitter @zaramcfarlane.

You can buy the album here

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World of Jazz 3rd November 2011

The playlist for this show

  • Kenny Drew – Groovin’ The Blues – Undercurrent – 1960 – arguably one of the great hard-bop albums with Drew utilising the  talents of Freddie Hubbard and Hank Mobley to full effect.
  • Laika – Black Narcissus – Nebula – 2011 – as featured on last weeks show another track from this amazing new album.
  • Zara McFarlane – More Than Mine – Until Tomorrow – 2011 – another new star with a new album. Backed by a fine set of musicians that includes pianist Peter Edwards, double bassist Nick Walsh, drummer Andy Chapman and saxophonists Binker Goldings, Camilla George and Zem Adu, McFarlane is in fine form here.
  • Richie Barron & The Mob – What I Say – Live in Eureka Ca – 2011 – Dr Tequila does Brother Ray – good time music!
  • Jan Garbarek – White Noise of Forgetfulness – It’s OK to Listen to the Grey Voice – 1984 – the usual stark and chilled soundscapes of a Garbarek album are given a rougher feel through the excellent guitar of David Torn here – also watch out for Eberhard Weber’s exceptional bass playing.
  • Paulo Fresu and Uri Caine – The Dragon – Think – 2009 – a great duet album from Fresu and Caine the former bringing out the softer side of the latters playing.
  • Ravi Coltrane – Epistrophy – Blending Times – 2009 – a fascinating reworking of Monk’s classic track – a waltz in 4/4 time – Ravi shows it is still possible to play outside of what is deemed both commercial and conventional without getting too arty about it.
  • Thelonious Monk Septet – Well You Needn’t – The Complete 1957 Riverside Recording – 2006 – a classic reading of a classic track from a legendary session. Notable for the part where Monk prompts Coltrane to play his solo (he had forgotten it was his turn) and with scarcely a breath the master sax player plays his socks off.
  • Paul Carmichael – The Destination – Wax is Melting – 2011 – and a touch of up tempo fusion to close the show
To listen to the show click on the link below